AMSTUD 119:
Science Fiction: Cyborgs & Human Simulacra in the Cinema (FILMSTUD 119, FILMSTUD 319)
The human simulacrum has a long history in mythology, fairy tales and children¿s stories, as well as in the genres of horror and science fiction. This course explores synthetic human narratives in the cinema. Stories of artificially created life, living statues, automata, body snatchers, robots, cyborgs and electronic simulations all direct our attention to our assumed definitions of the human.The fantasies and anxieties that undergird these stories engage with such issues as labor, gender, sexuality, death, emotion, rationality, embodiment, consumerism, reproductive technologies, and power relations. Attention will also be given the relation of cinema¿s human simulacra to changing cinematic technologies. Films will include Metropolis, Pinocchio, Robocop, Bride of Frankenstein, The Golem, A.I., My Fair Lady, Her, Blade Runner, and the HBO iteration of Westworld. Readings will include essays, as well as some fiction and possibly comics.
Terms: Aut

Units: 4

Grading: Letter (ABCD/NP)
AMSTUD 129:
Animation and the Animated Film (FILMSTUD 129, FILMSTUD 329)
The fantasy of an image coming to life is ancient, but not until the cinema was this fantasy actualized. The history of the movies begins with optical toys, and contemporary cinema is dominated by films that rely on computer animation. This course considers the underlying fantasies of animation in art and lit, its phenomenologies, its relation to the uncanny, its status as a pure cinema, and its place in film theory. Different modes of production and style to be explored include realist animation, abstract animation; animistic animation; animated drawings, objects, and puppets; CGI, motion capture, and live/animation hybrids.
Terms: Aut

Units: 4

Grading: Letter or Credit/No Credit
AMSTUD 185:
American Studies Internship
Restricted to declared majors. Practical experience working in a field related to American Studies for six to ten weeks. Students make internship arrangements with a company or agency, under the guidance of a sponsoring faculty member, and with the consent of the director or a program coordinator of American Studies. Required paper focused on a topic related to the internship and the student's studies. May be repeated for credit.
Terms: Aut, Win, Spr, Sum

Units: 13

Repeatable for credit

Grading: Letter or Credit/No Credit
Instructors: ;
Abrams, W. (PI);
Bernstein, B. (PI);
Breitrose, H. (PI);
Bukatman, S. (PI);
Chang, G. (PI);
Eisen, A. (PI);
Elam, M. (PI);
Fishkin, S. (PI);
Freedman, E. (PI);
Gillam, R. (PI);
Jenkins, N. (PI);
Jones, G. (PI);
Mesa, C. (PI);
Obenzinger, H. (PI);
PalumboLiu, D. (PI);
Rakove, J. (PI);
Reich, R. (PI);
Saldivar, R. (PI);
White, R. (PI);
Wolf, B. (PI);
Wright, G. (PI)
AMSTUD 195:
Individual Work
Terms: Aut, Win, Spr, Sum

Units: 15

Repeatable for credit

Grading: Letter or Credit/No Credit
Instructors: ;
Abrams, W. (PI);
Bernstein, B. (PI);
Breitrose, H. (PI);
Bukatman, S. (PI);
Chang, G. (PI);
Eisen, A. (PI);
Elam, M. (PI);
Fishkin, S. (PI);
Freedman, E. (PI);
Gillam, R. (PI);
Jenkins, N. (PI);
Jimenez, T. (PI);
Jones, G. (PI);
Kessler, E. (PI);
Koelle, A. (PI);
Mesa, C. (PI);
Obenzinger, H. (PI);
PalumboLiu, D. (PI);
Rakove, J. (PI);
Reich, R. (PI);
Richardson, J. (PI);
Rutten, A. (PI);
Saldivar, R. (PI);
White, R. (PI);
Wilcox, M. (PI);
Wolf, B. (PI);
Wright, G. (PI)
AMSTUD 256A:
Horror Comics (FILMSTUD 256)
This seminar will explore the vast array of horror comics. How does horror work in comics, as distinct from prose and cinema? How and why are nonmoving images scary? The different narrational strategies of short stories, selfcontained works, and continuing series will be explored, as will American, Japanese, and European approaches. Special attention will be given to Frankenstein, in novel, film, illustration, and comics. Example of such subgenres as literary horror, horrific superheroes, cosmic (Lovecraftian) horror, ecological horror, as well as the horrors of bodies, sexuality, and adolescence will be encountered.nnStudents will read many comics, some comics theory, and will do an inclass presentation on a comic or topic of their choosing. The course is a seminar, so discussion will be continuous and required. Enrollment limited.
Terms: Spr

