81 - 90 of 127 results for: COMM

(Graduate students register for COMM 272.) The literature related to psychological processing and the effects of media. Topics: unconscious processing; picture perception; attention and memory; emotion; the physiology of processing media; person perception; pornography; consumer behavior; advanced film and television systems; and differences among reading, watching, and listening.

Even before the ubiquity of Internet access and high-powered computers, public accountability reporting relied on the concerted collection of observations and analytical problem-solving. We study the methods, and the data, used to discover leads and conduct in-depth reporting on public affairs, including election finance and safety regulations. Students gain practical experience with the digital tools and techniques of computer-assisted reporting. Prerequisite: Journalism M.A. student.

Learn how to find, create and analyze data to tell news stories with public service impact. Uses relational databases, advanced queries, basic statistics, and mapping to analyze data for storytelling. Assignments may include stories, blog posts, and data visualizations, with at least one in-depth project based on data analysis. Prerequisites: COMM 273D or Journalism M.A. student.

Multimedia assignments coordinated with deadline reporting efforts in COMM 273 from traditional news beats using audio, still photography, and video. Use of digital audio recorders and audio production to leverage voice-over narration, interviews, and natural sound; use of digital still cameras and audio to produce audio slideshows; and the combination of these media with video in post-production with Final Cut Pro. Prerequisite: Journalism M.A. student. Corequisite: COMM 273.

In-depth reporting and production using audio, images and video. Focus on an in-depth journalism project with appropriate uses of digital media: audio, photography, graphics, and video. Topics include advanced field techniques and approaches (audio, video, still) and emphasis on creating a non-fiction narrative arc in a multimedia piece of 10-12 minutes. Prerequisite: COMM 275 or consent of instructor

Focuses on using data and algorithms to lower the cost of discovering stories or telling stories in more engaging and personalized ways. Project based assignments based on real-world challenges faced in newsrooms. Prior experience in journalism or computational thinking helpful. Prerequisite: Comm 273D, COMM 113/213, or the consent of instructor.

(Graduate students register for COMM / EARTHSYS 277C.) A practical, writing-intensive course for science and journalism students that begins with the assumption that you already know how to research and relay the essential facts of almost any environmental story. You will go beyond the basics, both as reporters and storytellers. Learn how to write stories that stand on fact but move like fiction, that have protagonists and antagonists, that create suspense, that reveal character through dialogue and action, and that pay off with resonant finales. Limited enrollment: preference to journalism students and students in the natural and environmental sciences. Prerequisite: COMM 104, EARTHSYS 200 or consent of instructor. Admission by application only, available from thayden@stanford.edu. Applications due Nov. 30, 2015.

(Graduate students register for COMM 277D.) How to report, write, edit, and read long-form narrative nonfiction, whether for magazines, news sites or online venues. Tools and templates of story telling such as scenes, characters, dialogue, and narrative arc. How the best long-form narrative stories defy or subvert conventional wisdom and bring fresh light to the human experience through reporting, writing, and moral passion. Prerequisite: 104 or consent of instructor.

This workshop will offer secrets to good storytelling, and constructive feedback every step of the way on a significant piece of journalism you want to publish. The instructor, a senior editor who has helped New York Times reporters win 10 Pulitzer Prizes, will teach the course along with some of those reporters as well as other journalists with expertise in various aspects of storytelling. The sessions will include 1) elements of a great story; 2) finding a great story; 3) reporting a story; 4) writing the proposal; 5) making a story come alive online; 6) giving feedback on and editing a story; 7) assuring your story gets maximum readership online. Your piece could be one you conceive for this class, or one you have already begun reporting. Prerequisite: COMM 104 or consent of instructor.