Results for DLCL

The At Home Abroad House invites you to challenge your habits of visual culture, fill your ears with less-familiar sounds, and build your own understanding of what it means to live in a global age. Stanford experts from a multitude of cultural disciplines representing multiple geographic regions have selected some of the best of the best of recent film for you to view: come see for yourself and see outside the box with this tailored line-up of contemporary cinema from around the world. Weekly screenings hosted at the At Home Abroad House; class is open to undergrads only and is mandatory for pre-assigned residents of AHA.

This course takes students on a trip to major capital cities at different moments in time, including Renaissance Florence, Golden Age Madrid, colonial Mexico City, imperial Beijing, Enlightenment and romantic Paris, existential and revolutionary St. Petersburg, roaring Berlin, modernist Vienna, and transnational Accra. While exploring each place in a particular historical moment, we will also consider the relations between culture, power, and social life. How does the cultural life of a country intersect with the political activity of a capital? How do large cities shape our everyday experience, our aesthetic preferences, and our sense of history? Why do some cities become cultural capitals? Primary materials for this course will consist of literary, visual, sociological, and historical documents (in translation).

Medical Humanities is a humanistic and interdisciplinary approach to medicine. It explores the experience of health and illness as captured through the expressive arts (painting, music, literature), across historical periods and in different cultures, as interpreted by scholars in the humanities and social sciences as well as in medicine and policy. Its goal is to give students an opportunity to explore a more holistic and meaning-centered perspective on medical issues. It investigates how medicine is an art form as well as a science, and the way institutions and culture shape the way illness is identified, experienced and treated.

Under conditions of global environmental change and mass extinction, how will humanity share the planet with wildlife? This course invites undergraduate students to consider this question under the guidance of two biologists and a literary scholar. We will engage with a range of interdisciplinary scholarship on how humans seek to study, understand, exploit, protect, and empathize with charismatic megafauna. We ask how regional differences in culture, political economy, and ecology shape conservation efforts.

For undergraduate majors in DLCL departments; required for honors students. Planning, researching, and writing an honors thesis. Oral presentations and peer workshops. Research and writing methodologies, and larger critical issues in literary studies.

Interested in applying digital tools and methods to text, images, or other humanities research materials? This hands-on course will support you in planning and implementing your own digital project, using materials in any language. Working directly with a digital humanities expert, you will identify your own research question that can be addressed by digital methods, define a reasonable scope, and learn how to implement the methods you need to answer your research question. The course will include workshops on topics including data management, project management, and how to talk about your work both in academic contexts, and as part of your portfolio for applying to jobs in other fields.

What does it look like to manage a collaborative project in a way that's both effective and ethical, taking into account the needs of people as well as the task? This class will cover project management and collaboration as they are practiced in digital humanities, "alt-ac" (alternative academic) jobs, and similar environments outside academia. In addition to readings and discussion, students will participate in a simulation of one year in the life of a digital humanities project (in the style of Dungeons and Dragons and similar role-playing games), with each student playing the role of a member on the project team.

Materia is a focal group on post-anthropocentrism, Latin Americanist and otherwise. Building on and expanding the theoretical framework offered by thinkers such as Fernando Ortiz, Bruno Latour, and Jane Bennett, we engage with works of literature and criticism that de-center the human as object of study. To earn the unit, undergraduate and graduate students should attend the workshops held by the focal group, prepare the pre-circulated readings, and actively contribute to discussion throughout the year. The latter can take place during plenary, over office hours with faculty coordinators, or via contributions to the focal group's online platforms. A short quarterly response paper that relates group discussions with the student's ongoing research is recommended. May be repeated for credit.

The Focal Group in Philosophy and Literature brings together scholars and students from eight departments to investigate questions in aesthetics and literary theory, philosophically-inflected literary texts, and the form of philosophical writings. Fields of interest include both continental and analytic philosophy, as well as cognitive science, political philosophy, rational choice theory, and related fields. Students may sign up for a unit of credit each quarter via DLCL 222. To earn the unit, students must secure written permission in advance from one of the instructors, before the final study list deadline. They must then do one of the following three things: (a) attend an event hosted by the Philosophy and Literature group (including events hosted by the graduate workshop) and write up a reaction paper of 2-5 pages; (b) present a paper of their own to the graduate workshop; (c) agree with one of the DLCL 222 instructors on a reading related to the year's activities, and meet with him/her for a discussion of that reading. Normally, students should register for the CR/NC option; only students planning to use DLCL 222 for the Ph.D. minor in Philosophy and Literature should enroll for a letter grade. Prerequisite for undergraduates: undergraduate students wishing to take DLCL 222 must previously have taken the philosophy and literature gateway course PHIL 81 ( CLASSICS 42, COMPLIT 181, ENGLISH 81, FRENCH 181, GERMAN 181, ITALIAN 181, SLAVIC 181) or a class taught by one of the instructors of DLCL 222.

