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1 - 10 of 22 results for: OSPPARIS

OSPPARIS 13A: Internship

Internship
Terms: Aut | Units: 1-6 | Repeatable 24 times (up to 24 units total)

OSPPARIS 13B: Internship

Internship
Terms: Aut | Units: 1-6 | Repeatable 24 times (up to 24 units total)

OSPPARIS 13C: Internship

Internship
Terms: Aut | Units: 1-6 | Repeatable 24 times (up to 24 units total)

OSPPARIS 22P: Intermediate French I

Prerequisite: one year of college French if completed within two quarters of arriving in Paris, or FRENLANG 21C
Terms: Aut, Win, Spr | Units: 4 | UG Reqs: Language

OSPPARIS 23P: Intermediate French II

Prerequisite: FRENLANG 21C within two quarters of arriving in Paris, or FRENLANG 22C or OSPPARIS 22P
Terms: Aut, Win, Spr | Units: 4 | UG Reqs: Language

OSPPARIS 24: Introduction to French Society

Required for Paris program participants. Exploration of meaningful aspects of French society and culture through lectures on history of France, participation in on-site cultural projects with French students, and a series of special encounters, venues and activities through the quarter. May be repeated for credit.
Terms: Aut, Win, Spr | Units: 3 | Repeatable for credit

OSPPARIS 30: The Avant Garde in France through Literature, Art, and Theater

Multiple artistic trends and esthetic theories from Baudelaire to the Nouveau Roman, from the Surrealists to Oulipo, from the theater of cruelty to the theater of the absurd, from the Impressionists to Yves Klein. Interdisciplinary approach to reflect on the meaning of avant garde and modernity in general, and on the question of why revolutionary artists in France remained in search of institutional recognition, nonetheless.
Terms: Aut | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II
Instructors: Quenault, G. (PI)

OSPPARIS 36: French Writing Workshop

Offered upon request for students who have completed an Advanced French course. Focus on French writing style, enabling students to understand and master the subtleties of French writing.
Terms: Aut | Units: 3 | UG Reqs: WAY-CE

OSPPARIS 37: Paris, Maghrebi Capital City

This course explores the ways in which Paris can be seen as a cultural capital city of the Maghreb in the 20th and 21st centuries. It will center on the understanding of the place of the French capital city in the production of writers (including food writers), filmmakers, visual artists, architects, public intellectuals from Algeria, Morocco, and Tunisia, and from the French citizens of the so-called « second and third generations » of migrant parents from the Maghreb. We will examine foundational works while considering their engagement with the historical and political contexts in which they were produced, conveying the changing aspects of Parisian social landscape in the broader Francophone cultures of Paris (e.g. examining the dialogue with Francophone artists from Sub-Saharan Africa). The diverse topics discussed will include migration, colonialism and decolonization, political and social dissent, national and cultural identity, the politics of language, race and class, gender an more »
This course explores the ways in which Paris can be seen as a cultural capital city of the Maghreb in the 20th and 21st centuries. It will center on the understanding of the place of the French capital city in the production of writers (including food writers), filmmakers, visual artists, architects, public intellectuals from Algeria, Morocco, and Tunisia, and from the French citizens of the so-called « second and third generations » of migrant parents from the Maghreb. We will examine foundational works while considering their engagement with the historical and political contexts in which they were produced, conveying the changing aspects of Parisian social landscape in the broader Francophone cultures of Paris (e.g. examining the dialogue with Francophone artists from Sub-Saharan Africa). The diverse topics discussed will include migration, colonialism and decolonization, political and social dissent, national and cultural identity, the politics of language, race and class, gender and sexuality, orality and textuality, and transmediterranean dynamics. We will analyse recent initiatives in the realm of commemorative events of the colonial past and its legacy, specifically of diverse controversies facing contemporary French and North African societies today. We will also have the opportunity to interact with some of the authors as special guests: Benjamin Stora, Leïla Slimani, Sophia Aouine, Tarik Oualalou. Class-visits to the Institut du Monde Arabe, Great Mosque of Paris, Palais de la Porte Dorée, Jewish North African quarters (Le Marais, Belleville), cooking class and « couscous » lunch in the Latin Quarter
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: Ulloa, M. (PI)

OSPPARIS 40: Studio Art: General

The studio art class are offered by a reputed preparatory arts practice school in Paris, the "Ecole d'Arts Plastiques" (EAP). Classes include perspective, sculpture, computer art, art history, among others. ). The classes are year-long, but given the individual attention offered to Stanford participants by the instructors, our students can begin the classes in the middle of the year. All the studio art classes are primarily intended for students with good language skills who are majoring or minoring in Art, Art History, Product Design, Architecture or STS. These students have priority for attending the class. Auditors are not accepted. Stanford students enrolled at the EAP will be encouraged to participate in collaborative projects with their French counterparts. For more specifics about the school and its program, see http://eapseine.fr (in French).
Terms: Aut | Units: 2 | Repeatable 4 times (up to 8 units total)
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