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281 - 290 of 295 results for: MUSIC ; Currently searching offered courses. You can also include unoffered courses

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MUSIC 325: Individual Graduate Projects in Composition

May be repeated for credit.
Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable 25 times (up to 75 units total)

MUSIC 330: Musicology Dissertation Colloquium

Weekly meetings for all musicology students 4th year and beyond to discuss research and writing strategies, share and critique work in progress, and discuss issues in professional development (preparing abstracts, conference papers, C.V. and job interviews, book reviews, submitting articles for publication). Open to 3rd-year students.
Terms: Spr | Units: 1-4 | Repeatable 4 times (up to 16 units total)
Instructors: Rodin, J. (PI)

MUSIC 341: Ph.D Dissertation

May be repeated for credit a total of 5 times.
Terms: Aut, Win, Spr, Sum | Units: 1-10 | Repeatable 6 times (up to 60 units total)

MUSIC 351A: Seminar in Music Perception and Cognition I

A seminar on topics in music perception and cognition. Students will study and discuss recent research as well as design and implement experiments.
Terms: Aut | Units: 1-3 | Repeatable 10 times (up to 30 units total)
Instructors: Fitzgerald, M. (PI) ; Fujioka, T. (PI)

MUSIC 356: Music and AI (CS 470)

How do we make music with artificial intelligence? What does it mean to do so (and is it even a good idea)? How might we design systems that balance machine automation and human interaction? More broadly, how do we want to live with our technologies? Are there - and ought there be - limits to using AI for art? (And what is Art, anyway?) In this "critical making" course, students will learn practical tools and techniques for AI-mediated music creation, engineer software systems incorporating AI, HCI and Music, and critically reflect on the aesthetic and ethical dimensions of technology.
Terms: Win | Units: 3-4
Instructors: Wang, G. (PI) ; Zhu, A. (TA)

MUSIC 390: Practicum Internship

On-the-job training under the guidance of experienced, on-site supervisors. Meets the requirements for curricular practical training for students on F-1 visas. Students submit a concise report detailing work activities, problems worked on, and key results. May be repeated for credit. Prerequisite: qualified offer of employment and consent of adviser.
Terms: Aut, Win, Spr, Sum | Units: 1 | Repeatable 15 times (up to 15 units total)

MUSIC 398: PhD Dissertation Proposal

Students have to identify a research advisor and enroll in this course with her/him to develop the dissertation proposal. By the end of this required course or its series (repeatable for three times), students are expected to have identified a) a special area exam committee, b) the structure of the dissertation proposal, and c) the scope of the thesis with the depth and breadth of the research field.
Terms: Aut, Win, Spr, Sum | Units: 1-3 | Repeatable 3 times (up to 9 units total)

MUSIC 399: D.M.A. Final Project

May be repeated for credit a total of 5 times.
Terms: Aut, Win, Spr, Sum | Units: 1-10 | Repeatable 6 times (up to 60 units total)

MUSIC 422: Perceptual Audio Coding

History and basic principles: development of psychoacoustics-based data-compression techniques; perceptual-audio-coder applications (radio, television, film, multimedia/internet audio, DVD, EMD). In-class demonstrations: state-of-the-art audio coder implementations (such as AC-3, MPEG) at varying data rates; programming simple coders. Topics: audio signals representation; quantization; time to frequency mapping; introduction to psychoacoustics; bit allocation and basic building blocks of an audio codec; perceptual audio codecs evaluation; overview of MPEG-1, 2, 4 audio coding and other coding standards (such asAC-3). Prerequisites: knowledge of digital audio principles, familiarity with C programming. Recommended: 320, EE 261. See http://ccrma.stanford.edu/.
Terms: Win | Units: 3
Instructors: Bosi, M. (PI) ; Kuo, E. (TA)

MUSIC 423: Graduate Research in Music Technology

Research discussion, development, and presentation by graduate students, visiting scholars, and CCRMA faculty in the areas of music and/or audio technology. Permission of instructor required. See http://ccrma.stanford.edu/courses/423/ for latest information. May be repeated for credit.
Terms: Aut, Win, Spr | Units: 1-10 | Repeatable 10 times (up to 50 units total)
Instructors: Abel, J. (PI) ; Bosi, M. (PI) ; Smith, J. (PI)
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