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1 - 10 of 67 results for: ENGLISH ; Currently searching spring courses. You can expand your search to include all quarters

ENGLISH 1: CSN Undergraduate Colloquium (DLCL 1)

This colloquium is intended for undergraduates who are interested in the history and theory of the novel, and who would like to attend the Center for the Study of the Novel's (CSN) annual conference. Before the conference, students will meet with CSN's graduate student staff, to read and discuss a small number of key texts by participating scholars, whose presentations students will then attend. After the conference, the colloquium will meet again, to discuss both the readings and conference papers, and explore their broader implications for the study of the novel. Attendance at both meetings of the colloquium, and at least one panel at the conference, is required for course credit.
Terms: Spr | Units: 1 | Repeatable 5 times (up to 5 units total)

ENGLISH 1D: Dickens Book Club

Through the academic year, we will read one Dickens novel, one number a week for 19 weeks, as the Victorians would have done as they read the serialized novel over the course of 19 months. The group gets together once a week for an hour and a half to discuss each number, to look carefully at the pattern that the author is weaving, to guess, as the Victorians would have done, what might be coming next, and to investigate the Victorian world Dickens presents. We look carefully at themes, characters, metaphorical patterns, and scenes that form Dickens' literary world, and spend increasing time evaluating the critique that Dickens levels at Victorian life. The weekly gatherings are casual; the discussion is lively and pointed.
Terms: Spr | Units: 1 | Repeatable 5 times (up to 5 units total)
Instructors: Paulson, L. (PI)

ENGLISH 9CE: Creative Expression in Writing

Primary focus on giving students a skill set to tap into their own creativity. Opportunities for students to explore their creative strengths, develop a vocabulary with which to discuss their own creativity, and experiment with the craft and adventure of their own writing. Students will come out of the course strengthened in their ability to identify and pursue their own creative interests. For undergrads only.
Terms: Aut, Win, Spr | Units: 3 | UG Reqs: WAY-CE

ENGLISH 9CT: Special Topics in Creative Expression

Focus on a particular topic or process of creative expression. Primary focus on giving students a skill set to tap into their own creativity. Opportunities for students to explore their creative strengths, develop a vocabulary with which to discuss their own creativity, and experiment with the craft and adventure of their own writing. Students will come out of the course strengthened in their ability to identify and pursue their own creative interests. For undergrads only. May repeat for credit.
Terms: Aut, Win, Spr | Units: 3 | UG Reqs: WAY-CE | Repeatable 4 times (up to 3 units total)

ENGLISH 11B: Introduction to English II: American Literature and Culture to 1855 (AMSTUD 150)

(Formerly English 23/123). A survey of early American writings, including sermons, poetry, captivity and slave narratives, essays, autobiography, and fiction, from the colonial era to the eve of the Civil War.
Terms: Spr | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II, GER:EC-AmerCul

ENGLISH 12C: Introduction to English III: Modern Literature

Survey of the major trends in literary history from 1850 to the present.
Terms: Spr | Units: 5

ENGLISH 18SI: From Canon to 'Fanon': Fan Fiction and the Democratization of Literature

Fan fiction has been called one of the great unsung popular literary movements of the past fifty years. Long in existence but increasingly mainstream, the genre has emerged onto the 21st-century literary landscape as a cultural force to be reckoned with. This course will treat fan fiction as a legitimate genre of literature worthy of academic attention and analysis. We will examine both text and context, considering tropes and style of 'fanfic' as well as cultural impact and influence. Key themes of the course include intertextuality, reader-response criticism, and fanfic as a medium for narrative expansion and transgression.
Terms: Spr | Units: 1-2

ENGLISH 50: HUMANITIES HOUSE WORKSHOP

For student research workshops in Ng House / Humanities House. Open to both residents and non-residents. May be repeated for credit.
Terms: Aut, Win, Spr | Units: 1 | Repeatable for credit (up to 99 units total)

ENGLISH 50B: A Humanist's Guide to Art, Community, Design, and the Earth

This short, intensive seminar features Humanities Scholar & Artist in Residence Clare Whistler (visiting from England April 12-27) will meet for dialogue, workshop, creation, and improvisation. This workshop will help students to think through methods of humanistic inquiry as ways of integrating meaning and purpose into their lives; it will focus on projects, research, collaborations, walking explorations, and relationships. In five residence-based sessions around Gerhard Quad, students will learn to develop personal and professional practices such as finding and creating apprenticeships and internships, creating a Humanities "start up," and partnering with investors, foundations, fundraisers, patrons, and community. This course will be of interest to students who would like to maintain humanistic values, make a decent living, find good mentors and collaborators, and create communities that are attentive to their constructed and natural environments.
Terms: Spr | Units: 1 | Repeatable 5 times (up to 1 units total)

ENGLISH 70N: Shakespeare Unbound

Unbound from classical poetics, or from any strict adherence to the conventions of comedy, tragedy, and history, Shakespeare made¿and still makes¿the stage come to life. The course will focus on some of the more unsettling productions from the hand of the bard, among them Titus Andronicus, The Taming of the Shrew, Romeo and Juliet, A Midsummer Night's Dream, As You Like It, Twelfth Night, Troilus and Cressida, Coriolanus, Cymbeline, and The Winter's Tale.
Terms: Spr | Units: 3
Instructors: Gigante, D. (PI)
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