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FEMGEN 262B: The Roots of Gendered Labor: Women and Work in American History (AMSTUD 262B, HISTORY 262B)

This class will explore the long, tangled history of women's labor in North America. Beginning with gendered labor practices among Native Americans, West Africans, and Europeans in the seventeenth century, this class will proceed thematically and chronologically through the early twentieth century. We will consider the deep roots of gendered labor in American history, asking how categories of race and class, freedom and enslavement, and immigration status have structured female labor. We will also examine the ways in which social transformations such as industrialization and urbanization, as well as changes in the economic, political, and sexual order shaped the experiences of laboring women. Reading secondary sources alongside a rich array of primary sources, including images and songs, we will consider the deep continuities and wrenching changes in the meanings of women's work over time.
Last offered: Winter 2023 | UG Reqs: WAY-EDP, WAY-SI

FEMGEN 292: Gender in Modern South Asia (HISTORY 292C)

Gender is crucial to understanding the political, cultural, and economic trajectories of communities in colonial and postcolonial South Asia. Throughout this course, we will ask a series of questions: How does gender structure conceptions of home, community, and homeland in South Asia? How do gender and religion become represented in movements for nation-states? How does women's participation in anticolonial politics and fights for equal representation in postcolonial nation-states affect our understanding of gender in South Asia today? Readings examine the creation and impact of religious personal law under British colonial rule, the role of masculinity in the British-Indian army, perspectives on religion and clothing, the interplay of rights movements and anti-colonialism, and the status of women in postcolonial India, Pakistan, and Bangladesh. Students will also explore a range of primary sources, including political treatises, short stories, didactic manuals, autobiographies, and travelogues.
Last offered: Winter 2021 | UG Reqs: WAY-EDP, WAY-SI

FEMGEN 295J: Chinese Women's History (CHINA 295J, HISTORY 295J)

The lives of women in the last 1,000 years of Chinese history. Focus is on theoretical questions fundamental to women's studies. How has the category of woman been shaped by culture and history? How has gender performance interacted with bodily disciplines and constraints such as medical, reproductive, and cosmetic technologies? How relevant is the experience of Western women to women elsewhere? By what standards should liberation be defined?
Last offered: Winter 2022 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-EDP, WAY-SI

FEMGEN 298C: Race, Gender, & Sexuality in Chinese History (ASNAMST 298, CSRE 298G, HISTORY 298C, HISTORY 398C)

This course examines the diverse ways in which identities--particularly race, ethnicity, gender and sexuality have been understood and experienced in Chinese societies, broadly defined, from the imperial period to the present day. Topics include changes in women's lives and status, racial and ethnic categorizations, homosexuality, prostitution, masculinity, and gender-crossing.
Last offered: Winter 2021 | UG Reqs: WAY-EDP, WAY-SI

FILMEDIA 178: Film and History of Latin American Revolutions and Counterrevolutions (HISTORY 78, HISTORY 178, ILAC 178)

In this course we will watch and critique films made about Latin America's 20th century revolutions focusing on the Cuban, Chilean and Mexican revolutions. We will analyze the films as both social and political commentaries and as aesthetic and cultural works, alongside archivally-based histories of these revolutions.
Terms: Win | Units: 3-5 | UG Reqs: WAY-A-II, WAY-SI

FRENCH 62N: Art and Healing in the Wake of Covid-19: A Health Humanities Perspective (ITALIAN 62N)

How have artists contributed to healing during the Covid-19 pandemic? How does art shape or express diverse cultural understandings of health and illness, medicine and the body, death and spirituality, in response to crisis? How do such understandings directly impact the physical healing but also the life decisions and emotions of individuals, from caregivers to patients? And finally, how do these affect social transformation as part of healing? This course examines the art of COVID-19, from a contemporary and historical perspective, using the tools of Health Humanities, a relatively new discipline that connects medicine to the arts and social sciences. Materials for this course include art from different media (from poetry and fiction to performance and installation), produced during COVID-19 in mostly Western contexts, in diverse communities and with some forays into the rest of the world and into other historical moments of crisis. They also include some non-fiction readings from the disciplines Health Humanities draws from, such as history of medicine, anthropology, psychology, sociology, cultural history, media studies, art criticism, and medicine itself. We will thus be introduced to basics of Health Humanities and its methods while addressing the pandemic as a world-changing event, aided by the unique insights of artists. The course will culminate in final projects that present a critical and contextual appreciation of a specific art project created in response to COVID-19; such appreciations may be creative art projects as well, or more analytical, scholarly evaluations.
Last offered: Spring 2022 | UG Reqs: WAY-A-II, WAY-SI

FRENCH 75N: Narrative Medicine and Near-Death Experiences (ITALIAN 75N)

Even if many of us don't fully believe in an afterlife, we remain fascinated by visions of it. This course focuses on Near-Death Experiences and the stories around them, investigating them from the many perspectives pertinent to the growing field of narrative medicine: medical, neurological, cognitive, psychological, sociological, literary, and filmic. The goal is not to understand whether the stories are veridical but what they do for us, as individuals, and as a culture, and in particular how they seek to reshape the patient-doctor relationship. Materials will span the 20th century and come into the present. Taught in English.
Last offered: Autumn 2017 | UG Reqs: WAY-A-II, WAY-SI

FRENCH 131: Absolutism, Enlightenment, and Revolution in 17th- and 18th-Century France

The literature, culture, and politics of France from Louis XIV to Olympe de Gouges. How this period produced the political and philosophical foundations of modernity. Readings may include Corneille, Molière, Racine, Lafayette, Voltaire, Diderot, Rousseau, Beaumarchais, and Gouges. Taught in French. Students are highly encouraged to complete FRENLANG 124 or to successfully test above this level through the Language Center. This course fulfills the Writing in the Major (WIM) requirement.
Terms: Win | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-SI

FRENCH 140: Paris: Capital of the Modern World (FRENCH 340, HISTORY 230C, URBANST 184)

This course explores how Paris, between the eighteenth and twentieth centuries, became the political, cultural, and artistic capital of the modern world. It considers how the city has both shaped and been shaped by the tumultuous events of modern history- class conflict, industrialization, imperialism, war, and occupation. It will also explore why Paris became the major world destination for intellectuals, artists and writers. Sources will include films, paintings, architecture, novels, travel journals, and memoirs. Course taught in English with an optional French section.
Last offered: Spring 2020 | UG Reqs: WAY-A-II, WAY-SI

FRENCH 159: French Kiss: The History of Love and the French Novel (FRENCH 256, HISTORY 236F)

The history of the French novel is also the history of love. How did individuals experience love throughout history? How do novels reflect this evolution of love through the ages? And, most significantly, how have French novels shaped our own understanding of and expectations for romantic love today? The course will explore many forms of love from the Ancien R¿gime to the 20th century. Sentiment and seduction, passion and desire, the conflict between love and society: students will examine these themes from a historical perspective, in tandem with the evolution of the genre of the novel (the novella, the sentimental novel, the epistolary novel, the 19th-century novel, and the autobiographical novel). Some texts will be paired with contemporary films to probe the enduring relevance of love "¿ la fran¿aise" in the media today. Readings include texts by Lafayette, Pr¿vost, Laclos, Dumas fils, Flaubert, Colette, Yourcenar, and Duras. This is an introductory course to French Studies, with a focus on cultural history, literary history, interpretation of narrative, thematic analysis, and close reading. Undergraduate students should enroll for FRENCH159, while graduate students may enroll for FRENCH256. Readings and discussion in English.
Terms: Aut | Units: 3-5 | UG Reqs: WAY-A-II, WAY-SI
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