Units: 5

Grading: Letter (ABCD/NP)
ARTHIST 298:
Individual Work: Art History
Prerequisite: student must have taken a course with the instructor and/or completed relevant introductory course(s). Instructor consent and completion of the Independent Study Form are required prior to enrollment. All necessary forms and payment are required by the end of Week 2 of each quarter. Please contact the Undergraduate Coordinator in McMurtry 108 for more information. May be repeated for credit.
Terms: Aut, Win, Spr

Units: 115

Repeatable for credit

Grading: Letter (ABCD/NP)
Instructors: ;
Barry, F. (PI);
Bukatman, S. (PI);
Kwon, M. (PI);
Lee, P. (PI);
Levi, P. (PI);
Ma, J. (PI);
Marrinan, M. (PI);
Maxmin, J. (PI);
Meyer, R. (PI);
Nemerov, A. (PI);
Pentcheva, B. (PI);
Troy, N. (PI);
Vinograd, R. (PI)
ARTHIST 610:
Teaching Praxis
Terms: Aut, Win, Spr

Units: 15

Repeatable for credit

Grading: Satisfactory/No Credit
Instructors: ;
Barry, F. (PI);
Bukatman, S. (PI);
Denson, S. (PI);
Iyer, U. (PI);
Kwon, M. (PI);
Lee, P. (PI);
Levi, P. (PI);
Ma, J. (PI);
Marrinan, M. (PI);
Maxmin, J. (PI);
Meyer, R. (PI);
Nemerov, A. (PI);
Oeler, K. (PI);
Pentcheva, B. (PI);
Troy, N. (PI);
Vinograd, R. (PI);
Wolf, B. (PI)
ARTHIST 620:
Qualifying Examination Preparation
For Art History Ph.D. candidates. Prerequisite: consent of instructor.
Terms: Aut, Win, Spr, Sum

Units: 5

Repeatable for credit

Grading: Satisfactory/No Credit
Instructors: ;
Barry, F. (PI);
Bukatman, S. (PI);
Denson, S. (PI);
Iyer, U. (PI);
Kwon, M. (PI);
Lee, P. (PI);
Levi, P. (PI);
Ma, J. (PI);
Marrinan, M. (PI);
Maxmin, J. (PI);
Meyer, R. (PI);
Nemerov, A. (PI);
Oeler, K. (PI);
Pentcheva, B. (PI);
Troy, N. (PI);
Vinograd, R. (PI);
Wolf, B. (PI)
ARTHIST 640:
Dissertation Proposal Preparation
(Staff)
Terms: Aut, Win, Spr, Sum

Units: 5

Grading: Satisfactory/No Credit
Instructors: ;
Barry, F. (PI);
Bukatman, S. (PI);
Denson, S. (PI);
Iyer, U. (PI);
Kwon, M. (PI);
Lee, P. (PI);
Levi, P. (PI);
Ma, J. (PI);
Marrinan, M. (PI);
Maxmin, J. (PI);
Meyer, R. (PI);
Nemerov, A. (PI);
Oeler, K. (PI);
Pentcheva, B. (PI);
Troy, N. (PI);
Vinograd, R. (PI);
Wolf, B. (PI)
ARTHIST 650:
Dissertation Research
(Staff)
Terms: Aut, Win, Spr, Sum

Units: 5

Repeatable for credit

Grading: Satisfactory/No Credit
Instructors: ;
Barry, F. (PI);
Bukatman, S. (PI);
Denson, S. (PI);
Iyer, U. (PI);
Kwon, M. (PI);
Lee, P. (PI);
Levi, P. (PI);
Ma, J. (PI);
Marrinan, M. (PI);
Maxmin, J. (PI);
Meyer, R. (PI);
Nemerov, A. (PI);
Oeler, K. (PI);
Pentcheva, B. (PI);
Troy, N. (PI);
Vinograd, R. (PI);
Wolf, B. (PI)
ARTHIST 660:
Independent Study
For graduate students only. Approved independent research projects with individual faculty members.
Terms: Aut, Win, Spr, Sum

