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31 - 40 of 49 results for: SLAVIC

SLAVIC 372: Osip Mandelstam In Context and the Russian Experience: 1891-1991

Osip Mandelstam from Symbolism to Acmeism, to Post-Modernism: poetry, thought, culture, politics, reception. Russian Symbolism (Baudelaire, Mallarme, Ivanov, Bely, Blok, Annensky, Kuzmin); Acmeism/Futurism; reception; Mandelstam in Soviet civilization; poet's social function; memory, biography and cultural theory; Acmeist paradigm in the late Soviet/post-Soviet poetry: Sots-Art, Kibirov, Gandlevsky, Rubinshtein, et al. Prerequisite: Advanced Russian strongly recommended.
Terms: Aut | Units: 1-4
Instructors: Freidin, G. (PI)

SLAVIC 379: Literature from Old Rus' and Medieval Russia (SLAVIC 179)

From earliest times through the 17th century. The development of literary and historical genres, and links among literature and art, architecture, and religious culture. Readings in English; graduate students read in original.
Terms: Spr | Units: 2-4
Instructors: Griffin, S. (PI)

SLAVIC 387: History of 18th and 19th century Russian Poetry (SLAVIC 187)

Close analysis of lyrical poems of Russian classical poets from Mikhail Lomonosov to Vladimir Soloviev. Taught in Russian. Prerequisite: Two years of Russian
Terms: Win | Units: 3-4

SLAVIC 390: Tolstoy's Anna Karenina in Dialogue with Contemporary Philosophical, Social, and Ethical Thought (COMPLIT 190, COMPLIT 390, SLAVIC 190)

Anna Karenina, the novel as a case study in the contest between "modernity" and "tradition," their ethical order, ideology, cultural codes, and philosophies. Images of society, women and men in Tolstoy v. those of his contemporaries: Marx, Mill, Nietzsche, Weber, Durkheim, Freud. Open to juniors, seniors and graduate students. Requirements: three interpretive essays (500-1000 words each). Analysis of a passage from the novel; AK refracted through a "philosophical" prism and vice versa (30% each); class discussion and Forum (10%).
Last offered: Winter 2014

SLAVIC 394: Russia: Literature, Film, Identity, Alterity (SLAVIC 194)

How do Russian literature and film imagine Russian identity ¿ and, in contrast, the ethnic or national Other? Does political and literary theory analyzing national identity and the literary imagination elsewhere hold true in the Russian context? Texts include works by Pushkin, Dostoevsky, Tolstoy, Blok, Mayakovsky, Platonov; Soviet and post-Soviet films; theory and history. Recommended for returnees from Moscow, Slavic majors, and CREEES MA students. Accepted for IR credit. Readings in English and films subtitled; additional section for Russian readers. Taught in English.
Last offered: Autumn 2012

SLAVIC 398: Writing Between Languages: The Case of Eastern European Jewish Literature (JEWISHST 148, JEWISHST 348, SLAVIC 198)

Eastern European Jews spoke and read Hebrew, Yiddish, and their co-territorial languages (Russian, Polish, etc.). In the modern period they developed secular literatures in all of them, and their writing reflected their own multilinguality and evolving language ideologies. We focus on major literary and sociolinguistic texts. Reading and discussion in English; students should have some reading knowledge of at least one relevant language as well.

SLAVIC 399: INDIVIDUAL WORK

Open to Russian majors or students working on special projects. May be repeated for credit. Prerequisite: consent of instructor.
Terms: Aut, Win, Spr, Sum | Units: 1-15 | Repeatable for credit

SLAVIC 801: TGR PROJECT

Terms: Sum | Units: 0 | Repeatable for credit

SLAVIC 802: TGR Dissertation

Terms: Aut, Win, Spr, Sum | Units: 0 | Repeatable for credit

SLAVIC 188: 20th century Russian Poetry: From Aleksandr Blok to Joseph Brodsky (SLAVIC 388)

Developments in and 20th-century Russian poetry including symbolism, acmeism, futurism, and literature of the absurd. Emphasis is on close readings of individual poems. Taught in Russian.
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