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JEWISHST 249A: Levinas and Literature (COMPLIT 259A)

Focus is on major works by French phenomenologist Emmanuel Levinas (1906-1995) and their import for literary studies. Aim is to discuss and evaluate Levinas's (often latent) aesthetics through a close reading of his work in phenomenology, ethics, and Jewish philosophy. If poetry has come to seem barbaric (or at least useless) in a world so deeply shaped by genocide, forced migration, and climate change, Levinas offers a clear and deeply engaged path forward. If you love literature but still haven't figured out what on earth it might be good for, this course is for you. Readings and discussion in English.
Last offered: Winter 2022 | UG Reqs: WAY-A-II

JEWISHST 287: Hope in the Modern Age (COMPLIT 287, GERMAN 287)

Immanuel Kant famously considered "What may I hope?" to be the third and final question of philosophy. This course considers the thinkers, from Immanuel Kant to Judith Butler, who have attempted to answer this question from within the context of modernity. Has revolution replaced religion as the object of our hope? Has Enlightenment lived up to its promises? These topics and more will be discussed, with readings from thinkers including Hegel, Marx, Nietzsche, Benjamin, Adorno, and Arendt, alongside the literature of writers such as Kafka, Celan, Nelly Sachs, among others, and with particular focus on the question of hope within the German-Jewish tradition.
Last offered: Autumn 2021 | UG Reqs: WAY-A-II, WAY-SI

JEWISHST 333: Comparative Mysticism (RELIGST 233, RELIGST 333)

This seminar will explore the mystical writings of the major religious traditions represented in our department: Judaism, Christianity, Islam, Buddhism and Hinduism. It will address major issues in the study of mysticism, exposing students to a wide variety of religious thinkers and literary traditions, while simultaneously interrogating the usefulness of the concept of "mysticism" as a framework in the study of religion. We will consider various paradigms of method (comparative, constructivist, essentialist), and examine the texts with an eye to historical and social context together with the intellectual traditions that they represent. Preserving the distinctiveness of each religious tradition, the class will be structured as a series of five units around these traditions, but our eyes will be continuously trained upon shared topics or themes, including: language; gender; notions of sainthood; scripture and exegesis; autobiography and writing; mysticism and philosophy; poetry and tra more »
This seminar will explore the mystical writings of the major religious traditions represented in our department: Judaism, Christianity, Islam, Buddhism and Hinduism. It will address major issues in the study of mysticism, exposing students to a wide variety of religious thinkers and literary traditions, while simultaneously interrogating the usefulness of the concept of "mysticism" as a framework in the study of religion. We will consider various paradigms of method (comparative, constructivist, essentialist), and examine the texts with an eye to historical and social context together with the intellectual traditions that they represent. Preserving the distinctiveness of each religious tradition, the class will be structured as a series of five units around these traditions, but our eyes will be continuously trained upon shared topics or themes, including: language; gender; notions of sainthood; scripture and exegesis; autobiography and writing; mysticism and philosophy; poetry and translation; mysticism and social formation; the interface of law, devotion, and spirit; science and mysticism; perceptions of inter-religious influence; mysticism and the modern/ post-modern world. Advanced reading knowledge of at least one language of primary-source scholarship in one of the above traditions is required. Undergraduates register for 200-level for 5 units. Graduate students register for 300-level for 3-5 unit.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-A-II

KOREA 21: Humanities Core: Love and Betrayal in Asia (CHINA 21, HUMCORE 21, JAPAN 21)

Why are lovers in storybooks East and West always star-crossed? Why do love and death seem to go together? For every Romeo and Juliet, there are dozens of doomed lovers in the Asian literary repertoires, from Genji's string of embittered mistresses, to the Butterfly lovers in early modern China, to the voices of desire in Koryo love songs, to the devoted adolescent cousins in Dream of the Red Chamber, to the media stars of Korean romantic drama, now wildly popular throughout Asia. In this course, we explore how the love story has evolved over centuries of East Asian history, asking along the way what we can learn about Chinese, Japanese, and Korean views of family and community, gender and sexuality, truth and deception, trust and betrayal, ritual and emotion, and freedom and solidarity from canonical and non-canonical works in East Asian literatures. N.B. This is the second of three courses in the East Asian track. These courses offer an unparalleled opportunity to study East Asian history and culture, past and present. Take all three to experience a year-long intellectual community dedicated to exploring how ideas have shaped our world and future.
Last offered: Winter 2020 | UG Reqs: WAY-A-II

KOREA 21Q: Humanities Core: Love and Betrayal in Asia (CHINA 21Q, HUMCORE 21Q, JAPAN 21Q)

