MUSIC 143J: Studies in Music of the Classical Period: Haydn and Mozart: Music in the Age of Enlightenment (MUSIC 243J)
Music and Musicians in the Age of EnlightenmentnPrerequisites:
MUSIC 22,
MUSIC 41. (WIM at 4-unit level only.)
Terms: Win
| Units: 3-4
| UG Reqs: GER:DB-Hum, WAY-A-II
| Repeatable
for credit
Instructors:
Grey, T. (PI)
MUSIC 147J: Studies in Music, Media, and Popular Culture: The Soul Tradition in African American Music (AFRICAAM 19, AMSTUD 147J, CSRE 147J, MUSIC 247J)
1960s and 70s Black music, including rhythm and blues, Motown, Southern soul, funk, Philadelphia soul, and disco. Its origins in blues, gospel, and jazz to its influence on today's r&b, hip hop, and dance music. Soul's cultural influence and global reach; its interaction with politics, racism, gender, place, technology, and the economy. Synchronous and asynchronous remote learning, with class discussions, small-group activities, guest presenters, and opportunities for activism. Pre-/co-requisite (for music majors):
MUSIC 22. (WIM at 4 units only.)
Terms: Aut
| Units: 3-4
| UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II, WAY-EDP
Instructors:
Kronengold, C. (PI)
;
Proctor, E. (TA)
MUSIC 147K: Studies in Music, Media, and Popular Culture: Music and Urban Film (CSRE 147D, MUSIC 247K)
How music and sound work in urban cinema. What happens when music's capacity to transform everyday reality combines with the realism of urban films? Provides an introduction to traditional theories of film music and film sound; considers how new technologies and practices have changed the roles of music in film. Readings discuss film music, realistic cinema, urban musical practices and urban culture. Viewing includes action/adventure, Hindi film, documentary, film noir, hip hop film, the musical, and borderline cases by Jean-Luc Godard, Spike Lee, Wong Kar-Wai and Tsai Ming-Liang. Pre- or corequisite (for music majors):
MUSIC 22. (WIM at 4 unit level only.)
Last offered: Autumn 2018
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II, WAY-EDP
MUSIC 154A: Sound Art I (ARTSTUDI 131)
Acoustic, digital and analog approaches to sound art. Familiarization with techniques of listening, recording, digital processing and production. Required listening and readings in the history and contemporary practice of sound art. (lower level)
Terms: Aut
| Units: 4
| UG Reqs: GER:DB-Hum, WAY-CE
Instructors:
DeMarinis, P. (PI)
;
rick, G. (TA)
OSPBER 17: Split Images: A Century of Cinema
20th-century German culture through film. The silent era, Weimar, and the instrumentalization of film in the Third Reich. The postwar era: ideological and aesthetic codes of DEFA, new German cinema, and post-Wende filmmaking including
Run Lola Run and
Goodbye Lenin. Aesthetic aspects of the films including image composition, camera and editing techniques, and relation between sound and image.
Terms: Win
| Units: 3-4
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II
OSPBER 60: Cityscape as History: Architecture and Urban Design in Berlin
Diversity of Berlin's architecture and urban design resulting from its historical background. Architect Ludwig Mies van der Rohe and his artistic ancestors. Role of the cultural exchange between Germany and the U.S. Changing nature of the city from the 19th century to the present.
Terms: Aut
| Units: 5
| UG Reqs: GER:DB-Hum, WAY-A-II
OSPBER 70: The Long Way to the West: German History from the 18th Century to the Present
Battles still current within Germany's collective memory. Sources include the narrative resources of museums, and experts on the German history in Berlin and Potsdam. Field trips.
Last offered: Spring 2020
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-SI
OSPBER 101A: Contemporary Theater
Texts of plays supplemented by theoretical texts or reviews. Weekly theater visits and discussions with actors, directors, or other theater professionals. In German. Prerequisite: completion of
GERLANG 3 or equivalent.
Last offered: Spring 2020
| UG Reqs: GER:DB-Hum, WAY-A-II
OSPCPTWN 55: Arts of Change
How might we understand the creative arts in South Africa in terms of their variety and impact? What social issues do they reflect? What impact might they yet have? Students will have the opportunity for a related practicum. Course must be taken for a minimum of 3 units to satisfy a Ways requirement.
Terms: Spr
| Units: 3
| UG Reqs: GER:DB-Hum, WAY-A-II
OSPFLOR 11: Film, Food and the Italian Identity
Food in Italian cinema staged as an allegory of Italy's social, political and cultural milieu. Intersections between food, history and culture as they are reflected in and shaped by Italian cinema from the early 1900s until today. Topics include: farmer's tradition during Fascism; lack of food during WWII and its aftermath; the Economic Miracle; food and the Americanization of Italy; La Dolce Vita; the Italian family; ethnicity, globalization and the re-discovery of regional culinary identity in contemporary Italy. Impact of cinema in both reflecting and defining the relationship between food and culture.
Terms: Aut
| Units: 4
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II
Filter Results: