SLAVIC 236: The Russian Long Take
`Time flows in a film not by virtue but in defiance of montage-cuts,¿ wrote the great Russian filmmaker Andrei Tarkovsky. An exploration of the phenomenon of long take (a single continuous shot which presents `a vision of time¿) and its aesthetic and philosophical significance to the art of cinema. Key films by cult Russian/Soviet auteurs such as Andrei Tarkovsky, Sergei Paradzhanov and Aleksandr Sokurov will be used as case studies and read through the prism of film theory (Gilles Deleuze, Andre Bazin and Jean Epstein). Taught in English.
| UG Reqs: GER:DB-Hum
SLAVIC 311: Introduction to Old Church Slavic
The first written language of the Slavic people. Grammar. Primarily a skills course, with attention to the historical context of Old Church Slavic.
SLAVIC 315: Isaac Babel and His Worlds
Isaac Babel, his ouevre, literary, theatrical, and cinematic; his milieu; cultural and historical setting; literary and cultural legacy. Taught in English, knowledge of Russian language and literature strongly recommended.
SLAVIC 327: Boris Pasternak and the Poetry of the Russian Avant Garde
Focus on three major figures of Russian modernism: Boris Pasternak, Vladimir Mayakovsky and Marina Tsvetaeva. An analysis of experimental Futurist poetic language and techniques in the context of the polemics of various modernist movements. Taught in Russian. Prerequisites: 3rd-year Russian
SLAVIC 340: Russia's Castaway Classic: Andrei Platonov
"The power of devastation [Platonov's texts] inflict upon their subject matter exceeds by far any demands of social criticism and should be measured in units that have very little to do with literature as such," wrote Joseph Brodsky. Explores key texts of Andrei Platonov, who is frequently considered the greatest Russian prose writer of the twentieth century, and covers major critical approaches to his "devastating" oeuvre. The texts will be read in Russian, discussion in English.
SLAVIC 387: Russian Poetry of the 18th and 19th Centuries (SLAVIC 187)
Required of majors in Russian language and literature; open to undergraduates who have completed three years of Russian, and to graduate students. The major poetic styles of the 19th century as they intersected with late classicism, the romantic movement, and the realist and post-realist traditions. Representative poems by Lomonosov, Derzhavin, Zhukovskii, Pushkin, Baratynskii, Lermontov, Tiutchev, Nekrasov, Fet, Soloviev. Taught in Russian. Prerequisites: 2nd-year Russian
SLAVIC 395: Russian and East European Theater (SLAVIC 195)
Evolution of modernist Russian/EEur. dramaturgy, theatrical practices, landmark productions from Chekhov-Meyerhold-Grotowski to present; re-performance of classics; techniques of embodiment. Taught in English.
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