ENGLISH 124A:
Latinx Literature (CHILATST 124A, CSRE 124A)
Emerging from the demographic, political, and cultural shifts of the late twentiethnncentury, LatinX Literature flourishes in the twenty-first century as a hemisphericallynnAmerican corpus of texts. Like both ChicanX and Puerto Rican literatures before it,nnLatinX Literature emerges from various movements for social justice to challengennboth the Anglo and the Hispanic established literary traditions of the Americas. As anntransnational, pluralistic, heterogeneous, and dynamic category that considers thennwritings of diverse peoples with cultural ties to Latin America residing in the U.S., itnncomplicates and transgresses the linguistic, geopolitical and cultural borders ofnnthe Americas, including those of the Afro-Caribbean, Luso-Brazilian, and the NativennFirst Nations. Aligning itself with the issues, styles, and topics of the Global South,nnLatinX Literature is a product of the kind of ¿border thinking¿ that critic WalternnMignolo has described as a ¿pluriversal . . . epistemology that interconnects thennplurality and diversity of decolonial projects.¿ Acknowledging its emergence fromnnliteral and theoretical border spaces and decolonizing epistemologies, the ¿X¿ ofnnLatinX intentionally inflects the link to an origin in LGBTQI discourses signifying ¿annmore inclusive, non-gender-binary designation for LatinX peoples¿ and as a bordernnliterature that articulates heterogeneous ways of making meaning¿. Authors maynninclude Jesus Colón, Sandra Cisneros, Helena Maria Viramontes, Christina Garcia,nnJunot Diaz, Ire´ne Lara Silva, Julia Alvarez, Américo Paredes, Daniel Alarcón,nnFrancisco Goldman, Gloria Anzaldúa, Cherríe Moraga, Tato Laviera, ErnestonnQuinonez, Erika Sanchez, Elizabeth Acevedo, Luis Valdez, Lorna Dee Cervantes,nnSilvia Moreno-Garcia, Fernando Flores, or Oscar Cásares.
Terms: Spr
| Units: 3-5