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581 - 590 of 890 results for: all courses

MUSIC 154A: Sound Art I (ARTSTUDI 131)

Acoustic, digital and analog approaches to sound art. Familiarization with techniques of listening, recording, digital processing and production. Required listening and readings in the history and contemporary practice of sound art. (lower level)
Terms: Aut | Units: 4 | UG Reqs: GER:DB-Hum, WAY-CE

MUSIC 185: Music Across Media: Music Video to Postclassical Cinema (FILMSTUD 141, FILMSTUD 341, MUSIC 385)

What makes music videos, YouTube clips and musical numbers in today's films engaging? What makes them tick? Emphasis is on aesthetics and close reading. How music videos and its related forms work. Uses of the body, how visual iconography operates, what lyrics and dialogue can do, how and what music can say, and how it can work with other media. Questions of representation such as how class, ethnicity, gender, race, and nationality function. Viewership and industry practices.
Last offered: Autumn 2013 | UG Reqs: GER:DB-Hum

MUSIC 186: Religion and Music in South Asia (MUSIC 286, RELIGST 259)

How music and other arts in South Asia are intertwined with religion. Classical, devotional, folk, and popular examples introduce Gods as musicians, sound as God, music as yoga, singing as devotion, music as ¿ecstasy¿-inducing, music as site for doctrinal argument, music and religion as vehicles for nationalism. Co-taught by professors of Music and Religious Studies, focusing Hinduism and Islam in India, Pakistan, and the diaspora. Music practice along with academic study; guest artists and films; no background required.
Last offered: Spring 2013 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom

NATIVEAM 143A: American Indian Mythology, Legend, and Lore (ENGLISH 43A, ENGLISH 143A)

(English majors and others taking 5 units, register for 143A.) Readings from American Indian literatures, old and new. Stories, songs, and rituals from the 19th century, including the Navajo Night Chant. Tricksters and trickster stories; war, healing, and hunting songs; Aztec songs from the 16th century. Readings from modern poets and novelists including N. Scott Momaday, Louise Erdrich, and Leslie Marmon Silko, and the classic autobiography, "Black Elk Speaks."
Terms: Aut | Units: 3-5 | UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II, WAY-EDP
Instructors: Fields, K. (PI)

OSPBEIJ 17: Chinese Film Studies

Stages of Chinese cinema from the establishment of P.R. China in 1949 to the present. State policies, filmmaking trends, representative filmmakers and films, and the state of the industry in the different periods, with close readings of some important films. Historical perspective and broad knowledge of Chinese cinema; academic approaches to film studies.
Terms: Aut | Units: 4 | UG Reqs: GER:DB-Hum

OSPBEIJ 48: Chinese Literature: Tradition in Transformation

Classical Chinese literature from the beginning (ca. 1000 BC) to the 14th centure. Primary texts in translation with attention to the poetic works that feature Chinese literary tradition. Understanding of past experience of Chinese people living in another cultural space through observation, analysis, and reconstruction.
Terms: Aut, Spr | Units: 4 | UG Reqs: GER:DB-Hum
Instructors: Zhang, P. (PI)

OSPBEIJ 60: Chinese Philosophies and Modern China

Introduction to Chinese philosophy. Daoism, Confucianism, the Confucian development in the Song and Ming periods, the "liberal" and Legal school of thought, Buddhism, the Confucian thinkers of the Modern period, and "Dialectical Materialism." Chinese form of "liberalism" since the 1980s and the future of Confucian scholarship in the postmodern era. How central questions of Western philosophy pertain to the Chinese tradition, and how relevant Chinese philosophy is to the differences in approaches taken to such issues as truth, good, beauty, mind, body, spirit, being, cosmology, ontology, and epistemology.
Last offered: Spring 2015 | UG Reqs: GER:DB-Hum

OSPBER 17: Split Images: A Century of Cinema

20th-century German culture through film. The silent era, Weimar, and the instrumentalization of film in the Third Reich. The postwar era: ideological and aesthetic codes of DEFA, new German cinema, and post-Wende filmmaking including Run Lola Run and Goodbye Lenin. Aesthetic aspects of the films including image composition, camera and editing techniques, and relation between sound and image.
Terms: Win | Units: 3-4 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II
Instructors: Kramer, K. (PI)

OSPBER 25: Architecture, Memory, Commemoration

Exploration of questions about architectural form together with a sense of place in Berlin and surrounding regional cities. Interdisciplinary approach to the study of urbanism and memory through the concerns of cultural geography, anthropology, history, fiction and films. Trips to sites to explore how memory is visualized in the built environment. Themes of the course include: "About Form," "Mapping the City," and "Heritage and Commemoration."
Last offered: Autumn 2014 | UG Reqs: GER:DB-Hum

OSPBER 60: Cityscape as History: Architecture and Urban Design in Berlin

Diversity of Berlin's architecture and urban design resulting from its historical background. Architect Ludwig Mies van der Rohe and his artistic ancestors. Role of the cultural exchange between Germany and the U.S. Changing nature of the city from the 19th century to the present.
Terms: Aut | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II
Instructors: Pabsch, M. (PI)
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