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(Same as History 105C. 5C is 3 units; 105C is 5 units.) Interdisciplinary approach to understanding the extent and complexity of the global phenomenon of human trafficking, especially for forced prostitution, labor exploitation, and organ trade, focusing on human rights violations and remedies. Provides a historical context for the development and spread of human trafficking. Analyzes the current international and domestic legal and policy frameworks to combat trafficking and evaluates their practical implementation. Examines the medical, psychological, and public health issues involved. Uses problem-based learning. Required weekly 50-min. discussion section, time TBD. Students interested in service learning should consult with the instructor and will enroll in an additional course.

Considers purpose, practice, and ethics of service learning. Provides training for students' work in community. Examines current scope of human trafficking in Bay Area, pressing concerns, capacity and obstacles to effectively address them. Students work with community partners dedicated to confronting human trafficking and problems it entails on a daily basis. Must currently be enrolled in or have previously taken History 5C/105C ( FemGen 5C/105C, HumBio 178H, IR 105C, CSRE 5C/105C). (Cardinal Course certified by the Haas Center)

Preference to freshmen. Sappho's surviving fragments in English; traditions referring to or fantasizing about her disputed life. How her poetry and legend inspired women authors and male poets such as Swinburne, Baudelaire, and Pound. Paintings inspired by Sappho in ancient and modern times, and composers who put her poetry to music.

Queer Stories is a creative writing class open to any and all students, regardless of how they define their gender or sexuality. The goals of the class are to read widely in the canon of twentieth and twenty-first century queer prose literature, and to write critical and creative work that engages with the styles, modes, and subjects of these writers. As we read and discuss texts, students will consider a variety of questions: How has queer romance, relationships, and sexuality been represented over the years, in both coded and explicit ways? How have writers grappled with representing our evolving sense of gender as a continuum rather than a binary? How have queer writers interrogated or understood the concept of family? How do queer writers handle the question of the "universal" reader to whom, arguably, they might be speaking? (In a 2012 interview with Lambda Literary, book critic Daniel Mendelsohn argues,contentiously, "It is precisely the gay book's ability to be interesting to a straight reader that makes it a great book.") Lastly, students will also create writing of their own that in some way draws upon the aesthetics or sensibilities of the authors we have read. These pieces may be short stories, personal essays, or texts that--in the spirit of queerness--blur or interrogate standard demarcations of genre. The content of this work might grapple with questions of gender and sexuality, but it might instead be queer in its affect, outlook, or style. In both the reading and writing they do in this class, students will engage with work that deviates from literary convention in the lives it represents and the ways in which it represents them.

In recent decades genes have increasingly become endowed with the cultural power to explain many aspects of human life: physical traits, diseases, behaviors, ancestral histories, and identity. In this course we will explore a deepening societal intrigue with genetic accounts of personal identity and political meaning. Students will engage with varied interdisciplinary sources that range from legal cases to scientific articles, medical ethics guidelines, films, historical works, and contemporary ethnographies (detailed anthropological analyses). We will explore several case studies where the use of DNA markers (as proof of heritage, disease risk, or legal standing) has spawned cultural movements that are biosocial in nature. We will also explore the science of sexing chromosomes and how societal racial and gender beliefs influence genetic research.

Gendered Innovations harness the creative power of sex, gender, and intersectional analysis for innovation and discovery. We focus on sex and gender, and consider factors intersecting with sex and gender, including age, race/ethnicity, socioeconomic status, educational background, disabilities, geographic location, etc. We start with the history of gender in science in the scientific revolution to understand how to transform research institutions so that women, men, and non-binary individuals can flourish. The majority of the course is devoted to considering gendered innovations in AI, social robotics, health & medicine, design of cars and cockpits, menstrual products, marine science, and more. This course will emphasize writing skills as well as oral and multimedia presentation; it fulfills the second level Writing and Rhetoric Requirement (WRITE 2), WAY-ED, and WAY-SI.

This course explores the ways that individuals and movements for social and economic equality have redefined and contested gender and sexuality in the modern United States. Using a combination of primary and secondary sources, we will explore the intersections of gender, race, class, and sexuality in the politics of woman suffrage, racial justice, reproductive rights, and gay and trans rights, as well as conservative and right-wing responses. Majors and non-majors alike are welcome.

The gendered ideas and practices of our world are products of their historical circumstances. This course will examine primary sources - including memoirs, travelogues, literature and art - to ask how gender connected to the emergence and development of global capitalism and imperialism. Why did Chinese women bind their feet while Mongolian women rode horses, and why was foot binding most prominent among the wealthy? What informed ideas of manhood, and how did they change in colonial contexts? Throughout the course, we will aim to think about gender historically. This means we must recognize that the categories we use to think about gender today - such as "heterosexuality," "homosexuality," or "lesbian" - do not neatly map onto the worlds of historical actors. It is a methodological error to simply import such identities into our analyses of the past. We will therefore collectively discuss how to make sense of gendered practices that seem familiar to us at first glance without imposing our categories on the lives of historical actors.

Gender is one of the great social issues of our time. What does it mean to be female or feminine? How has femininity been defined, performed, punished, or celebrated? Writers are some of our most serious and eloquent investigators of these questions, and in this class we'll read many of our greatest writers on the subject of femininity, as embodied by both men and women, children and adults, protagonists and antagonists. From Virginia Woolf to Ernest Hemingway, from Beloved to Gone Girl (and even "RuPaul's Drag Race"), we'll ask how the feminine is rendered and contested. We'll do so in order to develop a history and a vocabulary of femininity so that we may, in this important time, write our own way in to the conversation. This is first and foremost a creative writing class, and our goals will be to consider in our own work the importance of the feminine across the entire spectrum of gender, sex, and identity. We will also study how we write about femininity, using other writers as models and inspiration. As we engage with these other writers, we will think broadly and bravely, and explore the expressive opportunities inherent in writing. We will explore our own creative practices through readings, prompted exercises, improv, games, collaboration, workshop, and revision, all with an eye toward writing the feminine future.