Units: 115

Repeatable for credit

Grading: Letter or Credit/No Credit
Instructors: ;
Barry, F. (PI);
Bukatman, S. (PI);
Denson, S. (PI);
Iyer, U. (PI);
Kwon, M. (PI);
Lee, P. (PI);
Levi, P. (PI);
Ma, J. (PI);
Marrinan, M. (PI);
Maxmin, J. (PI);
Meyer, R. (PI);
Nemerov, A. (PI);
Oeler, K. (PI);
Pentcheva, B. (PI);
Troy, N. (PI);
Vinograd, R. (PI);
Wolf, B. (PI)
ARTHIST 660E:
Extended Seminar
May be repeated for credit. (Staff)
Terms: Aut, Win, Spr

Units: 4

Repeatable for credit

Grading: Letter (ABCD/NP)
Instructors: ;
Barry, F. (PI);
Bukatman, S. (PI);
Denson, S. (PI);
Iyer, U. (PI);
Kwon, M. (PI);
Lee, P. (PI);
Levi, P. (PI);
Ma, J. (PI);
Marrinan, M. (PI);
Maxmin, J. (PI);
Meyer, R. (PI);
Nemerov, A. (PI);
Oeler, K. (PI);
Pentcheva, B. (PI);
Troy, N. (PI);
Vinograd, R. (PI);
Wolf, B. (PI)
ARTHIST 802:
TGR Dissertation
Terms: Aut, Win, Spr, Sum

Units: 0

Repeatable for credit

Grading: TGR
Instructors: ;
Barry, F. (PI);
Bukatman, S. (PI);
Denson, S. (PI);
Iyer, U. (PI);
Kwon, M. (PI);
Lee, P. (PI);
Levi, P. (PI);
Ma, J. (PI);
Marrinan, M. (PI);
Maxmin, J. (PI);
Meyer, R. (PI);
Nemerov, A. (PI);
Oeler, K. (PI);
Pentcheva, B. (PI);
Troy, N. (PI);
Vinograd, R. (PI);
Wolf, B. (PI)
FILMPROD 801:
TGR Project
Terms: Aut, Win, Spr, Sum

Units: 0

Repeatable for credit

Grading: TGR
FILMSTUD 119:
Science Fiction: Cyborgs & Human Simulacra in the Cinema (AMSTUD 119, FILMSTUD 319)
The human simulacrum has a long history in mythology, fairy tales and children¿s stories, as well as in the genres of horror and science fiction. This course explores synthetic human narratives in the cinema. Stories of artificially created life, living statues, automata, body snatchers, robots, cyborgs and electronic simulations all direct our attention to our assumed definitions of the human.The fantasies and anxieties that undergird these stories engage with such issues as labor, gender, sexuality, death, emotion, rationality, embodiment, consumerism, reproductive technologies, and power relations. Attention will also be given the relation of cinema¿s human simulacra to changing cinematic technologies. Films will include Metropolis, Pinocchio, Robocop, Bride of Frankenstein, The Golem, A.I., My Fair Lady, Her, Blade Runner, and the HBO iteration of Westworld. Readings will include essays, as well as some fiction and possibly comics.
Terms: Aut

Units: 4

Grading: Letter (ABCD/NP)
FILMSTUD 129:
Animation and the Animated Film (AMSTUD 129, FILMSTUD 329)
The fantasy of an image coming to life is ancient, but not until the cinema was this fantasy actualized. The history of the movies begins with optical toys, and contemporary cinema is dominated by films that rely on computer animation. This course considers the underlying fantasies of animation in art and lit, its phenomenologies, its relation to the uncanny, its status as a pure cinema, and its place in film theory. Different modes of production and style to be explored include realist animation, abstract animation; animistic animation; animated drawings, objects, and puppets; CGI, motion capture, and live/animation hybrids.
Terms: Aut

