printer friendly pageAFRICAAM 48Q: South Africa: Contested Transitions (HISTORY 48Q)
Preference to sophomores. The inauguration of Nelson Mandela as president in May 1994 marked the end of an era and a way of life for South Africa. The changes have been dramatic, yet the legacies of racism and inequality persist. Focus: overlapping and sharply contested transitions. Who advocates and opposes change? Why? What are their historical and social roots and strategies? How do people reconstruct their society? Historical and current sources, including films, novels, and the Internet.
Terms: Win
| Units: 4
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-EDP, WAY-SI, Writing 2
Instructors:
Samoff, J. (PI)
AMSTUD 51Q: Comparative Fictions of Ethnicity (COMPLIT 51Q, CSRE 51Q)
We may "know" "who" we "are," but we are, after all, social creatures. How does our sense of self interact with those around us? How does literature provide a particular medium for not only self expression, but also for meditations on what goes into the construction of "the Self"? After all, don't we tell stories in response to the question, "who are you"? Besides a list of nouns and names and attributes, we give our lives flesh and blood in telling how we process the world. Our course focuses in particular on this question--Does this universal issue ("who am I") become skewed differently when we add a qualifier before it, like "ethnic"?
Terms: Win
| Units: 4
| UG Reqs: GER:DB-Hum, WAY-A-II, WAY-EDP, Writing 2
Instructors:
Palumbo-Liu, D. (PI)
ARCHLGY 21Q: Eight Great Archaeological Sites in Europe (CLASSICS 21Q)
(Formerly
CLASSART 21Q.) Preference to sophomores. Focus is on excavation, features and finds, arguments over interpretation, and the place of each site in understanding the archaeological history of Europe. Goal is to introduce the latest archaeological and anthropological thought, and raise key questions about ancient society. The archaeological perspective foregrounds interdisciplinary study: geophysics articulated with art history, source criticism with analytic modeling, statistics interpretation. A web site with resources about each site, including plans, photographs, video, and publications, is the basis for exploring.
Terms: Win, Spr
| Units: 3-5
| UG Reqs: GER:DB-Hum, WAY-A-II, Writing 2
Instructors:
Shanks, M. (PI)
CEE 144: Design and Innovation for the Circular Economy
The last 150 years of our industrial evolution have been material and energy intensive. The linear model of production and consumption manufactures goods from raw materials, wells and uses them, and then discards the products as waste. Circular economy provides a framework for systems-level redesign. It builds on schools of thought including regenerative design, performance economy industrial ecology, blue economy, biomimicry, and cradle to cradle. This course introduces the concepts of the circular economy and applies them to case studies of consumer products, household goods, and fixed assets.n nStudents will conduct independent projects on circular economy. Students may work alone or in small teams under the guidance of the teaching team and various collaborators worldwide. Class is limited to 14 students. All disciplines are welcome. This class fulfills the Writing & Rhetoric 2 requirement. Prerequisite:
PWR 1.
Terms: Spr
| Units: 3
| UG Reqs: Writing 2
Instructors:
Fischer, M. (PI)
;
McDonough, W. (PI)
CLASSICS 21Q: Eight Great Archaeological Sites in Europe (ARCHLGY 21Q)
(Formerly
CLASSART 21Q.) Preference to sophomores. Focus is on excavation, features and finds, arguments over interpretation, and the place of each site in understanding the archaeological history of Europe. Goal is to introduce the latest archaeological and anthropological thought, and raise key questions about ancient society. The archaeological perspective foregrounds interdisciplinary study: geophysics articulated with art history, source criticism with analytic modeling, statistics interpretation. A web site with resources about each site, including plans, photographs, video, and publications, is the basis for exploring.
