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HISTORY 201D: History Goes Pop! Songwriting the Past (HISTORY 301D)

Historical research doesn't always take the form of a thesis, an article, or a book. Sometimes, research leads to film, museum exhibits, works of art, or... music. In this class, students will collaborate to write, record, and produce original pop music (perhaps even an entire album) based on original research in Stanford's wealth of archives and Special Collections. Background in music is NOT required.
Last offered: Spring 2020 | UG Reqs: WAY-A-II, WAY-CE

HISTORY 204A: Reimagining History: A Workshop (HISTORY 304A)

This class explores, through analysis and practice, the ways in which history can be told and experienced through means other than traditional scholarly narratives. Approaches include literary fiction and non-fiction, digital media, graphic arts, maps, exhibitions, and film. A final project will require students to produce their own innovative work of history.
Last offered: Winter 2023 | UG Reqs: WAY-A-II, WAY-SI

HISTORY 206D: Global Humanities: The Grand Millennium, 800-1800 (DLCL 52, HUMCORE 52, JAPAN 52)

How should we live? This course explores ethical pathways in European, Islamic, and East Asian traditions: mysticism and rationality, passion and duty, this and other worldly, ambition and peace of mind. They all seem to be pairs of opposites, but as we'll see, some important historical figures managed to follow two or more of them at once. We will read works by successful thinkers, travelers, poets, lovers, and bureaucrats written between 800 and 1900 C.E. We will ask ourselves whether we agree with their choices and judgments about what is a life well lived.
Last offered: Winter 2020 | UG Reqs: WAY-A-II, WAY-ER

HISTORY 206E: CAPITALS: How Cities Shape Cultures, States, and People (COMPLIT 100, DLCL 100, FRENCH 175, GERMAN 175, ILAC 175, ITALIAN 175, URBANST 153)

This course takes students on a trip to major capital cities at different moments in time, including Renaissance Florence, Golden Age Madrid, colonial Mexico City, imperial Beijing, Enlightenment and romantic Paris, existential and revolutionary St. Petersburg, roaring Berlin, modernist Vienna, and transnational Accra. While exploring each place in a particular historical moment, we will also consider the relations between culture, power, and social life. How does the cultural life of a country intersect with the political activity of a capital? How do large cities shape our everyday experience, our aesthetic preferences, and our sense of history? Why do some cities become cultural capitals? Primary materials for this course will consist of literary, visual, sociological, and historical documents (in translation).
Terms: Win | Units: 3-5 | UG Reqs: WAY-A-II, WAY-SI

HISTORY 207F: Crafting Digital Stories

Historians tell stories. Using digital methods, we can tell these stories in creative and innovative ways. This digital humanities course is a hands-on experience of working with different methods of digital storytelling. This course is best suited for students interested in mapping, podcasting, digital publishing, and creating visualizations to present research. Students will interpret historical primary sources in addition to secondary sources to engage in the process of interpreting stories like a historian. There is also a degree of creativity and freedom with the creation of your digital stories.This course is designed to not only teach practical digital storytelling skills, but to also analyze the practicalities of telling historical stories and how to present the information through digital means. In addition, students will have to consider copyright laws, ethics of digital publishing, and concepts of equity of digital storytelling methods. Students will engage in workshops and discussions. No prior technical experience is required.
Terms: Spr | Units: 4-5 | UG Reqs: WAY-A-II
Instructors: McDivitt, A. (PI)

HISTORY 210J: Fascism and Authoritarianism

This course introduces students to the history of fascist and authoritarian movements in modern Europe, from their origins through the post-WWII era. Germany and Italy will serve as central case studies, though the course will consider other examples as well. Through analytical consideration of secondary sources, primary texts, and art as political propaganda, we will interrogate the meanings and applications of these fraught and complex terms, the different forms taken by fascist and authoritarian movements, and their relationship to nationalism, race, religion, gender, and economic and political institutions. Why did millions of Europeans accept -- and even enthusiastically support -- fascist and authoritarian regimes? To what extent was a single, charismatic leader central to the success or failure of such governments? The course will conclude with an opportunity to reflect on the degree to which fascism and authoritarianism are concepts that remain relevant to political discourse in the twenty-first century.
Last offered: Winter 2021 | UG Reqs: WAY-A-II, WAY-SI

HISTORY 212D: Dante's World: A Medieval and Renaissance Journey

700 years ago this year Dante Alighieri died. The Italian poet, philosopher, politician, and humanist crafted one of the great epics of world literature, The Divine Comedy. For seven centuries, his journey through Hell, Purgatory, and Heaven has been a source of inspiration and fascination for countless artists, critics, and students from all over the world. Yet, at heart, his tale is a commentary upon the complex, violent, wealthy, and deeply religious world to which Dante belonged. In this class, we will investigate Dante's world. Medieval Italy held a privileged place in Latin Christendom. Its location upon a peninsula, jutting out into the Mediterranean Sea, meant it was wedged between and deeply affected by the Islamic and Byzantine worlds. It was home to merchants, bankers, nobles, university students, friars, nuns, and heretics, popes, prostitutes, and the city-states in which they all lived together. Italy played a leading role throughout the Middle Ages in economy, art, culture, religion, and politics and gives us the opportunity to jump into a rich and fascinating world, much different from our own. Our guide and witness to this world will be Dante. Each week students will read selected portions of Dante's journey through the afterlife in order to make their own journey through the world of Italy in the Middle Ages.
Last offered: Autumn 2021 | UG Reqs: WAY-A-II, WAY-SI

HISTORY 213F: Medieval Germany, 900-1250 (GERMAN 213, GERMAN 313, HISTORY 313F)

(Undergraduates may sign up for German 213 or History 213F, graduate students should sign up for German 313 or History 313F. This course may be taken for variable units. Check the individual course numbers for unit spreads.) This course will provide a survey of the most important political, historical, and cultural events and trends that took place in the German-speaking lands between 900 and 1250. Important themes include the evolution of imperial ideology and relations with Rome, expansion along the eastern frontier, the crusades, the investiture controversy, the rise of powerful cities and civic identities, monastic reform and intellectual renewal, and the flowering of vernacular literature. This course must be taken for a minimum of 3 units and a letter grade to be eligible for Ways credit
Terms: Spr | Units: 1-5 | UG Reqs: WAY-A-II, WAY-SI
Instructors: Kamenzin, M. (PI)

HISTORY 214C: Renaissances: Living, Learning, and Loving around the Mediterranean (800-1500 CE)

This course explores three watershed moments in Mediterranean history: the Carolingian Renaissance, the Twelfth-Century Renaissance, and the Italian Renaissance. The class examines how each renaissance redefined a specific place and how those changes influenced connections across the Mediterranean world.
Last offered: Winter 2020 | UG Reqs: WAY-A-II, WAY-SI

HISTORY 215B: Race and Ethnicity in Premodern Europe (ARTHIST 207D, ARTHIST 407D, HISTORY 315B)

How do historians, art historians, and literary historians of premodern Europe shape their research and their teaching around questions of race? How do current debates on race theory shape our perception of the past and deepen historical inquiry? This graduate colloquium focuses on the most recent publications on race in medieval and early modern studies to reflect on such questions while examining the challenges that race studies put on historical definitions, research methodologies, as well as teaching institutions.
Last offered: Winter 2021 | UG Reqs: WAY-A-II, WAY-EDP
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