Units: 4

Grading: Letter or Credit/No Credit
FILMSTUD 256:
Horror Comics (AMSTUD 256A)
This seminar will explore the vast array of horror comics. How does horror work in comics, as distinct from prose and cinema? How and why are nonmoving images scary? The different narrational strategies of short stories, selfcontained works, and continuing series will be explored, as will American, Japanese, and European approaches. Special attention will be given to Frankenstein, in novel, film, illustration, and comics. Example of such subgenres as literary horror, horrific superheroes, cosmic (Lovecraftian) horror, ecological horror, as well as the horrors of bodies, sexuality, and adolescence will be encountered.nnStudents will read many comics, some comics theory, and will do an inclass presentation on a comic or topic of their choosing. The course is a seminar, so discussion will be continuous and required. Enrollment limited.
Terms: Spr

Units: 5

Grading: Letter (ABCD/NP)
FILMSTUD 290:
Movies and Methods: FILMS OF BURT LANCASTER (FILMSTUD 490)
The acting career of Burt Lancaster extended from 1946 to 1991. He began as a contract player within the Hollywood studio system, but, like many stars of the time, he founded his own production company in the 1950s. A tremendously physical actor, he entered film history as a brooding (if hunky) presence in film noir before becoming an exuberant swashbuckler in westerns and adventure films and, still later, a thoughtful, magisterial figure in works by a number of European auteurs.nnnThis course will have a dual grounding. Lancaster will be considered as a case study in film acting/performance. Acting is a fundament of narrative cinema and an undeniable source of cinematic pleasure, yet it represents a blind spot in film studies. The class will propose that the work Lancaster produced demonstrates coherence, consistency, and performative richness worthy of close examination. The class will also posit Burt Lancaster as an iconic screen figure whose long and manifold career may also be approached through a variety of other methodological frameworks, including genre (film noir, western, war film, spy thriller, etc.), national cinemas (American, Italian, French, coproductions), and authorship.nnnEach class will be divided between critical engagement with assigned readings, close analysis of Lancaster's performances, and careful attention to the stylistic and formal properties of the chosen films. The screening list will be supplemented with ample clips from additional films.
Terms: Spr

Units: 5

Grading: Letter (ABCD/NP)
FILMSTUD 297:
Honors Thesis Writing
May be repeated for credit.
Terms: Aut, Win, Spr

Units: 15

Repeatable for credit

Grading: Letter (ABCD/NP)
Instructors: ;
Bukatman, S. (PI);
Denson, S. (PI);
Iyer, U. (PI);
Keca, S. (PI);
Krawitz, J. (PI);
Levi, P. (PI);
Ma, J. (PI);
Meltzer, J. (PI);
Oeler, K. (PI);
Tobin, A. (PI)
FILMSTUD 299:
Independent Study: Film and Media Studies
Prerequisite: student must have taken a course with the instructor and/or completed relevant introductory course(s). Instructor consent and completion of the Independent Study Form are required prior to enrollment. All necessary forms and payment are required by the end of Week 2 of each quarter. Please contact the Undergraduate Coordinator in McMurtry 108 for more information. May be repeated for credit.
Terms: Aut, Win, Spr, Sum

Units: 115

Repeatable for credit

Grading: Letter or Credit/No Credit
Instructors: ;
Bukatman, S. (PI);
Denson, S. (PI);
Iyer, U. (PI);
Keca, S. (PI);
Krawitz, J. (PI);
Levi, P. (PI);
Ma, J. (PI);
Meltzer, J. (PI);
Oeler, K. (PI);
Samuelson, K. (PI);
Tobin, A. (PI)
FILMSTUD 319:
Science Fiction: Cyborgs & Human Simulacra in the Cinema (AMSTUD 119, FILMSTUD 119)
The human simulacrum has a long history in mythology, fairy tales and children¿s stories, as well as in the genres of horror and science fiction. This course explores synthetic human narratives in the cinema. Stories of artificially created life, living statues, automata, body snatchers, robots, cyborgs and electronic simulations all direct our attention to our assumed definitions of the human.The fantasies and anxieties that undergird these stories engage with such issues as labor, gender, sexuality, death, emotion, rationality, embodiment, consumerism, reproductive technologies, and power relations. Attention will also be given the relation of cinema¿s human simulacra to changing cinematic technologies. Films will include Metropolis, Pinocchio, Robocop, Bride of Frankenstein, The Golem, A.I., My Fair Lady, Her, Blade Runner, and the HBO iteration of Westworld. Readings will include essays, as well as some fiction and possibly comics.
Terms: Aut