Why are lovers in storybooks East and West always star-crossed? Why do love and death seem to go together? For every Romeo and Juliet, there are dozens of doomed lovers in the Asian literary repertoires, from Genji's string of embittered mistresses, to the Butterfly lovers in early modern China, to the voices of desire in Koryo love songs, to the devoted adolescent cousins in Dream of the Red Chamber, to the media stars of Korean romantic drama, now wildly popular throughout Asia. In this course, we explore how the love story has evolved over centuries of East Asian history, asking along the way what we can learn about Chinese, Japanese, and Korean views of family and community, gender and sexuality, truth and deception, trust and betrayal, ritual and emotion, and freedom and solidarity from canonical and non-canonical works in East Asian literatures. N.B. This is the second of three courses in the East Asian track. These courses offer an unparalleled opportunity to study East Asian history and culture, past and present. Take all three to experience a year-long intellectual community dedicated to exploring how ideas have shaped our world and future.
Last offered: Winter 2019 | UG Reqs: WAY-A-II

KOREA 24: Humanities Core: How to be Modern in East Asia (CHINA 24, COMPLIT 44, HUMCORE 133, JAPAN 24)

Modern East Asia was almost continuously convulsed by war and revolution in the 19th and 20th centuries. But the everyday experience of modernity was structured more profoundly by the widening gulf between the country and the city, economically, politically, and culturally. This course examines literary and cinematic works from China and Japan that respond to and reflect on the city/country divide, framing it against issues of class, gender, national identity, and ethnicity. It also explores changing ideas about home/hometown, native soil, the folk, roots, migration, enlightenment, civilization, progress, modernization, nationalism, cosmopolitanism, and sustainability. All materials are in English. This course is part of the Humanities Core: https://humanitiescore.stanford.edu/
Terms: Win | Units: 3 | UG Reqs: WAY-A-II

KOREA 101N: Kangnam Style: K-pop and the Globalization of Korean Soft Power

For over a decade now, South Korea has established itself as a tireless generator of soft power, the popularity of its pop-culture spreading from Asia to the rest of the world. This class will look into the economic engine that moves this "cultural contents" industry, and will examine some of its expressions in the form of K-pop. Class meets in East Asia Library (Lathrop Library), Rm 338.
Last offered: Autumn 2019 | UG Reqs: WAY-A-II, WAY-EDP

KOREA 111: From Colonialism to K-pop: Race and Gender in South Korean Culture (COMPLIT 111K, CSRE 111A, FEMGEN 111A, KOREA 222)

Some may associate South Korea with the following: BTS, North Korean nukes, Samsung, Hyundai, Squid Games. Some may repeat what South Korea has said about itself: that it is racially homogenous, an ethnic community that can trace their ancestry back 5000 years. Some may wonder how a country that is often perceived as Christian and conservative developed pop culture like K-pop, or queer subcultures, or feminist activism. This class will use South Korea as a case study to think historically and geographically about race and gender through the following topics: when did racial discourses begin to emerge in Korea? What have been South Korea's significant encounters with the figure of the Other in its modern history? How were women implicated in the changing landscape of colonial Korea, the Korean War, Korea's Vietnam War experience, and compressed modernization? How have the influx of migrant labor and North Korean refugees impacted ideas about race in South Korea? And finally, what does K-pop tell us about shifting South Korean views of race and gender? The primary materials that we will analyze will be drawn from Korean fiction, film, and media in translation.
Last offered: Winter 2023 | UG Reqs: WAY-A-II, WAY-EDP

KOREA 118: Humanities Core: Everybody Eats: The Language, Culture, and Ethics of Food in East Asia (CHINA 118, HUMCORE 22, JAPAN 118)

Many of us have grown up eating "Asian" at home, with friends, on special occasions, or even without full awareness that Asian is what we were eating. This course situates the three major culinary traditions of East Asia--China, Japan, and Korea--in the histories and civilizations of the region, using food as an introduction to their rich repertoires of literature, art, language, philosophy, religion, and culture. It also situates these seemingly timeless gastronomies within local and global flows, social change, and ethical frameworks. Specifically, we will explore the traditional elements of Korean court food, and the transformation of this cuisine as a consequence of the Korean War and South Korea¿s subsequent globalizing economy; the intersection of traditional Japanese food with past and contemporary identities; and the evolution of Chinese cuisine that accompanies shifting attitudes about the environment, health, and well-being. Questions we will ask ourselves during the quarter include, what is "Asian" about Asian cuisine? How has the language of food changed? Is eating, and talking about eating, a gendered experience? How have changing views of the self and community shifted the conversation around the ethics and ecology of meat consumption?
Last offered: Spring 2020 | UG Reqs: WAY-A-II, Writing 2

KOREA 120: Narratives of Modern and Contemporary Korea (COMPLIT 222, KOREA 220)

This introductory survey will examine the development of South and North Korean literature from the turn of the 20th century until the present. The course will be guided by historical and thematic inquiries as we explore literature in the colonial period, in the period of postwar industrialization, and contemporary literature from the last decade. We will supplement our readings with critical writing about Korea from the fields of cultural studies and the social sciences in order to broaden the terms of our engagement with our primary texts.
Last offered: Winter 2022 | UG Reqs: WAY-A-II
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