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131 - 140 of 156 results for: ARTSTUDI

ARTSTUDI 273: Individual Work: Experimental Media

Prerequisite: student must have taken a course with the instructor and/or completed relevant introductory studio course(s). Instructor consent and completion of the Independent Study Form are required prior to enrollment. All necessary forms are required by the end of Week 2 of each quarter. Please contact the Student Services Specialist in McMurtry 108 for more information. May be repeated for credit.
Terms: Aut, Win, Spr | Units: 1-5 | Repeatable for credit

ARTSTUDI 275: Photography II: Digital

Students continue to use DLSR cameras, with an ongoing emphasis on operating manual settings (focus, aperture, shutter speed, ISO, color temp/ white balance). They are taught intermediate-level digital printing (in color) using large-format printers. They continue to work with Lightroom as a file management system and are introduced to Photoshop. Students gain a deeper insight into and stronger grasp of practices in contemporary digital photography, with a continuing focus on the importance of photo editing/selection and sequencing, as well as questions around the conceptual and practical implications and limits of photographic images. Prerequisite: ARTSTUDI 171 or equivalent. May be repeat for credit
Last offered: Spring 2020 | UG Reqs: WAY-CE | Repeatable 2 times (up to 8 units total)

ARTSTUDI 276: The Photographic Book

This course explores the historical development and artistic potential of photography books. Students will learn about book structures, signatures, binding styles, printing methods and publication platforms (from conventional print to web-based). They will focus on how to group and sequence photographic images to produce a coherent, thematically organized body of work, and examine the creative possibilities of integrating image and text. Students will have access to numerous campus resources to do research and develop ideas, including the extensive photo book collections of the Bowes Art & Architecture Library and the Cantor Museum. They will have to execute a photographic project of their own design and produce a hand-made book. Prerequisite: ARTSTUDI 170, ARTSTUDI 171, or equivalent.
Last offered: Autumn 2018

ARTSTUDI 277: Intermediate Photography Seminar

This is a mentorship class designed to expand on personal projects in photography. Students engage in professional photographic practices that prepare them to apply and expand upon the skills, methods and techniques they have learned in previous courses. They explore different themes in photography and take an in-depth look at the creative process of artists whose visions are based on the development of projects and bodies of work over an extended period of time. Students learn to refine their aesthetic over time by developing such projects of their own, which involve significant independent work and active participation in critiques, with the goal of becoming adept at presenting their ideas and building a portfolio to show their work in a professional context. Students will be provided with software and introduced to tools of support that will help them to more effectively execute their projects.
Terms: Aut | Units: 4 | Repeatable 2 times (up to 8 units total)
Instructors: Hellu, J. (PI)

ARTSTUDI 277A: Advanced Video

Video, criticism, and contemporary media theory investigating the time image. Students create experimental video works, addressing the integration of video with traditional art media such as sculpture and painting. Non-linearity made possible by Internet and DVD-based video. No prerequisite required.
Terms: Spr | Units: 4
Instructors: Bornhoft, K. (PI)

ARTSTUDI 278: Photography II: Black and White

Students are introduced to and provided with medium-format film cameras, which they learn to use with an ongoing emphasis on operating manual settings (focus, aperture, shutter speed). Students are introduced to metering for film using hand-held light meters in a further study of light. They hone their printing skills and learn finer printing techniques using fiber-based paper. They also explore the full range of black and film stocks and get to experiment with alternative techniques like pinhole photography, photograms and Holga cameras. Students gain a deeper insight into and stronger grasp of practices in contemporary black and white photography, with a continuing focus on the importance of photo editing/selection and sequencing, as well as questions around the conceptual and practical implications and limits of photographic images. Prerequisite: ARTSTUDI 170 or equivalent.
Last offered: Spring 2020 | Repeatable 2 times (up to 8 units total)

ARTSTUDI 279: Photo III B/W

TBD
| Repeatable 2 times (up to 8 units total)

ARTSTUDI 280: Media Art in the Age of Surveillance (ARTSTUDI 180)

How can media art practices effectively interrogate our data environment? This studio course investigates systems that collect personal data, such as video and consumer databases, by turning their regulatory, contractual and legislative frameworks onto the systems themselves. Techniques include the `legal readymade', `tactical fiction', and algorithmically-driven discourse. A field trip will introduce drone mapping and choreographing. Assignments include individual projects, and class collaboration on a video that assembles our various approaches into a hybrid fiction-documentary. No prerequisites; basic video skills helpful.
Terms: Aut | Units: 4 | UG Reqs: WAY-CE
Instructors: Luksch, M. (PI)

ARTSTUDI 284: Art and Biology

The relationship between biology and art. Rather than how art has assisted the biological sciences as in medical illustration, focus is on how biology has influenced art making practice. New technologies and experimental directions, historical shifts in artists' relationship to the living world, the effects of research methods on the development of theory, and changing conceptions of biology and life. Projects address these themes and others that emerge from class discussions and presentations. (upper level)
Last offered: Winter 2018

ARTSTUDI 286: Intermediate Photography: Portraiture

This course explores contemporary practices of portrait photography, examining its history and discourse on representations of race, gender, class, and sexuality. We look at the complexities of portraiture in terms of skill sets and processes, aesthetics and styles, ideology and identity, while engaging with such dualities as private/public, professional/amateur, and traditional/innovative. At a time when pictures are being produced and disseminated in unprecedented proliferation, we look into the pursuit of constructing meaning beyond pose and persona. This is an intermediate course in photography, with an ongoing emphasis on operating manual camera settings (focus, aperture, shutter speed, ISO, color temp/ white balance). Students continue to work with Lightroom as a file management system, are introduced to Photoshop, and focus on the importance of photo editing/selection and sequencing. Prerequisite: ARTSTUDI 170 or ARTSTUDI 171 or ARTSTUDI 173E or equivalent.
Terms: Win | Units: 4 | UG Reqs: WAY-CE
Instructors: Hellu, J. (PI)
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