printer friendly pageMUSIC 305C: Analysis and Repertoire: Late-Romantic to Contemporary
Analytical approaches to genres, styles, materials and techniques of Western music from the mid-nineteenth century through the present. Questions of aesthetics, history and performance explored through musical analysis. Representative repertoire and readings, and a range of analytical methods.
Terms: Spr
| Units: 3-4
Instructors:
Kronengold, C. (PI)
MUSIC 305D: Analysis from a Compositional Perspective
Introduction to analysis, examining diverse examples in part chosen from, otherwise supplementing and illuminating, the graduate composers' qualifying exam list; consideration of aesthetic premises and motivations, and of implications for contemporary compositional practice.
Terms: Aut
| Units: 4
Instructors:
Ulman, E. (PI)
MUSIC 310: Research Seminar in Musicology
For graduate students. Topics vary each quarter. May be repeated for credit a total of 8 times.
Terms: Aut, Win
| Units: 3-5
| Repeatable
9 times
(up to 45 units total)
Instructors:
Berger, K. (PI)
;
Hinton, S. (PI)
MUSIC 312A: Aesthetics and Criticism of Music, Ancients and Moderns: Plato to Nietzsche
For graduate students. Primary texts focusing on the nature, purposes, and uses of music and other arts.
Last offered: Autumn 2018
MUSIC 312B: Aesthetics and Criticism of Music, Contemporaries: Heidegger to Today
For graduate students. Primary texts focusing on the nature, purposes, and uses of music and other arts.
Last offered: Winter 2019
MUSIC 319: Research Seminar on Computational Models of Sound Perception
All aspects of auditory perception, often with emphasis on computational models. Topics: music perception, signal processing, auditory models, pitch perception, speech, binaural hearing, auditory scene analysis, basic psychoacoustics, and neurophysiology. See
http://ccrma.stanford.edu/courses/. May be repeated for credit a total of 14 times.
Terms: Aut, Win, Spr
| Units: 1-3
| Repeatable
15 times
(up to 45 units total)
Instructors:
Slaney, M. (PI)
MUSIC 320: Introduction to Audio Signal Processing
A first-course in signal processing with applications in computer music and audio for students comfortable with high-school algebra, calculus, complex variables, and beginning linear algebra. The lectures cover fundamentals of audio signal processing such as sinusoids, spectra, Fourier transforms, Laplace transform, z transform, linear time-invariant filters, digitizing systems, transfer-function analysis, and basic Fourier analysis in the continuous and discrete-time cases. Matlab is used for in-class demonstrations and homework/lab assignments. The labs focus on practical applications of the theory, with emphasis on working with waveforms and spectra, ''getting sound'', and developing proficiency in the matlab language. See
http://ccrma.stanford.edu/courses/320/.
Terms: Aut
| Units: 2-4
MUSIC 320C: Software Projects in Music/Audio Signal Processing
Course focuses on developing an audio signal-processing plugin or stand-alone application in C++. Prior experience is assumed with programming in Matlab/Octave and C/C++, and signal processing theory on the level of
Music 320. Class time is devoted to presenting use of the Faust programming language for generating C++, the JUCE framework for creating audio plugins or stand-alone applications, related theory and projects, project progress reports, and project final presentations.
Terms: Spr
| Units: 3-10
| Repeatable
for credit
(up to 990 units total)
MUSIC 321: Readings in Music Theory
Directed reading and research. May be repeated for credit a total of 15 times.
Terms: Aut, Win, Spr, Sum
| Units: 1-5
| Repeatable
15 times
(up to 75 units total)
Instructors:
Alessandrini, P. (PI)
;
Applebaum, M. (PI)
;
Aquilanti, G. (PI)
...
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Instructors:
Alessandrini, P. (PI)
;
Applebaum, M. (PI)
;
Aquilanti, G. (PI)
;
Barth, G. (PI)
;
Berger, J. (PI)
;
Berger, K. (PI)
;
Berger, T. (PI)
;
Chafe, C. (PI)
;
Ferneyhough, B. (PI)
;
Grey, T. (PI)
;
Hadlock, H. (PI)
;
Hinton, S. (PI)
;
Kronengold, C. (PI)
;
Mahrt, W. (PI)
;
Rodin, J. (PI)
;
Rossing, T. (PI)
;
Smith, J. (PI)
;
Ulman, E. (PI)
;
Wang, G. (PI)
MUSIC 323: Doctoral Seminar in Composition
Illustrated discussions of compositional issues and techniques. Presentation of relevant topics, including students' own compositional practice. May be repeated for credit a total of 14 times.
Terms: Aut, Spr
| Units: 3-4
| Repeatable
15 times
(up to 60 units total)
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