Units: 4

Grading: Letter (ABCD/NP)
FILMSTUD 329:
Animation and the Animated Film (AMSTUD 129, FILMSTUD 129)
The fantasy of an image coming to life is ancient, but not until the cinema was this fantasy actualized. The history of the movies begins with optical toys, and contemporary cinema is dominated by films that rely on computer animation. This course considers the underlying fantasies of animation in art and lit, its phenomenologies, its relation to the uncanny, its status as a pure cinema, and its place in film theory. Different modes of production and style to be explored include realist animation, abstract animation; animistic animation; animated drawings, objects, and puppets; CGI, motion capture, and live/animation hybrids.
Terms: Aut

Units: 4

Grading: Letter or Credit/No Credit
FILMSTUD 490:
Movies and Methods: FILMS OF BURT LANCASTER (FILMSTUD 290)
The acting career of Burt Lancaster extended from 1946 to 1991. He began as a contract player within the Hollywood studio system, but, like many stars of the time, he founded his own production company in the 1950s. A tremendously physical actor, he entered film history as a brooding (if hunky) presence in film noir before becoming an exuberant swashbuckler in westerns and adventure films and, still later, a thoughtful, magisterial figure in works by a number of European auteurs.nnnThis course will have a dual grounding. Lancaster will be considered as a case study in film acting/performance. Acting is a fundament of narrative cinema and an undeniable source of cinematic pleasure, yet it represents a blind spot in film studies. The class will propose that the work Lancaster produced demonstrates coherence, consistency, and performative richness worthy of close examination. The class will also posit Burt Lancaster as an iconic screen figure whose long and manifold career may also be approached through a variety of other methodological frameworks, including genre (film noir, western, war film, spy thriller, etc.), national cinemas (American, Italian, French, coproductions), and authorship.nnnEach class will be divided between critical engagement with assigned readings, close analysis of Lancaster's performances, and careful attention to the stylistic and formal properties of the chosen films. The screening list will be supplemented with ample clips from additional films.
Terms: Spr

Units: 5

Grading: Letter (ABCD/NP)
FILMSTUD 660:
Independent Study
For graduate students only. Approved independent research projects with individual faculty members.
Terms: Aut, Win, Spr, Sum

Units: 115

Repeatable for credit

Grading: Letter (ABCD/NP)
Instructors: ;
Bukatman, S. (PI);
Denson, S. (PI);
Iyer, U. (PI);
Krawitz, J. (PI);
Levi, P. (PI);
Ma, J. (PI);
Meltzer, J. (PI);
Oeler, K. (PI);
Samuelson, K. (PI);
Tobin, A. (PI)
FILMSTUD 660E:
Extended Seminar
May be repeated for credit. (Staff)
Terms: Aut, Win, Spr

Units: 4

Repeatable for credit

Grading: Letter (ABCD/NP)
MTL 390:
Qualifying Paper
Preparation and writing of the qualifying paper for the Ph.D. in Modern Thought and Literature. nn (Staff)
Terms: Aut, Win, Spr, Sum

Units: 15

Repeatable for credit

Grading: Satisfactory/No Credit
Instructors: ;
Anderson, R. (PI);
Bukatman, S. (PI);
Callan, E. (PI);
Cohen, J. (PI);
Domanska, E. (PI);
Dupuy, J. (PI);
Ebron, P. (PI);
Elam, H. (PI);
Elam, M. (PI);
Ferguson, J. (PI);
Fishkin, S. (PI);
Friedman, M. (PI);
Gumbrecht, H. (PI);
Hanretta, S. (PI);
Heise, U. (PI);
Jain, S. (PI);
Longino, H. (PI);
Lowood, H. (PI);
Lunsford, A. (PI);
Majumdar, S. (PI);
Malkki, L. (PI);
McGinn, R. (PI);
Moretti, F. (PI);
Moya, P. (PI);
MudimbeBoyi, E. (PI);
PalumboLiu, D. (PI);
Proctor, R. (PI);
Roberts, R. (PI);
Saldivar, R. (PI);
Schiebinger, L. (PI);
Sohn, S. (PI);
Stacy, H. (PI);
Turner, F. (PI);
Weisberg, R. (PI);
White, R. (PI);
Woloch, A. (PI);
YarbroBejarano, Y. (PI);
Macdonald, M. (GP);
Onorato, C. (GP)
MTL 398:
Graduate Independent Study
Students pursue a special subject of investigation under supervision of a member of the committee or another faculty member. May be repeated for credit.
Terms: Aut, Win, Spr, Sum

