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171 - 180 of 215 results for: CSRE

CSRE 182C: Knowledge and Violence in the Middle East (ANTHRO 182D, ANTHRO 282D, HISTORY 282D, HISTORY 382D, SOC 182H)

In this colloquium, we will think about the various ways in which knowledge shapes violence and violence shapes knowledge in the modern Middle East. Recent works in various subfield of Middle Eastern studies, including history, anthropology, sociology and science and technology studies address this topic from different disciplinary perspectives. We will investigate how violence has been harnessed, theorized and narrated in influential works in these subfields. The course focuses on a set of key themes and questions that have been central to such writings: the nature of violence and the question of accountability and responsibility, shifting technologies of warfare, including technologies of representation, and the aftermath of violence. The questions that drive this colloquium, include, how do we define violence? What is its role in shaping the history and historiography of the modern Middle East? What is the relationship between war and the production of knowledge about war?
Terms: Spr | Units: 4-5 | UG Reqs: WAY-SI
Instructors: Zakar, A. (PI)

CSRE 183: Re- Imagining American Borders (AMSTUD 183, FEMGEN 183)

In this second volatile and violent year of the Trump presidency, American borders of all kinds seem to be dangerously tight. Immigrant travel bans and ICE deportations, mass incarceration, gendered violence, racialized attacks, urban and rural divisions emphasizing class, and constant social media anger all underscore a vision of an America of intractable difference. This course investigates sources of these borderlines and most crucially how novelists, filmmakers, poets, visual artists and essayists perceive racial, ethnic, gender, sexual orientation, religious and class borders in this country as they may ¿re-imagine¿ difference possibly via Vijay Prashad¿s ¿polyculturalism¿ or Gloria Anzaldùa¿s ¿borderlands.¿ Texts include those of Ta-Nehisi Coates, Boots Riley, Dee Rees, Ryan Coogler, Magdalena Gomez, Janice Lobo Sapigao, Layli Long Soldier, Naomi Shihab Nye, Edwidge Danticat, Sherman Alexie, Shailja Patel, Beyonce, Kara Walker, and the podcast ¿Ear Hustle,¿ narratives created and produced from inside San Quentin. Course work includes active discussion, journal entries, one comparative analytical essay and a creative final project/with analytical paper examining personal or community identities.
Terms: Aut | Units: 5 | UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II, WAY-EDP
Instructors: Duffey, C. (PI)

CSRE 184E: Race, Gender, and Literary Digital Humanities (ENGLISH 184D)

This course will introduce students to the ways that the practices of literary text mining can help us to understand, study, and shape our understanding of identity. Each week, we will spend one class discussing critical works by theorists like Toni Morrison, and Linda Martín Alcoff and digital scholars like Roopika Risam and Ted Underwood; we will then spend the second class of the week learning and practicing digital methods in programs like Python and Gephi. Students do not need any programming knowledge to take this class.
Terms: Spr | Units: 5 | UG Reqs: WAY-AQR
Instructors: Porter, J. (PI)

CSRE 185C: Racial Inequality across the Lifespan (AFRICAAM 185, PSYCH 185)

Imagine two children, one Black and one White, born on the same day and in the same country. By adulthood, these two will likely have had two remarkably different social experiences (e.g., the Black child will have received less education, income, health, and years to live). Why? Students in this course will tackle this complicated question from a psychological perspective. Together, we will examine how thinking, feeling, and behaving in ways that perpetuate stereotypes, prejudice, and discrimination contribute to racial inequality across the lifespan. The course will be conducted as a seminar, such that much of what you learn will be through group discussions, activities, and readings. A critical component of this class will be to practice writing about psychological research and social issues for the general audience. That is, students will write weekly opinion pieces that address and explain a particular area of inequality to a non-scientific audience.
Terms: Spr | Units: 3

CSRE 185S: Detroit: Race, Capital, and Urban History (URBANST 185)

This course is an introduction to the urban history of Detroit and a mobilization of that history as a lens through which to study intersections of race, capital, and urban space in the American city. Readings will deal with a set of themes and concepts that open onto explorations of both the specificity of Detroit and larger American urban dynamics.nnThe course will provide students with a basic background in urban studies and, more specifically, with concepts, terms, and language with which to understand and explore relations between race, capitalism, property, and development in urban space; the spatialization of inequality and exclusion; the refraction of urban life and experience by race, ethnicity, and class; the ¿decline¿ and ¿renewal¿ of U.S. cities; and modes of contesting and expanding the right to the city. Most broadly, the course will offer students tools to critically interpret narratives of the American city, U.S. urban policy, and projects attempting to engage, respond to, or solve urban problems.

