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21 - 30 of 283 results for: ANTHRO

ANTHRO 34: Animals and Us (ARCHLGY 34)

The human-animal relationship is dynamic, all encompassing and durable. Without exception, all socio-cultural groups have evidenced complex interactions with the animals around them, both domesticated and wild. However, the individual circumstances of these interactions are hugely complicated, and involve much more than direct human-animal contact, going far beyond this to incorporate social, ecological and spiritual contexts.This course delves into this complexity, covering the gamut of social roles played by animals, as well as the methods and approaches to studying these, both traditional and scientific. While the notion of `animals as social actors is well acknowledged, their use as proxies for human autecology (the relationship between a species and its environment) is also increasingly recognized as a viable mechanism for understanding our cultural and economic past. It will piece together the breadth of human-animal relationships using a wide geographic range of case studies.
Last offered: Autumn 2020 | UG Reqs: WAY-ER, WAY-SI

ANTHRO 39: Sense of Place

This course examines the life of places as shaped by environmental events and projects aimed towards rural or urban development. Drawing methodological insights from anthropology, cultural geography and environmental studies, we examine the forces that generate place problems for humans and nonhumans. Each encounter with place and displacement sets up a particular issue for us to grapple with: How would we address issues created by natural disasters, the seizure of land through legal means that fall under eminent domain or gentrification projects? Through a critical dialogue with interdisciplinary fields that inform the readings, the seminar aims to bring theoretical and methodological insights to inform our practical suggestions for how to address placeness and displaceness at different scales.
Last offered: Autumn 2019

ANTHRO 42: Megacities (URBANST 142)

This class will examine a variety of ways that the city has been represented and understood in anthropology, architecture, literature, film, and journalism in order to better understand how everyday life and experience has been read in conjunction with urban forms. Issues covered will include the co-constitution of space and identities; consumption, spectacle, and economic disparity; transportation and health; colonialism and post-colonialism. Assignments will include writing and drawing projects based on close observation and reading.
Terms: Spr | Units: 5 | UG Reqs: WAY-A-II

ANTHRO 54N: For Makers and Thinkers: How to Use Art in Research and Vice Versa

This course is specifically designed for social science and humanities students who want to learn how to use art to expand their research questions and/or develop an art practice, and for arts students who want to find ways to deeply engage social science and humanities research in their practice. The course will: 1. Introduce students to the work of artists who used their practice to deeply engage social issues (Ian Rowland, Cornelia Parker, Fred Wilson and many others). These artists will be contextualized with readings including: critical commentaries on their work; theoretical literature; and primary literature on the issues they address (in these examples, slavery, material culture, museum studies). Critical questions will include: Why did the artist select particular media for their work? How does the art provide a different perspective on, engagement with, or relationship to the issues they address? How does the meaning of the art change with or without contextualization? How do more »
This course is specifically designed for social science and humanities students who want to learn how to use art to expand their research questions and/or develop an art practice, and for arts students who want to find ways to deeply engage social science and humanities research in their practice. The course will: 1. Introduce students to the work of artists who used their practice to deeply engage social issues (Ian Rowland, Cornelia Parker, Fred Wilson and many others). These artists will be contextualized with readings including: critical commentaries on their work; theoretical literature; and primary literature on the issues they address (in these examples, slavery, material culture, museum studies). Critical questions will include: Why did the artist select particular media for their work? How does the art provide a different perspective on, engagement with, or relationship to the issues they address? How does the meaning of the art change with or without contextualization? How does this artist draw on and expand art history and other artists' work? Are there critical issues the work raises but is underpowered to address? 2. Provide support for students to work on their own quarter-length independent projects and research based in drawing, photography, creative writing, or other art practice which may shift according to research findings in the duration of the course. Part of the syllabus will be contingent on student projects. Regular group crit/support sessions will be held in class based on clear deadlines. 3. Introduce students to various methods of working with primary and source materials for arts-based projects, such as improvisation, juxtaposition, performance, role-play, "moment work" and scenography. "Makers" workshops will be held to introduce students to arts methods and may include: wax casting, life drawing, graphic art, etc. (The instructor will apply for Maker's funding to support these workshops.) Students will complete the course with a solid introduction to at least 20 contemporary artists and an understanding of how to discuss and contextualize artwork in the context of several disciplines: art, social science theory, and art criticism. They will also have experience in building and completing their own project and learn how to justify their work, understand how different art media impact their exploration and ultimate product, and work through various challenges in the process. They will also gain experience in crit sessions, which will be directed by the profession with a question-based format, in both giving and receiving feedback. They will document their work and learn how to produce a portfolio of the project.
Terms: Spr | Units: 3
Instructors: Jain, S. (PI)

