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691 - 700 of 1219 results for: all courses

HISTORY 46N: Show and Tell: Creating Provenance Histories of African Art (AFRICAAM 46N, AFRICAST 46N)

Provenance refers to the chain of custody of a particular art object during its lifetime. Put another way, provenance refers to all the individuals, communities, and institutions who have owned (both legally and illegally), kept, stored, exhibited, displayed, managed, and sold an art object. Knowledge of provenance can both inflate and deflate the value of an art object and it can also shed light upon legal and ethical questions including assessing repatriation and restitution claims for African art objects. Furthermore, by telling the story of how a particular object moved through multiple pairs of hands, often over the course of centuries and across several continents, we gain nuanced appreciation of the social currency of artwork as well as of changing perceptions of aesthetic and monetary value, and insight into the extractive dynamics of colonialism and postcolonial global economies. For this class, you will have the unique opportunity to work first hand with an important African art collection in North America: the Richard H. Scheller Collection at Stanford University. You will select one object from the collection and create a detailed provenance history, documenting and detailing its origins, its movement across space and time, and its arrival to the Scheller collection in Silicon Valley. You will use archival materials from Scheller¿s collection, online databases and archives, and secondary literature. Your final project for the class will be to create a visual StoryMap that allows you to display your provenance history with narrative text and multimedia content. In this way, you will not only have completed a class assignment: you will also have constructed for posterity a remarkable hitherto unknown history of an important African art object.
Last offered: Spring 2023 | UG Reqs: WAY-A-II, WAY-SI

HISTORY 48: The Egyptians (AFRICAAM 30, CLASSICS 82, HISTORY 148)

This course traces the emergence and development of the distinctive cultural world of the ancient Egyptians over nearly 4,000 years. Through archaeological and textual evidence, we will investigate the social structures, religious beliefs, and expressive traditions that framed life and death in this extraordinary region. Students with or without prior background are equally encouraged.
Last offered: Autumn 2020 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II, WAY-SI

HISTORY 48S: African Voices: Literature and Arts in 20th Century South Africa (AFRICAAM 149)

How did South African Black intellectuals and artists utilize literature and other artistic forms to articulate their increasingly precarious position in the country's political landscape in the 20th century? What hopes and visions were captured through their works? Engaging with numerous sources ranging from speeches, newspapers, short stories, novels, music, film, paintings to photographs, we will explore what Ntongela Masilela calls "New African modernity"--a movement pioneered by different generations of Black intellectuals and artists. We will grapple with the notion of art as political, and the salience of Black women's works in contexts of double marginalization. This class lies at the intersection of intellectual, cultural, and literary histories.
| UG Reqs: WAY-A-II, WAY-EDP

HISTORY 50A: Colonial and Revolutionary America

(Same as HISTORY 150A. 50A is 3 units; 150A is 5 units.) Survey of the origins of American society and polity in the 17th and 18th centuries. Topics: the migration of Europeans and Africans and the impact on native populations; the emergence of racial slavery and of regional, provincial, Protestant cultures; and the political origins and constitutional consequences of the American Revolution.
Terms: Aut | Units: 3 | UG Reqs: GER:DB-SocSci, GER:EC-AmerCul, WAY-A-II, WAY-SI

HISTORY 54: The History of Ideas in America, Part I (to 1900) (AMSTUD 54)

(Same as HISTORY 154. 54 is 3 units; 154 is 5 units.) How Americans considered problems such as slavery, imperialism, and sectionalism. Topics include: the political legacies of revolution; biological ideas of race; the Second Great Awakening; science before Darwin; reform movements and utopianism; the rise of abolitionism and proslavery thought; phrenology and theories of human sexuality; and varieties of feminism. Sources include texts and images.
Last offered: Autumn 2022 | UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II, WAY-SI

HISTORY 54B: The History of Ideas in America, Part II (AMSTUD 54B, AMSTUD 154B, HISTORY 154B)

This course explores intellectual life and culture in the United States during the twentieth century, examining the work and lives of social critics, essayists, artists, scientists, journalists, novelists, and sundry other thinkers. We will look at the life of the mind as a narrative of ongoing yet contested secularization and a series of debates about the meaning and nature of truth, knowing, selfhood, and the American democratic experience. Persistent themes include modernism and anti-modernism, shifts and changes in political liberalism and conservatism, disagreements about the role of the United States in the world, and the importance of distinctions based on race, ethnicity, religion, class, and gender.
Last offered: Winter 2023 | UG Reqs: WAY-A-II, WAY-SI

HISTORY 54N: African American Women's Lives (AMSTUD 54N)

This course encourages students to think critically about historical sources and to use creative and rigorous historical methods to recover African American women's experiences, which often have been placed on the periphery of American history and American life.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II, WAY-EDP
Instructors: Hobbs, A. (PI)

HISTORY 63N: The Feminist Critique: The History and Politics of Gender Equality (AMSTUD 63N, CSRE 63N, FEMGEN 63N)

This course explores the long history of ideas about gender and equality. Each week we read, dissect, compare, and critique a set of primary historical documents (political and literary) from around the world, moving from the 15th century to the present. We tease out changing arguments about education, the body, sexuality, violence, labor, politics, and the very meaning of gender, and we place feminist critics within national and global political contexts.
Last offered: Autumn 2020 | UG Reqs: WAY-A-II, WAY-SI

HISTORY 69Q: American Road Trips (AMSTUD 109Q)

"Nothing behind me, everything ahead of me, as is ever so on the road." --Jack Kerouac, On the Road, 1957. From Jack Kerouac's On the Road to Cheryl Strayed's Wild, this course explores epic road trips of the twentieth century. Travel is a fundamental social and cultural practice through which Americans have constructed ideas about the self, the nation, the past, and the future. The open road, as it is often called, offered excitement, great adventure, and the space for family bonding and memory making. But the footloose and fancy-free nature of travel that Jack Kerouac celebrated was available to some travelers but not to all. Engaging historical and literary texts, film, autobiography, memoir, photography, and music, we will consider the ways that travel and road trips have been represented in American culture. This course examines the following questions: How did men and women experience travel differently? How did the motivations for travel change over time? What role did race, ethnicity, class, relationships, and sexuality play in these trips? Students will work together to plan a road trip of their own which the class will take during the quarter.
Last offered: Autumn 2017 | UG Reqs: WAY-A-II, WAY-EDP

HISTORY 78: Film and History of Latin American Revolutions and Counterrevolutions (FILMEDIA 178, HISTORY 178, ILAC 178)

In this course we will watch and critique films made about Latin America's 20th century revolutions focusing on the Cuban, Chilean and Mexican revolutions. We will analyze the films as both social and political commentaries and as aesthetic and cultural works, alongside archivally-based histories of these revolutions.
Terms: Win | Units: 3 | UG Reqs: WAY-A-II, WAY-SI
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