The Renaissances Group brings together faculty members and students from several departments at Stanford to consider the present and future of early modern literary studies (a period spanning the fourteenth through the seventeenth centuries). Taking seriously the plural form of the group's name, we seek to explore the early modern period from a wide range of disciplinary, cultural, linguistic, and geographical perspectives.

The Workshop in Poetics is concerned with the theoretical and practical dimensions of the reading and criticism of poetry. During the many years of its existence, the Workshop has become a central venue at Stanford enabling participants to share their individual projects in a general conversation outside of disciplinary and national confinements. The two dimensions that the workshop sees as urgent are: poetics in its specificity as an arena for theory and interpretive practice, and historical poetics as a particular set of challenges for the reader and scholar.

The Medieval Studies Workshop brings together faculty members and Ph.D. students from several departments to consider interdisciplinary scholarly developments in the field of medieval studies, a period spanning the fifth through the fifteenth century CE. To earn the unit, graduate students should attend the workshops held by the focal group and actively contribute to discussion throughout the year. The latter can take place during plenary or over office hours with faculty leaders. May be repeated for credit.

What does it look like to manage a collaborative project in a way that's both effective and ethical, taking into account the needs of people as well as the task? This class will cover project management and collaboration as they are practiced in digital humanities, "alt-ac" (alternative academic) jobs, and similar environments outside academia. In addition to readings and discussion, students will participate in a simulation of one year in the life of a digital humanities project (in the style of Dungeons and Dragons and similar role-playing games), with each student playing the role of a member on the project team.

The purpose of this workshop is to introduce first- and second-year graduate students to the profession and to the professional study of literature and culture. What is academia? What skills do you need to succeed in your program and in the profession? How best to set goals and expectations for your education, your career, and yourself in the short and long term? This workshop will address these questions and assist you in developing the necessary understanding and professional competencies to succeed in completing your program and competing on the job market. Key topics include research, publishing, speaking, teaching, the job search, and the crafting of a scholarly identity and related instruments. In this workshop, you will have the opportunity to work on a multiyear success plan, your academic CV, a publishing project, course syllabi, and teaching statements. Supervised by the graduate affairs committee of the DLCL. May be repeated for credit.

FOR GRADUATE STUDENTS (undergraduates enroll in 119) Most of the time, writing a pitch for a popular outlet just means writing an email. So why be intimidated? This course will outline the procedure for pitching essays and articles to popular media: how to convince an editor, agent, or anyone else that your idea is compelling, relevant, and deliverable. We'll take a holistic approach to self-presentation that includes presenting yourself with confidence, optimizing your social media and web platform, networking effectively, writing excellent queries and pitches, avoiding the slush pile, and perhaps most importantly, persevering through the inevitable self-doubt and rejection.We will focus on distinguishing the language, topics and hooks of popular media writing from those of academic writing, learn how to target and query editors on shortform pieces (personal essays, news stories, etc.), and explore how humanists can effectively self-advocate and get paid for their work.

In this interactive course, PhD students from all humanities departments and programs will learn how to chart a deliberate path through graduate school. The goal of the course is for students to reflect on where they are and make a game plan for the rest of their time at Stanford ? with an eye towards where they are headed after the PhD. The course offers exposure to the wide variety of humanist careers within and beyond the academy. It is ideal for students in their first through third years; all PhD students in the humanities and humanistic social sciences are welcome. This course will equip students with the tools and information to shape their own development as scholars and professionals while completing degree milestones and program expectations. Students will identify their core values, learn about diverse opportunities, begin building a professional network, articulate their graduate school mission, and practice mapping their humanist career. We are confident that our curriculum will reduce stress by building community and providing a space to pause and reflect. You have options! Together, we'll move from fear of the future to ownership of your grad school years and curiosity about possible careers!