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31 - 40 of 88 results for: museums

CHILATST 129: Race, Indigeneity, and Cultural Heritage in Latin America (ANTHRO 29A, ARCHLGY 29A, CSRE 129A)

This course introduces students to the anthropological study of social difference and inequality in contemporary Latin America. It focuses on the intersections of race, Indigeneity, and cultural heritage. Since European contact, race has been a key category for governing heterogenous populations across the region. In recent decades, institutions have established cultural heritage formation - particularly the cultural heritages of Black and Indigenous peoples - as central to the development of the modern nation-state. At the same time, Black and Indigenous peoples have mobilized around civil and human rights to decolonize racial hierarchies and transform colonial structures of power. Students will first engage current approaches to race, Indigeneity, and cultural heritage. Students will then explore how racial and Indigenous formations converge with the following cultural heritage forms: museums, tourism, archaeological sites, and language.
Last offered: Spring 2023 | UG Reqs: WAY-EDP, WAY-SI

CLASSICS 115: Virtual Italy (ARCHLGY 117, ENGLISH 115, HISTORY 238C, ITALIAN 115)

Classical Italy attracted thousands of travelers throughout the 1700s. Referring to their journey as the "Grand Tour," travelers pursued intellectual passions, promoted careers, and satisfied wanderlust, all while collecting antiquities to fill museums and estates back home. What can computational approaches tell us about who traveled, where and why? We will read travel accounts; experiment with parsing; and visualize historical data. Final projects to form credited contributions to the Grand Tour Project, a cutting-edge digital platform. No prior programming experience necessary.
Terms: Win | Units: 4-5 | UG Reqs: WAY-A-II, WAY-SI
Instructors: Ceserani, G. (PI)

CSRE 129A: Race, Indigeneity, and Cultural Heritage in Latin America (ANTHRO 29A, ARCHLGY 29A, CHILATST 129)

This course introduces students to the anthropological study of social difference and inequality in contemporary Latin America. It focuses on the intersections of race, Indigeneity, and cultural heritage. Since European contact, race has been a key category for governing heterogenous populations across the region. In recent decades, institutions have established cultural heritage formation - particularly the cultural heritages of Black and Indigenous peoples - as central to the development of the modern nation-state. At the same time, Black and Indigenous peoples have mobilized around civil and human rights to decolonize racial hierarchies and transform colonial structures of power. Students will first engage current approaches to race, Indigeneity, and cultural heritage. Students will then explore how racial and Indigenous formations converge with the following cultural heritage forms: museums, tourism, archaeological sites, and language.
Last offered: Spring 2023 | UG Reqs: WAY-EDP, WAY-SI

CSRE 201L: Doing Public History (HISTORY 200L)

Examines history outside the classroom; its role in political/cultural debates in U.S. and abroad. Considers functions, practices, and reception of history in public arena, including museums, memorials, naming of buildings, courtrooms, websites, op-eds. Analyzes controversies arising when historians' work outside the academy challenges the status quo; role funders, interest groups, and the public play in promoting, shaping, or suppressing historical interpretation. Who gets to tell a group's story? What changes can public history enable? Students will engage in public history projects.
Last offered: Spring 2023 | UG Reqs: WAY-EDP, WAY-SI

EARTHSYS 293: Environmental Communication Practicum

Students complete an internship or similar practical experience in a professional environmental communication setting. Potential placements include environmental publications, environmental or outdoor education placements, NGOs, government agencies, on-campus departments, programs, or centers, and science centers and museums. Restricted to students admitted to the Earth Systems Master of Arts, Environmental Communication Program. Can be completed in any quarter.
Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable for credit
Instructors: Hayden, T. (PI)

EDUC 230: Learning Experience Design

This course explores the design of tools for learning, leveraging scholarship and real-world projects to create prototypes of new digital learning tools. Students will engage in design activities to come up with prototypes of new learning tools for community partners. This year the course will focus on museums. Designing these tools will require project groups to gather and apply knowledge, evaluating options and synthesizing ideas in order to create an effective (and elegant!) solution. A community-based Cardinal Course. This course is designed to complement EDUC 281, Technology for Learners.
Last offered: Autumn 2021

EDUC 357: Science and Environmental Education in Informal Contexts

There are ever-expanding opportunities to learn science in contexts outside the formal classroom, in settings such as zoos, museums, and science centers. How are issues around science and the environment presented in these contexts, how do people behave and learn in these contexts, and what messages do they take away? This course will cover the learning theories and empirical research that has been conducted in these settings. Case studies of nearby science centers will add an experiential dimension.
Last offered: Winter 2019

EDUC 366: Learning in Formal and Informal Environments

How learning opportunities are organized in schools and non-school settings including museums, after-school clubs, community art centers, theater groups, aquariums, sports teams, and new media contexts. Sociocultural theories of development as a conceptual framework. Readings from empirical journals, web publications, and books.Collaborative written or multimedia research project in which students observe and document a non-school learning environment.
Terms: Aut | Units: 3

ENGLISH 115: Virtual Italy (ARCHLGY 117, CLASSICS 115, HISTORY 238C, ITALIAN 115)

Classical Italy attracted thousands of travelers throughout the 1700s. Referring to their journey as the "Grand Tour," travelers pursued intellectual passions, promoted careers, and satisfied wanderlust, all while collecting antiquities to fill museums and estates back home. What can computational approaches tell us about who traveled, where and why? We will read travel accounts; experiment with parsing; and visualize historical data. Final projects to form credited contributions to the Grand Tour Project, a cutting-edge digital platform. No prior programming experience necessary.
Terms: Win | Units: 4-5 | UG Reqs: WAY-A-II, WAY-SI
Instructors: Ceserani, G. (PI)

FILMEDIA 69SI: Blockchain, NFTs, and the Art World (ARTHIST 69SI)

The most expensive artwork sold in 2021 was an NFT (non-fungible token) created by Beeple, an artist previously unknown to the art world, but well respected by NFT collectors. NFTs, made possible by blockchain, are radically redefining the art world's commercial boundaries, social dynamics, and even what constitutes an artwork. How do NFTs work? What lends legitimacy to NFT artworks when digital materials can easily be copied via 'Right Click Save'? How does the blockchain alter and reinforce ideas of scarcity, authenticity, and authorship of artwork? How are artists engaging with and reacting to this new technology? How are museums, galleries, and market forces responding? Through guest lectures and discussions, this student-initiated course will provide a foundational understanding of technologies driving the NFT phenomenon and delve into its implications on contemporary artists and the art world.
Last offered: Spring 2022
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