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OSPMADRD 15: Flamenco Dance

Practical instruction. The rhythms and styles of flamenco and the expression of feelings proper to this art form which synthesizes song, music, and dance. "Zapateado" (footwork), "braceo" (arm positions and movement technique), and choreographies, including Rumba flamenca and Sevillanas. May be repeated for credit. Enrollment is limited.
Terms: Aut, Win, Spr | Units: 1 | UG Reqs: WAY-CE, way_ce | Repeatable for credit

OSPMADRD 46: Drawing with Four Spanish Masters: Goya, Velazquez, Picasso and Dali

Approaches, techniques, and processes in drawing. Visits to Madrid museums to study paintings and drawings by Goya, Vel¿zquez, Picasso, and Dal¿ and to explore the experience of drawing. Subject matter: the figure, still life, interiors, landscape, and non-representational drawing. No previous experience required. Enrollment limited.
Terms: Aut, Win | Units: 3 | UG Reqs: WAY-CE

OSPMADRD 84: Madrid Through My Eyes: A Theoreticl/Practical Documentary Film Workshop

Theoretical and practical view of Spanish language documentary cinema; potential of this type of film making as a form of personal expression. Tools for understanding and analyzing this type of cinema. Creative and analytical reflection on student 's Madrid experience; develop individual visual discourse to portray life in the city by filming a short documentary.
Terms: Spr | Units: 3 | UG Reqs: WAY-CE, WAY-A-II

OSPOXFRD 16: Creative Writing and Human Rights

Human rights concepts through their emergence in literary form(s), using creative writing, including nonfiction, fiction and poetry, to explore empathy and the most effective ways of inducing it in readers.
Terms: Spr | Units: 4-5 | UG Reqs: WAY-CE, WAY-EDP

OSPOXFRD 75: Creative Non-Fiction: Self expression as a means and an end.

The value of writing as a form of self expression and self analysis has been highlighted in recent months. In this course students will embark on an exploration of the practical uses of writing (journalism, therapy, communicating policies) while also cultivating their own writing skills. In this small seminar students will be able to grow their own writing skills with a variety of assignments tailored to their interests, meet other writers and learn how recent global events have changed the employment landscape for a burgeoning wordsmith.
Terms: Sum | Units: 4-5 | UG Reqs: WAY-A-II, WAY-CE

OSPPARIS 2: Paris through the lens of your Smartphone

The aim of this course is to allow students to conceive, produce, direct and edit a short film that explores their experience in Paris using the basic smartphone technology. They will be introduced to the fundamentals of visual storytelling and basic technics of filmmaking and be encouraged to apply those techniques through a variety of practical exercises and training seminars. At the end of the trimester, the students will have acquired basic notions of visual storytelling and directed a short movie allowing them to express their own idiosyncratic vision of the world and their personal experience in a foreign city. Primary language: French
Terms: Aut, Win | Units: 2 | UG Reqs: WAY-CE
Instructors: Aziza, S. (PI)

OSPPARIS 12: Paris Photography Workshop

Exploration of Paris through camera and lab techniques. Both theoretical and practical aspects of creative photography. Extensive field work. Students must bring camera or phone with camera. Enrollment limited. Taught in English.
Last offered: Winter 2023 | UG Reqs: WAY-CE

OSPPARIS 36: French Writing Workshop

Offered upon request for students who have completed an Advanced French course. Focus on French writing style, enabling students to understand and master the subtleties of French writing.
Terms: Aut, Win, Spr | Units: 2 | UG Reqs: WAY-CE
Instructors: Molkou, E. (PI)

OSPPARIS 95: Women in Contemporary French Cinema

Women as objects and subjects of the voyeuristic gaze inherent to cinema. The evolution of female characters, roles, actresses, directors in the French film industry from the sexual liberation to #metoo. Women as archetypes, icones, images, or as agents and subjects. Emphasis on filmic analysis: framing, point of view, narrative, camera work as ways to convey meaning. Themes include: sexualization and desire; diversity and intersectionality in films; new theories of the female gaze; gender, ethnicity and class. Filmmakers include Roger Vadim, Agnès Varda, Luis Buñuel, Claude Chabrol, Colline Serreau, Elena Rossi, Tonie Marshall, Houda Benyamina, Eléonore Pourriat, Céline Sciamma, Mati Diop. VISIT BY FILM DIRECTORS Elena Rossi and Sciamma (pending). Films in French with subtitles; discussion in English.
Last offered: Autumn 2022 | UG Reqs: WAY-A-II, WAY-CE

PHIL 193E: Film & Philosophy CE (FRENCH 154E, ITALIAN 154E, PHIL 293E)

Issues of authenticity, morality, personal identity, and the value of truth explored through film; philosophical investigation of the filmic medium itself. Screenings to include Blade Runner (Scott), Do The Right Thing (Lee), The Seventh Seal (Bergman), Fight Club (Fincher), La Jetée (Marker), Memento (Nolan), and Eternal Sunshine of the Spotless Mind (Kaufman). Taught in English. Satisfies the WAY CE.
Last offered: Winter 2019 | UG Reqs: WAY-CE
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