Units: 115

Repeatable for credit

Grading: Letter or Credit/No Credit
Instructors: ;
Anderson, R. (PI);
Bukatman, S. (PI);
Callan, E. (PI);
Chang, G. (PI);
Cohen, J. (PI);
Daughton, J. (PI);
Domanska, E. (PI);
Duffey, C. (PI);
Dupuy, J. (PI);
Ebron, P. (PI);
Elam, H. (PI);
Elam, M. (PI);
Eshel, A. (PI);
Ferguson, J. (PI);
Fishkin, S. (PI);
Frank, Z. (PI);
Friedman, M. (PI);
Gumbrecht, H. (PI);
Hanretta, S. (PI);
Heise, U. (PI);
Hoyos, H. (PI);
Jain, S. (PI);
Jimenez, T. (PI);
Kronengold, C. (PI);
Kumar, A. (PI);
Levi, P. (PI);
Longino, H. (PI);
Lowood, H. (PI);
Lunsford, A. (PI);
Majumdar, S. (PI);
Malkki, L. (PI);
McGinn, R. (PI);
McGurl, M. (PI);
Menon, J. (PI);
Meyler, B. (PI);
Minian Andjel, A. (PI);
Moretti, F. (PI);
Moya, P. (PI);
MudimbeBoyi, E. (PI);
Mullaney, T. (PI);
Ngai, S. (PI);
Obenzinger, H. (PI);
PalumboLiu, D. (PI);
Proctor, R. (PI);
Reich, R. (PI);
Roberts, R. (PI);
Rose, J. (PI);
Saldivar, J. (PI);
Saldivar, R. (PI);
Schiebinger, L. (PI);
Schnapp, J. (PI);
Sheehan, T. (PI);
Sohn, S. (PI);
Stacy, H. (PI);
Taylor, J. (PI);
Turner, F. (PI);
Weisberg, R. (PI);
White, R. (PI);
Wight, G. (PI);
Woloch, A. (PI);
YarbroBejarano, Y. (PI);
Macdonald, M. (GP);
Onorato, C. (GP)
MTL 399:
Reading for Orals
Reading in preparation for the University Oral Examination. May be repeated for credit.
Terms: Aut, Win, Spr, Sum

Units: 115

Repeatable for credit

Grading: Satisfactory/No Credit
Instructors: ;
Anderson, R. (PI);
Bukatman, S. (PI);
Callan, E. (PI);
Chang, G. (PI);
Cohen, J. (PI);
Domanska, E. (PI);
Dupuy, J. (PI);
Ebron, P. (PI);
Elam, H. (PI);
Elam, M. (PI);
Eshel, A. (PI);
Ferguson, J. (PI);
Fishkin, S. (PI);
Frank, Z. (PI);
Friedman, M. (PI);
Garcia, A. (PI);
Gumbrecht, H. (PI);
Hanretta, S. (PI);
Heise, U. (PI);
Hills, D. (PI);
Jain, S. (PI);
Jimenez, T. (PI);
Kumar, A. (PI);
Landy, J. (PI);
Levi, P. (PI);
Longino, H. (PI);
Lowood, H. (PI);
Lunsford, A. (PI);
Majumdar, S. (PI);
Malkki, L. (PI);
McGinn, R. (PI);
McGurl, M. (PI);
Menon, J. (PI);
Minian Andjel, A. (PI);
Moretti, F. (PI);
Moya, P. (PI);
MudimbeBoyi, E. (PI);
Mullaney, T. (PI);
Ngai, S. (PI);
PalumboLiu, D. (PI);
Proctor, R. (PI);
Roberts, R. (PI);
Saldivar, J. (PI);
Saldivar, R. (PI);
Schiebinger, L. (PI);
Sohn, S. (PI);
Stacy, H. (PI);
Turner, F. (PI);
Weisberg, R. (PI);
White, R. (PI);
Woloch, A. (PI);
YarbroBejarano, Y. (PI);
Macdonald, M. (GP);
Onorato, C. (GP)
MTL 802:
TGR Dissertation
Terms: Aut, Win, Spr, Sum

