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COMPLIT 249C: Contemporary Iranian Theater (GLOBAL 249C)

Today, Iranian plays both in traditional and contemporary styles are staged in theater festivals throughout the world and play their role in forming a universal language of theater which combine the heritages from countries in all five continents. Despite many obstacles, some Iranian plays have been translated into English and some prominent Iranian figures are successful stage directors outside Iran. Forty-six years ago when "Theater in Iran" (a monograph on the history of Iranian plays) by Bahram Beyzaie was first published, it put the then contemporary Iranian theater movement "which was altogether westernizing itself blindly" face to face with a new kind of self-awareness. Hence, today's generation of playwrights and stage directors in Iran, all know something of their theatrical heritage. In this course we will spend some class sessions on the history of theater in Iran and some class meetings will be concentrating on contemporary movements and present day playwrights. Given the d more »
Today, Iranian plays both in traditional and contemporary styles are staged in theater festivals throughout the world and play their role in forming a universal language of theater which combine the heritages from countries in all five continents. Despite many obstacles, some Iranian plays have been translated into English and some prominent Iranian figures are successful stage directors outside Iran. Forty-six years ago when "Theater in Iran" (a monograph on the history of Iranian plays) by Bahram Beyzaie was first published, it put the then contemporary Iranian theater movement "which was altogether westernizing itself blindly" face to face with a new kind of self-awareness. Hence, today's generation of playwrights and stage directors in Iran, all know something of their theatrical heritage. In this course we will spend some class sessions on the history of theater in Iran and some class meetings will be concentrating on contemporary movements and present day playwrights. Given the dearth of visual documents, an attempt will be made to present a picture of Iranian theater to the student. Students are expected to read the recommended available translated plays of the contemporary Iranian playwrights and participate in classroom discussions. NOTE: To satisfy WAYS requirements, you must enroll in the course for a minimum of 3 units. Please contact your academic advisor for more information regarding University WAYS requirements.
Terms: Spr | Units: 1-3 | UG Reqs: WAY-A-II
Instructors: Beyzaie, B. (PI)

COMPLIT 252A: Great Arabic Poetry

Introduction to the canon of Arabic poetry from the sixth to the twenty-first century. Imru' al-Qays, al-Mutanabbi, Mahmud Darwish, and more. Readings in Arabic. Two years of Arabic at Stanford or equivalent required. Counts for the Arabic Track in the MELLAC Minor.
Last offered: Winter 2020 | UG Reqs: WAY-A-II

COMPLIT 252B: Great Arabic Prose

Introduction to the best Arabic Literature from the 790s to 2016. Al-Jahiz, Naguib Mahfouz, and much more. Readings in Arabic. Two years of Arabic at Stanford or equivalent required. Counts for the Arabic Track in the MELLAC Minor. Note: This course must be taken for a minimum of 3 units and a letter grade to be eligible for WAYS credit.
Last offered: Spring 2020 | UG Reqs: WAY-A-II, WAY-EDP

COMPLIT 254: The Middle East through Graphic Novel

How do young Middle Easterners grow up and get by? How do states, families, wars, religions, displacement and patriarchy shape their lives? In this course, we will examine the coming of age as children grow up to become adults, learn and negotiate layers of hierarchies of authority, class, gender, and violence in the Middle East /West Asia. We will trace the role of capitalism, colonialism and modernization, which shapes the global history in the meanings and experiences of the youth from major and minor ethnic, language or religious communities of the region. To do so, we will explore the graphic novel genre, a hybrid form that became very popular among Middle Eastern artists and writers who mastered it to narrate their personal stories interwoven in the region's sociopolitical and cultural issues. Through these graphic novels, we will learn not only how to understand the commonalities and differences of the writers' respective societies' history, culture and politics but also how to more »
How do young Middle Easterners grow up and get by? How do states, families, wars, religions, displacement and patriarchy shape their lives? In this course, we will examine the coming of age as children grow up to become adults, learn and negotiate layers of hierarchies of authority, class, gender, and violence in the Middle East /West Asia. We will trace the role of capitalism, colonialism and modernization, which shapes the global history in the meanings and experiences of the youth from major and minor ethnic, language or religious communities of the region. To do so, we will explore the graphic novel genre, a hybrid form that became very popular among Middle Eastern artists and writers who mastered it to narrate their personal stories interwoven in the region's sociopolitical and cultural issues. Through these graphic novels, we will learn not only how to understand the commonalities and differences of the writers' respective societies' history, culture and politics but also how to read words through pictures. Each graphic novel we read will provide us a platform to get into the world of ordinary people making sense of their lives in the unfolding macro processes that affect their families and families. Their stories of struggles, intimacy and resilience will give us a chance to understand the Middle East, beyond the headlines about conflict and deprivation. One graphic novel will be assigned each week. The class is appropriate for beginning students, non-majors, as well as upper level and graduate students, and it may be taken for different levels of credit. All readings will be in English.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-A-II

COMPLIT 258A: Existentialism, from Moral Quest to Novelistic Form (ILAC 211, ILAC 311)

This seminar intends to follow the development of Existentialism from its genesis to its literary expressions in the European postwar. The notions of defining commitment, of moral ambiguity, the project of the self, and the critique of humanism will be studied in selected texts by Kierkegaard, Heidegger, Unamuno, Albert Camus, Jean-Paul Sartre, Simone de Beauvoir, and Joan Sales.
Last offered: Winter 2022 | UG Reqs: WAY-A-II, WAY-ER

