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REES 100: Current Issues in Russian, East European, and Eurasian Studies (REES 200)

Enrollment limited to REEES students. Scholars present analyses of methodologies, challenges, and current issues in the study of Russia, E. Europe, and Eurasia.
Terms: Aut, Win, Spr | Units: 1-2 | Repeatable 3 times (up to 3 units total)

REES 200: Current Issues in Russian, East European, and Eurasian Studies (REES 100)

Enrollment limited to REEES students. Scholars present analyses of methodologies, challenges, and current issues in the study of Russia, E. Europe, and Eurasia.
Terms: Aut, Win, Spr | Units: 1-2 | Repeatable 3 times (up to 3 units total)

REES 227: All Quiet on the Eastern Front? East Europe and Russia in the First World War (HISTORY 227D, HISTORY 327D, REES 327)

Until recently history has been comparatively quiet about the experience of World War I in the east. Far from being a peripheral theater of war, however, the experiences of war on the Eastern Front were central to shaping the 20th century. Not only was the first shot of the war fired in the east, it was also the site of the most dramatic political revolution. Using scholarly texts, literature and film, this course combines political, military, cultural and social approaches to introduce the causes, conduct and consequences of World War I with a focus on the experiences of soldiers and civilians on the Eastern Front. Topics include: the war of movement, occupation, extreme violence against civilians, the Armenian genocide, population exchanges, the Russian Revolution and civil war, and the disintegration of empires and rise of nation-states.
Terms: Aut | Units: 3-5
Instructors: ; Lazic, J. (PI)

REES 299: Directed Reading

Terms: Aut, Win, Spr | Units: 1-12 | Repeatable for credit

REES 301B: History and Politics in Russian and Eastern European Cinema (FILMSTUD 245B, FILMSTUD 445B)

From 1945 to the mid-80s, emphasizing Polish, Hungarian, Czech, Slovak, and Yugoslav contexts. The relationship between art and politics; postwar establishment of film industries; and emergence of national film movements such as the Polish school, Czech new wave, and new Yugoslav film. Thematic and aesthetic preoccupations of filmmakers such as Wajda, Jancso, Forman, and Kusturica. Permission of instructor required prior to the first day of classes.
Terms: Aut | Units: 5
Instructors: ; Levi, P. (PI)

REES 327: All Quiet on the Eastern Front? East Europe and Russia in the First World War (HISTORY 227D, HISTORY 327D, REES 227)

Until recently history has been comparatively quiet about the experience of World War I in the east. Far from being a peripheral theater of war, however, the experiences of war on the Eastern Front were central to shaping the 20th century. Not only was the first shot of the war fired in the east, it was also the site of the most dramatic political revolution. Using scholarly texts, literature and film, this course combines political, military, cultural and social approaches to introduce the causes, conduct and consequences of World War I with a focus on the experiences of soldiers and civilians on the Eastern Front. Topics include: the war of movement, occupation, extreme violence against civilians, the Armenian genocide, population exchanges, the Russian Revolution and civil war, and the disintegration of empires and rise of nation-states.
Terms: Aut | Units: 3-5
Instructors: ; Lazic, J. (PI)
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