CSRE 186: The Psychology of Racial Inequality (AFRICAAM 286, PSYCH 186, PSYCH 286)

Our topic is the psychology of racial inequality - thinking, feeling, and behaving in ways that contribute to racial stereotyping, prejudice, and discrimination, and how these processes in turn maintain and perpetuate inequality between racial groups. We will examine how these processes unfold at both the individual and the institutional levels. Throughout this course, you will familiarize yourself with the psychological perspectives, methods, and findings that help explain racial inequality, and we will explore ways to promote racial equality. The course will be conducted as a seminar, but most of what you learn will be through the readings and discussions. That is, this course is minimally didactic; the goal is to have you engage thoughtfully with the issues and readings spurred in part by sharing perspectives, confusions, and insights through writing and discussion. Each student will facilitate at least one class session by providing an introductory framework for the readings (~10-minute presentation with handouts that overviews the concepts, issues, and controversies). Together, we will broaden our knowledge base on the subject and explain, from a psychological perspective, the pervasiveness of racial inequality. Prerequisites: PSYCH 1 and PSYCH 10
Last offered: Spring 2018

CSRE 187A: The Anthropology of Race, Nature, and Animality (ANTHRO 187A)

As recently as the 40s, the S, Africa government labeled indigenous San people part of the animal landscape. Using the San example as a starting point, course examines socially, culturally, and politically constructed ideas about race, animality, and nature in the cultural and geographic settings of N. America, Australia, and Africa. How connections between race and nature have served as terrains of power through which people and governments have claimed territories and justified violence. Classic texts by nature writers and philosophers and current social science works that focus on race and ethnicity. Concepts such as gender, sex, and nature; environmental tourism; natural resource development; and indigeneity and animality. How ideas about race and nature have come together around concepts such as the myth of wilderness and the violence of considering certain people to be less-than-human. Issues of environmental politics and activism.
Last offered: Autumn 2013

CSRE 188Q: Imagining Women: Writers in Print and in Person (FEMGEN 188Q)

Gender roles, gender relations and sexual identity explored in contemporary literature and conversation with guest authors. Weekly meetings designated for book discussion and meeting with authors. Interest in writing and a curiosity about diverse women's lives would be helpful to students. Students will use such tools as close reading, research, analysis and imagination. Seminar requires strong voice of all participants. Oral presentations, discussion papers, final projects.
Terms: Aut | Units: 4-5 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II, WAY-EDP, Writing 2
Instructors: Miner, V. (PI)

CSRE 192E: Sexual Violence in America (AFRICAAM 192, AMSTUD 258, FEMGEN 258, FEMGEN 358, HISTORY 258, HISTORY 358)

This undergraduate/graduate colloquium explores the history of sexual violence in America, with particular attention to the intersections of gender and race in the construction of rape. We discuss the changing definitions of sexual violence in law and in cultural representations from early settlement through the late-twentieth century, including slavery, wartime and prison rape, the history of lynching and anti-lynching movements, and feminist responses to sexual violence. In addition to introducing students to the literature on sexual violence, the course attempts to teach critical skills in the analysis of secondary and primary historical texts. Students write short weekly reading responses and a final paper; no final exam; fifth unit research or CEL options.nnLimited enrollment, permission of instructor required. Submit application form and indicate interest in CEL option. Priority admission to History, FGSS, CSRE, AFRICAAM, and AMSTUD declared majors and minors. (Cardinal Course certified by the Haas Center)
Terms: Spr | Units: 4-5 | UG Reqs: GER:DB-SocSci, WAY-SI, GER:EC-Gender, WAY-EDP
Instructors: Freedman, E. (PI)

CSRE 193: Jacob Lawrence's Twentieth Century: African American Art and Culture (ARTHIST 193)

This course explores African American art and culture through the lens of the Cantor Arts Center's rich holdings of work by Jacob Lawrence (1917-2000). Our approach will combine close looking with attention to Lawrence's cultural, political, and social contexts. Using Lawrence as starting point, we also will consider the work of African American artists such as Charles Alston, Norman Lewis, Aaron Douglas, Betye Saar, and Kara Walker in relation to historical events including the Harlem Renaissance, the Great Depression, World War II, and the Civil Rights Movement. Key themes include the interactions of art, music, and film; the history of radical black thought; as well as issues of curatorial display and conservation.
Last offered: Spring 2017
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