COMPLIT 259A: Levinas and Literature (JEWISHST 249A)

Focus is on major works by French phenomenologist Emmanuel Levinas (1906-1995) and their import for literary studies. Aim is to discuss and evaluate Levinas's (often latent) aesthetics through a close reading of his work in phenomenology, ethics, and Jewish philosophy. If poetry has come to seem barbaric (or at least useless) in a world so deeply shaped by genocide, forced migration, and climate change, Levinas offers a clear and deeply engaged path forward. If you love literature but still haven't figured out what on earth it might be good for, this course is for you. Readings and discussion in English.
Last offered: Winter 2022 | UG Reqs: WAY-A-II

COMPLIT 264: Crossing the Atlantic: Race Identity in the "Old" and"New" African Diasporas (AFRICAAM 264, CSRE 265, FRENCH 264E)

In this course, we will think critically about what we have come to call the African diaspora. We will travel the world virtually while exploring a selection of classic and understudied texts, in order to interrogate the relationship between culture, race, gender and identity in the "old" and "new" African diasporas. From literary texts to popular culture, we will relate each weekly reading to a hot topic. Our goal is to think cross-culturally and cross-linguistically about the themes covered by putting exciting works in conversation. The diverse topics and concepts discussed will include race, class, gender, identity, sexuality, migration, Afro-Caribbean religions, performance, violence, the body, metissage, Negritude, Negrismo, multiculturalism, nationalism, Afropolitanism and Afropean identities.
Terms: Win | Units: 3-5 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: Seck, F. (PI)

COMPLIT 264T: Race, Gender, Justice (CSRE 264S, FEMGEN 264S, TAPS 264S)

The question of justice animates some of the most influential classics and contemporary plays in the dramatic canon. We will examine the relationship between state laws and kinship obligations in Sophocles's Antigone. We will trace the transnational circulation of this text and its adaptations in Gambaro's Argentinian Antigona Furiosa, and Fugard and Kani's South African The Island. We will read Shakespeare's Othello and consider questions of racism, misogyny, and intimate partner violence, investigate the reverberations of these themes in the OJ Simpson trial, and explore its afterlife in Toni Morrison's Desdemona. We will take up questions of sexual violence via John Patrick Shanley's Doubt and Ariel Dorfman's Chilean classic, Death and the Maiden. We will examine themes of police brutality and racial vulnerability in Anna Deavere Smith's Twilight and Aleshea Harris's What to Send Up When it Goes Down. Through close readings of plays, we will explore the inter-articulation of intimac more »
The question of justice animates some of the most influential classics and contemporary plays in the dramatic canon. We will examine the relationship between state laws and kinship obligations in Sophocles's Antigone. We will trace the transnational circulation of this text and its adaptations in Gambaro's Argentinian Antigona Furiosa, and Fugard and Kani's South African The Island. We will read Shakespeare's Othello and consider questions of racism, misogyny, and intimate partner violence, investigate the reverberations of these themes in the OJ Simpson trial, and explore its afterlife in Toni Morrison's Desdemona. We will take up questions of sexual violence via John Patrick Shanley's Doubt and Ariel Dorfman's Chilean classic, Death and the Maiden. We will examine themes of police brutality and racial vulnerability in Anna Deavere Smith's Twilight and Aleshea Harris's What to Send Up When it Goes Down. Through close readings of plays, we will explore the inter-articulation of intimacy and violence, intimidation and transgression, vengeance and forgiveness within the context of larger struggles for gender and racial justice. We will read plays in light of contemporary reckonings with the US criminal justice system: the #MeToo movement and the Black Lives Matter movement. While the former appeals to the criminal justice system to restore victims¿ rights, the latter urges a thorough dismantling of the carceral state. How do we understand these divergent responses to augment or abolish punitive structures? Meets WM requirement for TAPS.
Last offered: Spring 2022 | UG Reqs: WAY-A-II, WAY-EDP

COMPLIT 266: Martin Heidegger: Off the Beaten Track (COMPLIT 363, GERMAN 276)

Martin Heidegger is one of the most influential and contested philosophers of the modern era. This seminar will offer close readings of Heidegger's first book following the Second World War: Martin Heidegger: Off the Beaten Track (Holzwege). We will discuss Heidegger's aesthetic theory ("The Origin of the Work of Art"), his reaction to Hegel's notion of experience, Nietzsche's dictum "God is dead," and Heidegger's unique understanding of poetry, poetics and poetic thinking in "Why Poets?" The seminar will also explore how some of Heidegger's ideas have left a lasting mark in contemporary discussions regarding truth, experience, art, and literature.
Last offered: Winter 2023 | UG Reqs: WAY-A-II

COMPLIT 281E: Pirandello, Sartre, and Beckett (COMPLIT 381E, FRENCH 214, FRENCH 314, ITALIAN 214, ITALIAN 314)

In this course we will read the main novels and plays of Pirandello, Sartre, and Beckett, with special emphasis on the existentialist themes of their work. Readings include The Late Mattia Pascal, Six Characters in Search of an Author, Henry IV; Nausea, No Exit, "Existentialism is a Humanism"; Molloy, Endgame, Krapp's Last Tape, Waiting for Godot. Taught in English.
Last offered: Spring 2021 | UG Reqs: GER:DB-Hum, WAY-A-II
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