Units: 0

Repeatable for credit

Grading: TGR
Instructors: ;
Anderson, R. (PI);
Bukatman, S. (PI);
Callan, E. (PI);
Camarillo, A. (PI);
Chang, G. (PI);
Cohen, J. (PI);
Dupuy, J. (PI);
Ebron, P. (PI);
Elam, H. (PI);
Elam, M. (PI);
Eshel, A. (PI);
Ferguson, J. (PI);
Fishkin, S. (PI);
Frank, Z. (PI);
Friedman, M. (PI);
Gumbrecht, H. (PI);
Hanretta, S. (PI);
Heise, U. (PI);
Hills, D. (PI);
Hoyos, H. (PI);
Jain, S. (PI);
Jimenez, T. (PI);
Jones, G. (PI);
Landy, J. (PI);
Lee, P. (PI);
Longino, H. (PI);
Lowood, H. (PI);
Lunsford, A. (PI);
Majumdar, S. (PI);
Malkki, L. (PI);
Moretti, F. (PI);
Moya, P. (PI);
MudimbeBoyi, E. (PI);
Ngai, S. (PI);
PalumboLiu, D. (PI);
Proctor, R. (PI);
Roberts, R. (PI);
Saldivar, J. (PI);
Saldivar, R. (PI);
Schiebinger, L. (PI);
Schnapp, J. (PI);
Sohn, S. (PI);
Stacy, H. (PI);
Turner, F. (PI);
Weisberg, R. (PI);
White, R. (PI);
Woloch, A. (PI);
YarbroBejarano, Y. (PI);
Macdonald, M. (GP);
Moya, P. (GP);
Onorato, C. (GP)
URBANST 199:
Senior Honors Thesis
Terms: Aut, Win, Spr

Units: 110

Repeatable for credit

Grading: Letter (ABCD/NP)
Instructors: ;
Aggarwala, R. (PI);
Barr, D. (PI);
Bettinger, E. (PI);
Bukatman, S. (PI);
Camarillo, A. (PI);
Carter, P. (PI);
Chang, J. (PI);
Chiu, S. (PI);
Cook, K. (PI);
Dirzo, R. (PI);
Ebron, P. (PI);
Edwards, M. (PI);
Findlen, P. (PI);
Fischer, M. (PI);
Fishkin, J. (PI);
Fishkin, S. (PI);
Fonrobert, C. (PI);
Ford, R. (PI);
Frank, Z. (PI);
Gast, G. (PI);
Goldman, S. (PI);
Gordon, L. (PI);
Grusky, D. (PI);
Hansen, T. (PI);
Hobbs, A. (PI);
Hodder, I. (PI);
Inoue, M. (PI);
Jain, S. (PI);
Jimenez, T. (PI);
Kahan, M. (PI);
Labaree, D. (PI);
Levitt, R. (PI);
Lougee, C. (PI);
Luhrmann, T. (PI);
McAdam, D. (PI);
McDermott, M. (PI);
McDermott, R. (PI);
McFarland, D. (PI);
McLaughlin, M. (PI);
McLennan, S. (PI);
Morris, I. (PI);
Ober, J. (PI);
Olzak, S. (PI);
Ortolano, L. (PI);
Powell, W. (PI);
Reich, R. (PI);
Robertson, I. (PI);
Rosenfeld, M. (PI);
Ross, J. (PI);
Sandefur, R. (PI);
Scheidel, W. (PI);
Segura, G. (PI);
Shanks, M. (PI);
Shin, G. (PI);
Stout, F. (PI);
Trimble, J. (PI);
Tuma, N. (PI);
Turner, P. (PI);
Valdes, G. (PI);
Voss, B. (PI);
Wigen, K. (PI);
reardon, s. (PI)