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61 - 70 of 208 results for: ARTHIST

ARTHIST 207B: The Art of Travel: Medieval Journeys to the Unknown (ARTHIST 407B)

In many ways, the reasons that medieval people traveled are not unlike our own: to see new sights, make new connections, and return home to regale others with their exploits. Of course, travel was also a more complicated affair, limited to those who could afford the time and money to leave home. Focusing on three famous medieval travelers ¿ the pilgrim Egeria, the businessman Benjamin of Tudela, and the invented traveler John Mandeville ¿ this course will explore the visual and cultural landscape of global travel in the premodern age.
Terms: Aut | Units: 3-5
Instructors: Oing, M. (PI)

ARTHIST 207D: Race and Ethnicity in Premodern Europe (ARTHIST 407D, HISTORY 215B, HISTORY 315B)

How do historians, art historians, and literary historians of premodern Europe shape their research and their teaching around questions of race? How do current debates on race theory shape our perception of the past and deepen historical inquiry? This graduate colloquium focuses on the most recent publications on race in medieval and early modern studies to reflect on such questions while examining the challenges that race studies put on historical definitions, research methodologies, as well as teaching institutions.
Last offered: Winter 2021 | UG Reqs: WAY-A-II, WAY-ED

ARTHIST 207E: Sacred Play: The Material Culture of Christian Festivals (ARTHIST 407E)

The twentieth-century American poet and esotericist Robert Duncan once called for a return of the medieval calendar, citing its many feast days as an antidote to the modern 'weekend.' Indeed, the medieval Christian calendar was built on festivals, multimedia affairs that took place both within and outside of the purview of the Roman Catholic church, involving visual art, theatrical performances, and religious devotion. Festivals also played a vital role in the spread of Roman Catholicism across the world, especially in colonial contexts, where these spectacular events reveal tensions between colonizers and indigenous populations. This seminar examines the material culture of Catholic festivals from antiquity to the present, exploring how these elaborate events created spaces of both conformity and resistance.
Terms: Win | Units: 5
Instructors: Oing, M. (PI)

ARTHIST 208: Hagia Sophia (ARTHIST 408, CLASSICS 173, CLASSICS 273)

This seminar uncovers the aesthetic principles and spiritual operations at work in Hagia Sophia, the church dedicated to Holy Wisdom in Constantinople. Rather than a static and inert structure, the Great Church emerges as a material body that comes to life when the morning or evening light resurrects the glitter of its gold mosaics and when the singing of human voices activates the reverberant and enveloping sound of its vast interior. Drawing on art and architectural history, liturgy, musicology, and acoustics, this course explores the Byzantine paradigm of animation arguing that it is manifested in the visual and sonic mirroring, in the chiastic structure of the psalmody, and in the prosody of the sung poetry. Together these elements orchestrate a multi-sensory experience that has the potential to destabilize the divide between real and oneiric, placing the faithful in a space in between terrestrial and celestial. A short film on aesthetics and samples of Byzantine chant digitally imprinted with the acoustics of Hagia Sophia are developed as integral segments of this research; they offer a chance for the student to transcend the limits of textual analysis and experience the temporal dimension of this process of animation of the inert.
Terms: Win | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II

ARTHIST 208A: Abject Subjects and Divine Anamorphosis in Byzantine Art (ARTHIST 408A, CLASSICS 119, CLASSICS 319)

Entering the space of the church immediately interpellated the medieval subject, transforming him/her into an abject self, marred by sin. This psychological effect of pricking the conscience was enhanced by the architectural panopticon channeled through the icon of Christ the Judge in the dome confronting the faithful. The texts recited and chanted during the liturgy further helped streamline the process of interpellation: these homilies and chants were structured as a dialogue implicating the sinful self. This course will explore the ecclesiastical space as a divine anamorphosis, an image of God that envelops the subject, transforming him/her into the object of the divine gaze.
Terms: Spr | Units: 5

ARTHIST 208B: The Art of Medieval Spain: Muslims, Christians, Jews (ARTHIST 408B)

The seminar reveals the religious and ethnic hybridity of the art medieval Spain, where the lives, material cultures, and artistic practices of Muslims, Christians, and Jews were more intertwined than any other region of the medieval world. We work thematically rather than strictly chronologically in order to build a model of engagement with medieval art in which the movement of ideas and objects between the three major religions is in itself a focus of study.
Last offered: Winter 2021 | UG Reqs: WAY-ED

ARTHIST 209C: Theories of the Image: Byzantium, Islam and the Latin West (ARTHIST 409, CLASSICS 158, CLASSICS 258, REES 409)

This seminar explores the role of images in the three major powers of the medieval Mediterranean: the Umayyads, the Carolingians, and the Byzantines. For each the definition of an image- sura, imago, or eikon respectively-became an important means of establishing religious identity and a fault-line between distinct cultural traditions. This course troubles the identification of image with figural representation and presents instead a performative paradigm where chant or recitation are treated as images. As such, students will be able to see the connections between medieval image theory and contemporary art practices such as installation.
Last offered: Spring 2021

ARTHIST 212: Desiring Machines: Buildings, Maps, and Clouds (ARTHIST 412, COMPLIT 212A, COMPLIT 312A, ILAC 212A, ILAC 312A)

Focus is on early modern machines as tools for experience and action. In their break with Freudian psychoanalysis, French theorists Deleuze and Guattari speak of the machine as a tool of desire and attraction itself as "machinic" rather than desire for something that is missing. The goal of this course is to equip students with a different way of thinking by exploring a large group of objects from the early modern world (poems, buildings, costumes, maps, nets, and clouds) that help us to approach the period in a new way.
Terms: Win | Units: 3-5

ARTHIST 217: Architecture, Mysticism, and Myth (ARTHIST 417)

This course examines global origin myths for architecture, for example cosmic symbolism (e.g. the Mandala/dome), and the magic of technologies (e.g. the "petrification" of the wooden hut in permanent architecture). Examples range from Ethiopian rockcut churches, to the Parthenon, to the Ise Grand Shrine, to Fire Temples, and Navajo lodges. The course concludes with the modern mythology of industrialisation and the mechanised building.

ARTHIST 217B: Architectural Design Theory (ARTHIST 417B)

This seminar focuses on the key themes, histories, and methods of architectural theory -- a form of architectural practice that establishes the aims and philosophies of architecture.  Architectural theory is primarily written, but it also incorporates drawing, photography, film, and other media.  nnOne of the distinctive features of modern and contemporary architecture is its pronounced use of theory to articulate its aims. One might argue that modern architecture is modern because of its incorporation of theory. This course focuses on those early-modern, modern, and late-modern writings that have been and remain entangled with contemporary architectural thought and design practice.  nnRather than examine the development of modern architectural theory chronologically, it is explored architectural through thematic topics. These themes enable the student to understand how certain architectural theoretical concepts endure, are transformed, and can be furthered through his/her own explorations.nCEE 32B is a crosslisting of ARTHIST 217B/417B.
Last offered: Winter 2020
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