2019-2020 2020-2021 2021-2022 2022-2023 2023-2024
Browse
by subject...
    Schedule
view...
 

191 - 200 of 557 results for: all courses

DANCE 166: History of Social Dance in Western Culture

NEWLY REVISED COURSE. A survey of movement and historical dance from the past two centuries to today, with the technique and traditions that are distinctive to each era. Partnered dances include Waltz, Tango, Jazz Age and Swing Era dances, 1970s Disco, Latin dances, through today's social dance forms. Renaissance and Baroque dance will no longer be covered, in order to focus on the evolution of today's social dance forms. The course will include techniques for historical dance reconstruction, with students creating their own dance reconstructions. Previous dance experience is not required to take this course.
Last offered: Autumn 2021 | UG Reqs: WAY-CE, way_ce

DESIGN 11: Visual Thinking

Visual Thinking is the foundational class for all designers and creative people at Stanford. It teaches you how to access your creativity through a series of projects. Visual thinking, a powerful adjunct to other problem solving modalities, is developed and exercised in the context of solving some fun and challenging design problems. Along the way, the class expands your access to your imagination, helps you see more clearly with the "mind's eye", and learn how to do rapid visualization and prototyping. The emphasis on basic creativity, learning to build in the 3D and digital world, and fluent and flexible idea production. This class was formerly listed as ME 101, and is a required foundational class for undergrad design majors.
Terms: Aut, Win, Spr | Units: 4 | UG Reqs: GER:DB-EngrAppSci, WAY-CE

DESIGN 170: Visual Frontiers

The student will learn how to use graphic design to communicate online, in person, and through printed matter. Fundamentals of visual communications will be applied to branding exercises, typographic studies, color explorations, drawing exercises, use of photography, and use of grid and layout systems. This class was formerly listed as ME 125. This course can satisfy the visual expression elective requirement for undergrad design majors.
Terms: Win, Spr | Units: 3 | UG Reqs: WAY-CE

DLCL 111Q: Texts and Contexts: Spanish/English Literary Translation Workshop (COMPLIT 111Q, ILAC 111Q)

The Argentinian writer and translator, Jorge Luis Borges, once said, 'Cada idioma es un modo de sentir el universo.' How are modes of feeling and perception translated across languages? How does the historical context of a work condition its translation into and out of a language? In this course, you will translate from a variety of genres that will teach you the practical skills necessary to translate literary texts from Spanish to English and English to Spanish. By the end of the term, you will have translated and received feedback on a project of your own choosing. Discussion topics may include: the importance of register, tone, and audience; the gains, in addition to the losses, that translations may introduce; the role of ideological, social-political, and aesthetic factors on the production of translations; and comparative syntaxes, morphologies, and semantic systems. Preference will be given to sophomores but freshman through seniors have enjoyed this course in the past. Course taught in Spanish.
Last offered: Winter 2023 | UG Reqs: WAY-A-II, WAY-CE

DLCL 113Q: Borges and Translation (ILAC 113Q)

Borges's creative process and practice as seen through the lens of translation. How do Borges's texts articulate the relationships between reading, writing, and translation? Topics include authorship, fidelity, irreverence, and innovation. Readings will draw on Borges's short stories, translations, and essays. Taught in Spanish. Prerequisite: 100-level course in Spanish or permission of instructor.
Last offered: Autumn 2017 | UG Reqs: WAY-A-II, WAY-CE

DLCL 121: Performing the Middle Ages

Through an analysis of medieval courtly love, religious, satirical, and Crusade lyrics, we will study the rise of a new subjectivity; the female voice; the roles of poet, audience, and patron; oral and manuscript transmission; and political propaganda. Special attention will be given to performance as a reimagining of self and social identity. Authors include Bertran de Born, Marie de France, Hildegard von Bingen, Walther von der Vogelweide, Dante, and Chaucer. Students will have the opportunity to produce a creative project that brings medieval ideas about performance into dialogue with modern conceptions. Taught in English, all texts in translation. NOTE: for AY 2018-19 FRENCH 166 Food, Text, Music: A Multidisciplinary Lab on the Art of Feasting counts for DLCL 121.
Last offered: Autumn 2016 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II, WAY-CE

DLCL 123: Medieval Journeys: Introduction through the Art and Architecture (ARTHIST 105B, ARTHIST 305B)

The course explores the experience and imagination of medieval journeys through an interdisciplinary, cross-cultural, and skills-based approaches. As a foundations class, this survey of medieval culture engages in particular the art and architecture of the period. The Middle Ages is presented as a network of global economies, fueled by a desire for natural resources, access to luxury goods and holy sites. We will study a large geographical area encompassing the British Isles, Europe, the Mediterranean, Central Asia, India, and East Africa and trace the connectivity of these lands in economic, political, religious, and artistic terms from the fourth to the fourteenth century C.E. The students will have two lectures and one discussion session per week. Depending on the size of the class, it is possible that a graduate student TA will run the discussion session. Our goal is to give a skills-oriented approach to the Middle Ages and to engage students in creative projects that will satisfy either the Ways-Creative Expression requirement or Ways-Engaging Difference. NOTE: for AY 2018-19 HISTORY 115D Europe in the Middle Ages, 300-1500 counts for DLCL 123.
Last offered: Spring 2020 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-CE, WAY-EDP

DLCL 293: Literary Translation: Theory and Practice (COMPLIT 293, ENGLISH 293)

An overview of translation theories and practices over time. The aesthetic, ethical, and political questions raised by the act and art of translation and how these pertain to the translator's tasks. Discussion of particular translation challenges and the decision processes taken to address these issues. Coursework includes assigned theoretical readings, comparative translations, and the undertaking of an individual translation project.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-CE, WAY-A-II
Instructors: Santana, C. (PI)

EARTHSYS 91EJ: Environmental Justice Storytelling: Writing for Impact (PWR 91EPA)

In this class students will explore groundbreaking environmental justice (EJ) stories created in multiple mediums including podcasts, documentaries, op-eds, and social media. Over the quarter you will research and develop your own EJ story and select a genre to communicate it as you work through key questions to take outside of the class and into your career: What is the role of the writer in addressing our greatest environmental and social challenges? What impact can stories have in shifting power and changing policies? How do we transform mainstream narratives? How do we engage the most impacted voices in the making of our stories? How do we figure out the audience to reach and how best to reach them? Finally, where are the places we find hope in this work? This course does not fulfill the WR1 or WR2 requirement.
Last offered: Autumn 2022 | UG Reqs: WAY-CE, WAY-EDP

EARTHSYS 149: Wild Writing (EARTHSYS 249)

What is the wild? What is our relationship to nature, and why does this relationship matter? We will interrogate these questions through the work of influential, diverse, primarily American environmental writers who have given voice to many ways of knowing the wonder, fragility, complexity, and power of the natural world and have inspired readers to act on behalf of social-environmental causes. This course centers the work of diverse voices, including Indigenous, Black, and Chicana writers, enabling us to consider some of the many ways that people have understood and experienced nature throughout history and the relevance of these manifold ways of knowing to our conceptualizations of nature today. Students will develop their responses to the question of what is the wild and why it matters through a series of synchronous and asynchronous in-the-field writing exercises that integrate personal narrative and environmental scholarship, culminating in a ~3000-word narrative nonfiction essay. more »
What is the wild? What is our relationship to nature, and why does this relationship matter? We will interrogate these questions through the work of influential, diverse, primarily American environmental writers who have given voice to many ways of knowing the wonder, fragility, complexity, and power of the natural world and have inspired readers to act on behalf of social-environmental causes. This course centers the work of diverse voices, including Indigenous, Black, and Chicana writers, enabling us to consider some of the many ways that people have understood and experienced nature throughout history and the relevance of these manifold ways of knowing to our conceptualizations of nature today. Students will develop their responses to the question of what is the wild and why it matters through a series of synchronous and asynchronous in-the-field writing exercises that integrate personal narrative and environmental scholarship, culminating in a ~3000-word narrative nonfiction essay. This course will provide students with knowledge, tools, experience, and skills that will empower them to become more persuasive environmental storytellers and advocates.If you are interested in signing up for the course, complete this pre-registration form: https://stanforduniversity.qualtrics.com/jfe/form/SV_9XqZeZs036WIvop
Terms: Spr | Units: 3 | UG Reqs: WAY-CE
Filter Results:
term offered
updating results...
teaching presence
updating results...
number of units
updating results...
time offered
updating results...
days
updating results...
UG Requirements (GERs)
updating results...
component
updating results...
career
updating results...
© Stanford University | Terms of Use | Copyright Complaints