ANTHRO 60N: Digging for Answers: 5 Big Questions of Our Time (ARCHLGY 60N)

The aim in this course is to explore the archaeological evidence for long-term change with regard to 5 major questions of our time: Where do we come from? Has inequality increased? Have we become more violent? Why do we have so much stuff? What is the relationship between humans and climate change? You will be introduced to recent publications for class debate, and will also be introduced to the ways in which archaeologists use evidence in order to explore the 5 themes. We will go to Stanford¿s archaeological collections so that you can have hands-on experience of artifacts and will be able to problem solve using data from the instructor¿s own excavations. We will also visit labs (archaeological and genomic for example), local museums and local archaeological excavations.
Last offered: Winter 2021 | UG Reqs: WAY-SI

ANTHRO 77: Heritage Theory and Practice: Current Approaches to Tangible and Intangible Heritage (ARCHLGY 77)

This is an introductory course to heritage studies that aims at familiarizing undergraduates with how heritage has been theorized and utilized by multi-disciplinary practitioners in the present global context. It will walk students through how heritage conversations evolved from being primarily dedicated to material tangibility that was rooted in inherent 'heritage value', to a deeper understanding of given value through intangibility of heritage. The focus will be on familiarizing students with the multi-disciplinary and agentic approach to heritage studies in the present day, which manifests in critical conversations in architecture, archaeology, and, anthropology, which are instrumentalized within issues of policy, conflict, urban & non-urban development, museums, social fabric & culture, etc.
Terms: Win | Units: 3-5 | UG Reqs: WAY-SI
Instructors: Gupta, S. (PI)

ANTHRO 80A: Heritage and Human Rights (ARCHLGY 80)

What does archaeology have to say about human rights? Is there a right to cultural heritage? How can archaeology and heritage help protect rights¿or encroach upon them? Themes we will address in this course include the archaeological investigation of human rights topics; the right to heritage; conflicts of different rights regimes in heritage contexts; and ethical considerations about rights during research and heritage management. These questions will take us to cases as diverse as forensic investigation of the disappeared in Argentina, the archaeology of homelessness in the U.K., the destruction of heritage as cultural genocide in Bosnia and the Middle East, and the rights of indigenous groups in Australia and the U.S. to control cultural heritage.
Last offered: Spring 2019 | UG Reqs: WAY-ER

ANTHRO 82: Medical Anthropology (ANTHRO 282, HUMBIO 176A)

Emphasis is on how health, illness, and healing are understood, experienced, and constructed in social, cultural, and historical contexts. Topics: biopower and body politics, gender and reproductive technologies, illness experiences, medical diversity and social suffering, and the interface between medicine and science.Waitlist sign up here: https://docs.google.com/forms/d/e/1FAIpQLSdN6BTg4Rshq_n9Rijs3gz8O4Ppi8Ee3ya-0zd7RF65dtb_rg/viewform?pli=1.
Terms: Aut | Units: 5 | UG Reqs: GER:DB-SocSci, GER:EC-GlobalCom, WAY-EDP, WAY-SI

ANTHRO 82P: The Literature of Psychosis (HUMBIO 162L, PSYC 82, PSYC 282)

One of the great gifts of literature is its ability to give us insight into the internal worlds of others. This is particularly true of that state clinicians call "psychosis." But psychosis is a complex concept. It can be terrifying and devastating for patients and families, and yet shares characteristics with other, less pathological states, such as mysticism and creativity. How then can we begin to make sense of it? In this course, we will examine the first-hand experience of psychosis. We will approach it from multiple perspectives, including clinical descriptions, works of art, and texts by writers ranging from Shakespeare, to the science fiction writer Philip K. Dick, to patients attempting to describe their experience. This class is not only for students thinking of careers in medicine, psychology or anthropology, but also readers and writers interested exploring extraordinary texts. There are no prerequisites necessary; all that is needed is a love of language and a curiosity about the secrets of other minds.
Last offered: Spring 2021 | UG Reqs: WAY-A-II, WAY-EDP | Repeatable 2 times (up to 10 units total)

ANTHRO 84B: Incas, Spaniards, and Africans: Archaeology of the Kingdom of Peru (ARCHLGY 84)

Students are introduced to Andean archaeology from the rise of the Inca empire through the Spanish colonial period. We will explore archaeological evidence for the development of late pre-Hispanic societies in western South America, the Spanish conquest, and the origins of key Spanish colonial institutions in the Andean region: the Church, coerced indigenous labor, and African slavery. Central to this course is an archaeological interrogation of the underpinnings and legacies of colonialism, race, and capitalism in the region. Students will also consider the material culture of daily life and those living on the social margins, both in pre-Hispanic societies and under Spanish rule.
Last offered: Autumn 2021 | UG Reqs: WAY-EDP, WAY-SI
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