121 - 130 of 146 results for: ARTSTUDI

This course begins with the idea that all photographs are constructed. Students explore conceptual photographic practices through the frame of images as constructs, examining the various choices and expanded practices involved in the process of creating a photograph. Students are introduced to contemporary topics, historical positions, and examinations of various studio practices. Students examine different means of constructing representations of reality, building images and building spaces, within systems of making. This is an intermediate course in photography, with an ongoing emphasis on operating manual camera settings (focus, aperture, shutter speed, ISO, color temp/ white balance). Students continue to work with Lightroom as a file management system, are introduced to Photoshop, and focus on the importance of photo editing/selection and sequencing. Prerequisite: ARTSTUDI 170 or ARTSTUDI 171 or ARTSTUDI 173E or equivalent.

This course investigates notions of landscape photography by expanding upon its traditional, geography-based paradigm of pictorial beauty. Students explore how the perception and representation of landscapes relate to physical and cognitive mapping, as well as engagements with myth and memory, in order to visualize how we experience and imagine the spaces that extend around us. They develop technical processes that allow them to intervene in landscapes, such as altering their appearance within the camera in post-production, manipulating the construction of existing places, or building installations in public spaces. This is an intermediate course in photography, with an ongoing emphasis on operating manual camera settings (focus, aperture, shutter speed, ISO, color temp/ white balance). Students continue to work with Lightroom as a file management system, are introduced to Photoshop, and focus on the importance of photo editing/selection and sequencing. Prerequisite: ARTSTUDI 170 or ARTSTUDI 171 or ARTSTUDI 173E or equivalent.

The book has been a form to share photographs since the medium's earliest days, offering photographers a way to present their work outside of exhibitions. Developments in digital technology have democratized access to print production, leading to a proliferation of small and independent presses, and generating self-publishing opportunities for artists. In this course, students will explore a variety of book formats, focusing on the relationship between image and text, and learning about do-it-yourself methods for publishing. They will engage with and draw inspiration from historical and contemporary renditions of the photo book. The skills they acquire will be applied toward the conceptualization, design, production and distribution of their own book projects, as well as the collaborative creation of a class publication.This is an intermediate course in photography, with an ongoing emphasis on operating manual camera settings (focus, aperture, shutter speed, ISO, color temp/ white balance). Students continue to work with Adobe Lightroom as a file management system, are introduced to Adobe InDesign, and focus on the importance of photo editing/selection and sequencing. Students provide their own camera (SLR or mirrorless).

Prerequisite: student must have taken a course with the instructor and/or completed relevant introductory studio course(s). Instructor consent and completion of the Independent Study Form are required prior to enrollment. All necessary forms are required by the end of Week 2 of each quarter. Please contact the Student Services Specialist in McMurtry 108 for more information. May be repeated for credit.

Prerequisite: student must have taken a course with the instructor and/or completed relevant introductory studio course(s). Instructor consent and completion of the Independent Study Form are required prior to enrollment. All necessary forms are required by the end of Week 2 of each quarter. Please contact the Student Services Specialist in McMurtry 108 for more information. May be repeated for credit.

Students continue to use DLSR cameras, with an ongoing emphasis on operating manual settings (focus, aperture, shutter speed, ISO, color temp/ white balance). They are taught intermediate-level digital printing (in color) using large-format printers. They continue to work with Lightroom as a file management system and are introduced to Photoshop. Students gain a deeper insight into and stronger grasp of practices in contemporary digital photography, with a continuing focus on the importance of photo editing/selection and sequencing, as well as questions around the conceptual and practical implications and limits of photographic images. Prerequisite: ARTSTUDI 171 or equivalent. May be repeat for credit

This is a mentorship class designed to expand on personal projects in photography. Students engage in professional photographic practices that prepare them to apply and expand upon the skills, methods and techniques they have learned in previous courses. They explore different themes in photography and take an in-depth look at the creative process of artists whose visions are based on the development of projects and bodies of work over an extended period of time. Students learn to refine their aesthetic over time by developing such projects of their own, which involve significant independent work and active participation in critiques, with the goal of becoming adept at presenting their ideas and building a portfolio to show their work in a professional context. Students will be provided with software and introduced to tools of support that will help them to more effectively execute their projects.

Video, criticism, and contemporary media theory investigating the time image. Students create experimental video works, addressing the integration of video with traditional art media such as sculpture and painting. Non-linearity made possible by Internet and DVD-based video. No prerequisite required.

Students are introduced to and provided with medium-format film cameras, which they learn to use with an ongoing emphasis on operating manual settings (focus, aperture, shutter speed). Students are introduced to metering for film using hand-held light meters in a further study of light. They hone their printing skills and learn finer printing techniques using fiber-based paper. They also explore the full range of black and film stocks and get to experiment with alternative techniques like pinhole photography, photograms and Holga cameras. Students gain a deeper insight into and stronger grasp of practices in contemporary black and white photography, with a continuing focus on the importance of photo editing/selection and sequencing, as well as questions around the conceptual and practical implications and limits of photographic images. Prerequisite: ARTSTUDI 170 or equivalent.