printer friendly pagePWR 91JS: Intermediate Writing: Stanford Science Podcast (EARTHSYS 157)
In this course, students will explore how podcasts can be used as a tool for effective science communication. Through a series of workshops and guest speakers, students in this course will learn the necessary journalistic and technical skills to produce high quality podcast episodes, from interviewing and storytelling to audio editing and digital publishing. Podcast episodes will highlight the cutting edge research being done at Stanford, and students will choose specific stories based on their own interests, from earth sciences to public health to big data. Final podcast episodes will be published on iTunes.
Terms: Win
| Units: 4
| UG Reqs: WAY-CE
Instructors:
Stonaker, J. (PI)
PWR 91KS: Intermediate Writing: Design Thinking and Science Communication
Effective communication of expert knowledge in the sciences to non-specialist audiences. Project-based work on a range and variety of communication challenges, contexts, and media. For students who have completed the first two levels of the writing requirement and want further work in developing writing abilities, especially within discipline-specific contexts and nonfiction genres. Individual conferences with instructor and peer workshops. Prerequisite: first two levels of the writing requirement or equivalent transfer credit. For more information, see
https://undergrad.stanford.edu/programs/pwr/explore/notation-science-writing.
Last offered: Autumn 2015
| UG Reqs: WAY-CE
PWR 91KSA: Intermediate Writing: Storytelling and Science
What is story? What is storytelling? And why would storytelling be crucial for science communication? In this class we will develop your Story IQ: we will learn how humans evolved to be the storytelling animal, how stories shape our lives, and why and how science communication needs storytelling in order to be relevant to public audiences. We'll move from looking at story architecture, to critiquing story structures (and stories) in science communications, and then to creating compelling stories of our own that communicate and/or correct science research or discovery. For course video and full description, visit
https://undergrad.stanford.edu/programs/pwr/courses/additional-elective-courses/science-and-storytelling.
Last offered: Spring 2018
| UG Reqs: WAY-CE
PWR 91OID: Creating Your Digital Story: Learn How to Build Your Online Identity and Why it Matters
Have you ever Googled yourself? If so, what information about you rises to the top? A picture of you in your band uniform from your high school? A poem you wrote and published on your Tumblr? Maybe your scores from a 5K you ran last year? nnIt might seem like you don¿t have much control over what you see about yourself in a Google search, but the fact is, you do. The more that you create your own content, the more that your self-created information will rise to the top. Through learning the theories, tools, and techniques behind digital image management, this class will help prepare you for curating your digital self. In so doing, we can get better connected with the individuals and/or organizations that interest us. nnWe will practice several pragmatic techniques for building our own personal ePortfolio (i.e. a website). Through participating in hands-on activities, storytelling exercises, and in-class discussions, you will have the opportunity to enact what we¿re learning and to experiment with different forms of expressing yourself online.
Terms: Win
| Units: 3
| UG Reqs: WAY-CE
Instructors:
Cohn, J. (PI)
PWR 91SP: Intermediate Writing: Doctors' Stories: The Rhetoric of Illness and Healing
While medicine is a science that relies on meticulous research and professional protocols, it is also full of characters, conflicts, scenes, dialogues, and resolutions; in other words, stories. This course explores why we must value communication in medicine and how narratives mediate that communication. During the quarter, you will pursue independent research on a topic of your choice in the health sciences and practice interviewing experts as well as writing accurate and engaging science journalism in a number of genres: the story pitch, the news story, and the profile. Your final project will be a research-based digital magazine story coached by the Stanford Storytelling Project.
Terms: Spr
| Units: 4
| UG Reqs: WAY-CE
Instructors:
Pittock, S. (PI)
SINY 114: Writing in the City
The craft of fiction writing and introduction to the literary culture of New York. Writing exercises will tune students¿ senses to the rhythms of New York. Students produce their own short stories, which will be examined in workshop discussions.
Terms: Aut
| Units: 4
| UG Reqs: WAY-CE
Instructors:
Orringer, J. (PI)
SINY 116: Off the iPhone and Into the City: Creating a Photography Project
Learn components of photography projects and image making including content selection, intention, context, and audience. Talks by professional photographers; field trips to in the city. Two response papers about an exhibition, publication, or long-form web project during their time in New York.
Terms: Aut, Win
| Units: 4
| UG Reqs: WAY-A-II, WAY-CE
Instructors:
Jackson, D. (PI)
SINY 140: Mapping, time, space, and culture
New York, the financial and cultural capitol of the nation, provides an extraordinary laboratory for exploring the art and science of information representation. The proposed course aims to engage students in a broad swath of art and culture, contextualized by studying the sociopolitical urban landscape.
Last offered: Winter 2018
| UG Reqs: WAY-A-II, WAY-CE
SINY 142: Documenting New York
Documenting New York is a film studies course (with a small video production component) exploring the rich history and many cultures of New York through the classic documentary films that have been produced throughout the city¿s past hundred years.Through the lens of documentary films that feature New York City as a landscape and central subject, students will gain a greater understanding of the documentary film form itself, considering aesthetic and formal issues, as well as ethical issues related to the politics of representation.
Last offered: Spring 2018
| UG Reqs: WAY-CE
SINY 152: Film: The City as Muse
Has a film ever challenged your beliefs, transformed your understanding of an issue, left an emotional aftershock, or motivated you to act? Was that the intention of the filmmaker or an unanticipated consequence? Since the inception of the motion picture, the urban landscape and its inhabitants have served as a rich and diverse palette for filmmakers. This course will provide an overview of documentary, experimental, and hybrid films that proffer an unexpected and sometimes disturbing perspective on cities, both here and abroad. We will examine films that privilege artistic expression and expand the conventions of the film form, analyzing how filmmakers distill an issue, situation, or environment through a particular formal style and point-of-view.nnThrough a consideration of iconic historic films, the student will gain a rich understanding of how cities have inspired filmmakers who work outside the traditional fiction genre. In addition to written assignments, students will distill their own experience of the city through photo essays that explore the eclectic geographic, social, and cultural life of New York. Local ¿field trips¿ will include attendance at the annual Margaret Mead Film Festival in October and DocNYC in November. Course readings and discussion will provide an incisive inquiry into the artistic ¿voice¿ of the filmmaker in an analysis of both form and content.
Terms: Aut
| Units: 4
| UG Reqs: WAY-A-II, WAY-CE
Instructors:
Krawitz, J. (PI)
Filter Results: