2019-2020 2020-2021 2021-2022 2022-2023 2023-2024
Browse
by subject...
    Schedule
view...
 

371 - 380 of 1219 results for: all courses

CSRE 151P: Transpacific Performance (TAPS 151P, TAPS 351P)

Building on exciting new work in transpacific studies, this course explores how performance reveals the many ways in which cultures and communities intersect across the diverse and dynamic Pacific Ocean world, covering works from the Americas and Asia, Pacific Islands, and Australia. In an era when the Pacific has emerged as the center of global cultural and financial power, what critical and ethical role does performance play in treating the region's entangled histories, its urgent contemporary issues, and possible futures?
Last offered: Spring 2020 | UG Reqs: WAY-A-II, WAY-EDP

CSRE 152K: Mixed-Race Politics and Culture (AFRICAAM 226, AMSTUD 152K, ENGLISH 152K)

Today, almost one-third of Americans identify with a racial/ethnic minority group, and more than 9 million Americans identify with multiple races. What are the implications of such diversity for American politics and culture? This course approaches issues of race from an interdisciplinary perspective, employing research in the social sciences and humanities to assess how race shapes perceptions of identity as well as political behavior in 21st-century U.S. Issues surrounding the role of multiculturalism, immigration, acculturation, racial representation, and racial prejudice in American society. Topics include the political and social formation of race; racial representation in the media, arts, and popular culture; the rise and decline of the "one-drop rule" and its effect on political and cultural attachments; the politicization of census categories and the rise of the multiracial movement. If you have any questions about enrollment or need a permission number, please contact Farrah Moreno (farrahm@stanford.edu).
Last offered: Winter 2018 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-EDP

CSRE 154D: Black Magic: Ethnicity, Race, and Identity in Performance Cultures (AFRICAAM 154G, AFRICAAM 254G, FEMGEN 154G, TAPS 154G, TAPS 354G)

In 2013, CaShawn Thompson devised a Twitter hashtag, #blackgirlmagic, to celebrate the beauty and intelligence of black women. Twitter users quickly adopted the slogan, using the hashtag to celebrate everyday moments of beauty, accomplishment, and magic. The slogan offered a contemporary iteration of an historical alignment: namely, the concept of "magic" with both Black people as well as "blackness." This course explores the legacy of Black magic--and black magic--through performance texts including plays, poetry, films, and novels. We will investigate the creation of magical worlds, the discursive alignment of magic with blackness, and the contemporary manifestation of a historical phenomenon. We will cover, through lecture and discussion, the history of black magic representation as well as the relationship between magic and religion. Our goal will be to understand the impact and history of discursive alignments: what relationship does "black magic" have to and for "black bodies"? H more »
In 2013, CaShawn Thompson devised a Twitter hashtag, #blackgirlmagic, to celebrate the beauty and intelligence of black women. Twitter users quickly adopted the slogan, using the hashtag to celebrate everyday moments of beauty, accomplishment, and magic. The slogan offered a contemporary iteration of an historical alignment: namely, the concept of "magic" with both Black people as well as "blackness." This course explores the legacy of Black magic--and black magic--through performance texts including plays, poetry, films, and novels. We will investigate the creation of magical worlds, the discursive alignment of magic with blackness, and the contemporary manifestation of a historical phenomenon. We will cover, through lecture and discussion, the history of black magic representation as well as the relationship between magic and religion. Our goal will be to understand the impact and history of discursive alignments: what relationship does "black magic" have to and for "black bodies"? How do we understand a history of performance practice as being caught up in complicated legacies of suspicion, celebration, self-definition? The course will give participants a grounding in black performance texts, plays, and theoretical writings. *This course will also satisfy the TAPS department WIM requirement.*
Terms: Spr | Units: 3-4 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: Robinson, A. (PI)

CSRE 160: Censorship in American Art (AMSTUD 167, ARTHIST 160, FEMGEN 167)

This course examines the art history of censorship in the United States. Paying special attention to the suppression of queer, Black and Latinx visual and performance art, including efforts to vandalize works and defund institutions, students will explore a variety of writing such as news articles, manifestos, letters, protest signs, scholarly texts, and court proceedings. The course approaches censorship as an act to restrict freedom of expression and, however unwittingly, as a mode of provocation and publicity.
Last offered: Autumn 2021 | UG Reqs: WAY-A-II, WAY-EDP

CSRE 166: African Archive Beyond Colonization (AFRICAAM 187, AFRICAST 117, ARCHLGY 166, CLASSICS 186, CLASSICS 286)