Terms: Win, Spr
| Units: 3-5
| UG Reqs: GER:DB-Hum, Writing 2, WAY-A-II
Instructors:
Shanks, M. (PI)
COMPLIT 37Q: Zionism and the Novel (JEWISHST 37Q)
At the end of the nineteenth century, Zionism emerged as a political movement to establish a national homeland for the Jews, eventually leading to the establishment of the State of Israel in 1948. This seminar uses novels to explore the changes in Zionism, the roots of the conflict in the Middle East, and the potentials for the future. We will take a close look at novels by Israelis, both Jewish and Arab, in order to understand multiple perspectives, and we will also consider works by authors from the North America and from Europe.
Terms: Win
| Units: 3
| UG Reqs: WAY-A-II, WAY-EDP, Writing 2
Instructors:
Berman, R. (PI)
COMPLIT 38Q: Ethics of Jihad
Why choose jihad? An introduction to Islamic ethics. Focus on ways in which people have chosen, rejected, or redefined jihad. Topics include jihad in the age of 1001 Nights, feminist jihad, jihad in Africa, al-Qaida and Hamas, and the hashtag #MyJihad. All readings and discussion in English.
Last offered: Spring 2016
| UG Reqs: GER:DB-Hum, WAY-ER, Writing 2
COMPLIT 51Q: Comparative Fictions of Ethnicity (AMSTUD 51Q, CSRE 51Q)
We may "know" "who" we "are," but we are, after all, social creatures. How does our sense of self interact with those around us? How does literature provide a particular medium for not only self expression, but also for meditations on what goes into the construction of "the Self"? After all, don't we tell stories in response to the question, "who are you"? Besides a list of nouns and names and attributes, we give our lives flesh and blood in telling how we process the world. Our course focuses in particular on this question--Does this universal issue ("who am I") become skewed differently when we add a qualifier before it, like "ethnic"?
Terms: Win
| Units: 4
| UG Reqs: GER:DB-Hum, WAY-A-II, WAY-EDP, Writing 2
Instructors:
Palumbo-Liu, D. (PI)
CSRE 51Q: Comparative Fictions of Ethnicity (AMSTUD 51Q, COMPLIT 51Q)
We may "know" "who" we "are," but we are, after all, social creatures. How does our sense of self interact with those around us? How does literature provide a particular medium for not only self expression, but also for meditations on what goes into the construction of "the Self"? After all, don't we tell stories in response to the question, "who are you"? Besides a list of nouns and names and attributes, we give our lives flesh and blood in telling how we process the world. Our course focuses in particular on this question--Does this universal issue ("who am I") become skewed differently when we add a qualifier before it, like "ethnic"?
Terms: Win
| Units: 4
| UG Reqs: GER:DB-Hum, WAY-A-II, WAY-EDP, Writing 2
Instructors:
Palumbo-Liu, D. (PI)
CSRE 117Q: Queer Arts: Remembering and Imagining Social Change (FEMGEN 117Q)
This interdisciplinary fine arts course is designed to examine the nature of artistic imagination, sources of creativity and the way this work helps shape social change. We will consider the relationship among muses, mentors and models for queer artists engaged in such fields as visual art, music, theatre, film, creative writing and dance. Exploring various cultures, lands and times, we will study the relationship between memory and vision in serious art. We will ask questions about the role of the artist in the academy and the broader social responsibility of the artist. We will locate some of the similarities and differences among artists, engage with different disciplines, and discover what we can learn from one another. This seminar requires the strong voices of all participants. To encourage students to take their ideas and questions beyond the classroom, we will be attending art events (performances, exhibits, readings) individually and in groups.nnThe learning goals include a serious exploration of individual students¿ creativity, a more nuanced appreciation of diverse arts and a stronger understanding of the multifaceted nature of gender, race and class. Students will develop their abilities to write well-argued papers. They will stretch their imaginations in the written and oral assignments. And they will grow more confident as public speakers and seminar participants.
Terms: Win
| Units: 4-5
| UG Reqs: WAY-A-II, WAY-EDP, Writing 2
Instructors:
Miner, V. (PI)
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