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1 - 10 of 13 results for: ITALIAN

ITALIAN 127: Inventing Italian Literature: Dante, Boccaccio, Petrarca

This course examines the origins of Italian literature in the late Middle Ages. We will read selections from Dante's Vita Nuova and Inferno; Petrarca's Canzoniere; and Boccaccio's Decameron. Taught in Italian. Prerequisites: ITALLANG 22A or equivalent.
Terms: Aut | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II
Instructors: Mollo, V. (PI)

ITALIAN 164: Horror, Italian Style

In the popular imagination, Italy is the land of fashion and Vespas, pasta and wine, sunshine and romance. Yet it has also been the site of tales of terror, ranging from 18th-century Gothic novels to 1970s horror films. In this course, we will analyze literary texts and films that feature labyrinthine catacombs, mad scientists, ancient Roman vampires, Renaissance ghosts, ballerina-witches, and more. Through the study of such materials, we will seek to reconcile this darkness with Italy¿s sunny side and to understand what these macabre depictions might reveal about Italy¿s complex past. Taught in English.
Terms: Aut | Units: 3-5 | UG Reqs: WAY-A-II
Instructors: Rabiner, E. (PI)

ITALIAN 181: Philosophy and Literature (CLASSICS 42, COMPLIT 181, ENGLISH 81, FRENCH 181, GERMAN 181, PHIL 81, SLAVIC 181)

What, if anything, does reading literature do for our lives? What can literature offer that other forms of writing cannot? Can fictions teach us anything? Can they make people more moral? Why do we take pleasure in tragic stories? This course introduces students to major problems at the intersection of philosophy and literature. It addresses key questions about the value of literature, philosophical puzzles about the nature of fiction and literary language, and ways that philosophy and literature interact. Readings span literature, film, and philosophical theories of art. Authors may include Sophocles, Dickinson, Toni Morrison, Proust, Woolf, Walton, Nietzsche, and Sartre. Students master close reading techniques and philosophical analysis, and write papers combining the two. This is the required gateway course for the Philosophy and Literature major tracks. Majors should register in their home department.
Terms: Aut | Units: 3-5 | UG Reqs: GER:DB-Hum, WAY-A-II

ITALIAN 199: Individual Work

Terms: Aut, Win, Spr, Sum | Units: 1-12 | Repeatable for credit

ITALIAN 200: Italian Modernities: Lecture Series and Course (ITALIAN 300)

Over the course of the whole year, we will invite 6 speakers to present work on modern Italian culture and literature; these sessions will be supplemented by seminar meetings in which we discuss the work of our guests and prepare writing projects that relate to them. May be repeated for credit.
Terms: Aut, Win, Spr | Units: 1-2 | Repeatable 15 times (up to 30 units total)

ITALIAN 231: Leonardo's World: Science, Technology, and Art (ARTHIST 231, ARTHIST 431, HISTORY 231, HISTORY 331, ITALIAN 331)

Leonardo da Vinci is emblematic of creativity and innovation. His art is iconic, his inventions legendary. His understanding of nature, the human body, and machines made him a scientist and engineer as well as an artist. This class explores the historical Leonardo, exploring his interests and accomplishments as a product of the society of Renaissance Italy. Why did this world produce a Leonardo? Students will contribute to a library exhibit for the 500th anniversary of Leonardo's death in May 2019.
Terms: Aut | Units: 4-5 | UG Reqs: WAY-A-II, WAY-SI

ITALIAN 266: Women's Voices in Contemporary Italian Literature (FEMGEN 266)

The traditional canon of Italian literature consists almost exclusively of male authors. Yet Italian women writers have been active since the time of Dante. This course presents an overview of women's prose fiction of the last 100 years, from Sibilla Aleramo's groundbreaking feminist novel Una donna (1906) to Elena Ferrante's La figlia oscura (2015). We will examine such concerns as the central issue of sexual violence in many female autobiographies; the experience of motherhood; the conflict between maternal love and the desire for self-determination and autonomy; paths to political awareness; reinventing the historical novel. Taught in English.
Terms: Aut | Units: 3-5 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II, WAY-EDP

ITALIAN 300: Italian Modernities: Lecture Series and Course (ITALIAN 200)

Over the course of the whole year, we will invite 6 speakers to present work on modern Italian culture and literature; these sessions will be supplemented by seminar meetings in which we discuss the work of our guests and prepare writing projects that relate to them. May be repeated for credit.
Terms: Aut, Win, Spr | Units: 1-2 | Repeatable 15 times (up to 30 units total)
Instructors: Wittman, L. (PI)

ITALIAN 331: Leonardo's World: Science, Technology, and Art (ARTHIST 231, ARTHIST 431, HISTORY 231, HISTORY 331, ITALIAN 231)

Leonardo da Vinci is emblematic of creativity and innovation. His art is iconic, his inventions legendary. His understanding of nature, the human body, and machines made him a scientist and engineer as well as an artist. This class explores the historical Leonardo, exploring his interests and accomplishments as a product of the society of Renaissance Italy. Why did this world produce a Leonardo? Students will contribute to a library exhibit for the 500th anniversary of Leonardo's death in May 2019.
Terms: Aut | Units: 4-5

ITALIAN 369: Introduction to the Profession of Literary Studies (COMPLIT 369, DLCL 369, FRENCH 369, GERMAN 369)

A survey of how literary theory and other methods have been made institutional since the nineteenth century. The readings and conversation are designed for entering Ph.D. students in the national literature departments and comparative literature.
Terms: Aut | Units: 1-2
Instructors: Greene, R. (PI)
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