From street names to monuments, the material sediments of colonial time can be seen, heard, and felt in the diverse cultural archives of ancient and contemporary Africa. This seminar aims to examine the role of ethnographic practice in the political agendas of past and present African nations. In the quest to reconstruct an imaginary of Africa in space and time, students will explore these social constructs in light of the rise of archaeology during the height of European empire and colonization. Particularly in the last 50 years, revived interest in African cultural heritage and preservation raises complex questions about the problematic tensions between European, American, and African theories of archaeological and ethnographic practice.
Terms: Aut | Units: 3-5 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: Derbew, S. (PI)

CSRE 183: Re-Imagining American Borders (AMSTUD 183, FEMGEN 183)

Borders of all kinds in this America have been tight for a long time, and the four years of the Trump regime have shown new violent dangers in such divisions in race, ethnicity, gender and class in this country. In the inordinately difficult years of 2020-2021 as the pandemic has uncovered even more lethal created divisions via closed crossings and early deaths reflecting difference, our task in this course is to both examine how systemic inequities have been developed as part of American history and our daily life, especially as we see the pandemic effects, and to see how American artists, including novelists, poets, visual and performance artists, filmmakers, photographers and essayists, have developed approaches to examine, resist or re-create how the shards of our fractured identities may make sense to us. Films from Raoul Peck on colonialism and white supremacy in this America, Barry Jenkins and Kara Walker on slavery in visual narratives, poets Shailja Patel, Naomi Shihab Nye, Claudia Rankine, Layli Long Soldier, Janice Lobo Sapiago, Felicia Zamora, Zhenyu Yuan, from within the power of multiple languages, and Ta-Nehisi Coates and Nikole Hannah-Jones of the '1619' Project who bring US education into the story, all speak to recent art and social action. Nearby guest speakers from the newly produced Mini Museum Honoring the Black Panther Party in West Oakland, and creators of the Stanford Graphic Novel Project's visual art book with revelations on California prison conditions will also provide more vivid examples for all. Students' work for the quarter includes both written analysis and creative final projects.
Last offered: Autumn 2021 | UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II

CSRE 191: African American Art (AFRICAAM 191B, ARTHIST 191)

This course explores major art and political movements, such as the Harlem Renaissance, the Black Arts Movement, and #BlackLivesMatter, that have informed and were inspired by African American artists. Students will read pivotal texts written by Black artists, historians, philosophers and activists; consider how artists have contended with issues of identity, race, gender, and sexuality; and learn about galleries, collections, and organizations founded to support the field. Attendance on the first day of class is a requirement for enrollment.
Last offered: Spring 2021 | UG Reqs: WAY-A-II, WAY-EDP

CSRE 194: Black Brazil: Afro-Brazilian Music, Literature, and Art (AFRICAAM 294, ILAC 194G)

More enslaved people from Africa were forced to Brazil than any other country and Brazil was the last country to abolish the practice of slavery in the Americas. How do these two facts impact the cultural history of Brazil? How and why was the country mythologized as a 'racial democracy' in the twentieth century? This class engages these questions to explore the origins, development, and centrality of Afro-Brazilian culture. We will immerse ourselves in the cities of Salvador and Rio de Janeiro, explore samba and Carnaval, take a dive into syncretic religious practices such as Candomblé, observe dances like capoeira, and study literary and artistic expressions from an anti-racist perspective to gain a fuller picture of Brazilian society today. Taught in English.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-EDP, WAY-A-II

CSRE 194NCR: Topics in Writing & Rhetoric: Introduction to Cultural Rhetorics (PWR 194NCR)

All cultures have their own ways of communicating and making meaning through a range of situated rhetorical practices. In this gateway course to the Notation in Cultural Rhetorics, you'll explore the diverse contexts in which these practices are made and continue to be made;learn methodologies for examining their rhetorical production across media and modality; and study situated cultural practices and their historical and current developments.
Terms: Win | Units: 4 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: Jernigan, H. (PI)

CSRE 195: U.S. Latinx Art (ARTHIST 194, CHILATST 195)

This course surveys art made by Latinas/os/xs who have lived and worked in the United States since the 1700s, including Chicanos, Nuyoricans, and other Black, Brown, and Indigenous artists. While exploring the diversity of Latinx art, students will consider artists' relationships to identity, race, ethnicity, gender, and sexuality. Students will also study how artists have responded to and challenged discrimination, institutional exclusion, and national debates through their work. Attendance on the first day of class is a requirement for enrollment.
Last offered: Winter 2021 | UG Reqs: WAY-A-II, WAY-EDP
Filter Results:
term offered
updating results...
teaching presence
updating results...
number of units
updating results...
time offered
updating results...
days
updating results...
UG Requirements (GERs)
updating results...
component
updating results...
career
updating results...
© Stanford University | Terms of Use | Copyright Complaints