371 - 380 of 788 results for: HISTORY

( History 242J is an undergraduate course offered for 5 units; History 342J is a graduate course offered for 4-5 units.) London began the nineteenth century as a city of one million, but was home to over six million people by the century's end. How did Londoners in the nineteenth century respond to the challenges and temptations of life in a growing metropolis? How did government and reformers try to influence and control city dwellers' behavior? This class seeks to answer these questions by exploring life in Britain's capital in the nineteenth century, using the digital database 'London Low Life' as a guide. Contemporary street literature, night-life guides, pamphlets, broadsides, images, reformer's tracts, and public-interest journalism are some of the sources that will give us a window into vice, virtue, and daily life in London during a period of great uncertainty and change.

Explores the global circulation of plants, peoples, disease, medicines, technologies, and knowledge. Considers primarily Africans, Amerindians, and Europeans in the eighteenth-century Atlantic World and focuses on their exchanges in the Caribbean, in particular within the French and British empires. We also take examples from other knowledge traditions, where relevant. Readings treat science and medicine in relation to voyaging, the natural history of plants, environmental exchange, racism, and slavery in colonial contexts. Colonial sciences and medicines were important militarily and strategically for positioning emerging nation states in global struggles for land and resources. Upper-level undergrads must apply for 243C; please fill in this short form: https://forms.gle/XpUXwfT6ULiwC8P19 Graduate students taking the course should enroll in 343C.

This course will use our current experience with the COVID-19 pandemic as a lens to study the processes by which infectious diseases emerge. Because of recent developments in the "historicist sciences" (bioarchaeology and palaeogenetics), it is possible to piece together the origin stories of some of the world's most impactful diseases. How does a "microbe's-eye view" of disease emergence change our understanding of past (and present) pandemics? Is it possible that understanding emergence might help us better understand why certain diseases have continued to proliferate, refusing to yield to modern interventions?We will focus on several major diseases transmitted between the Old and New Worlds before and after 1500. At issue is not simply the original spillover event (the transfer of a pathogen from one host species to humans), but the question of how these diseases exploit human connectivity to proliferate. These early globalizing stories will be compared with the story of SARS-CoV-2 as its own "origin story" continues to unfold. Given current critiques of the failures of "global health," what do these origin stories have to tell us about how diseases become "endemic"? Is humankind both the cause of its major diseases, but also doomed to endure them in perpetuity?

This course investigates the relationship between culture, revolutionary decolonization, and post-colonial trajectories. It probes the multilayered development of 20th and 21st-century African literature amid decolonization and Cold War cultural diplomacy initiatives and the debates they generated about African literary aesthetics, African languages, the production of history, and the role of the intellectual. We will journey through national cultural movements, international congresses, and pan-African festivals to explore the following questions: What role did writers and artists play in shaping the discourse of revolutionary decolonization throughout the continent and in the diaspora? How have literary texts, films, and works of African cultural thought shaped and engaged with concepts such as "African unity" and "African cultural renaissance"? How have these notions influenced the imaginaries of post-independence nations, engendered new subjectivities, and impacted gender and generational dynamics? How did the ways of knowing and modes of writing promoted and developed in these contexts shape African futures?

This interdisciplinary course examines the evolution of letter-writing practices in seventeenth- and eighteenth-century France through the lens of a media revolution, and highlights the historical roots of contemporary media issues. We will read primary sources such as epistolary manuals, letters by notable early modern letter writers (Sévigné, Voltaire, and Catherine the Great), and epistolary novels, as well as secondary scholarship from the fields of cultural history, literary studies, and media studies. Topics include, but are not limited to, innovations to the postal system, the rise of social norms of letter writing, image management, the Republic of Letters and the Enlightenment, social activism through letter writing, the birth of media celebrities, surveillance, and privacy. Readings and discussions in English.

Cigarettes are the world's leading cause of death--but how did we come into this world, where 6 trillion cigarettes are smoked every year? Here we explore the political, cultural, and technological origins of the cigarette and cigarette epidemic, using the tobacco industry's 80 million pages of secret documents. Topics include the history of cigarette advertising and cigarette design, the role of the tobacco industry in fomenting climate change denial, and questions raised by the testimony of experts in court.

Welcome! This is a new upper-level course in Gendered Innovations that explores how sex, gender, and intersectional analysis in research and design sparks discovery and innovation. This course focuses on sex and gender, and considers factors intersecting with sex and gender, including age, race, ethnicity, socioeconomic status, educational background, disabilities, geographic location, etc., where relevant. We will read new research touching on basic concepts, intersectional design, gendering social robots, new approaches to sustainability, what's new in biomedicine & public health, facial recognition, inclusive crash test dummies, and more. As Director of Gendered Innovations, I work with the European Commission, Wellcome Trust, and major journals on policy to support integrating sex, gender, and intersectional analysis into the design of research. The operative question is: how can this type of analysis lead to discovery & innovation while enhancing social equity and environmental sustainability? Students will read and report on new research in weekly sessions and present a paper on a topic of their choice. We welcome open and respectful discussion. This course is open to upper-level undergraduate students by application https://forms.gle/2KmxUUnRSG2LNNSS6 and to graduate students. Limited to 15.

The colonial era saw widespread extraction of cultural treasures by European powers across the globe. Greece, Egypt, and other countries have maintained that these objects belong at home rather than in the museums of London, Paris, and New York. This class invites you to consider the role of African art in debates about ownership, access, and aesthetics. Stanford University, for example, has a large collection of African objects in the Cantor Museum, while in nearby San Francisco, the renowned De Young Museum has a significant selection in its Africa gallery.Classes will chart the "scramble for art" that occurred in the nineteenth and early twentieth centuries among European colonial powers on the African continent. We will also examine the role of North American collectors in extracting African cultural treasures from the continent, and the burgeoning ethnographic museum culture that showcased these objects at universities and museums across the U.S. We will consider how practices of museum curation throughout the twentieth century shaped and defined fundamental categories including the notion of "African art" itself. Students will discuss pressing questions of agency, justice, and power. We will consider early calls from African countries for repatriation of their objects and the ongoing state of these debates today, including the current call for the return of the famed and controversial Benin Bronzes and the efforts of museums like the De Young, the New York Metropolitan Museum of Art, Harvard's Peabody Museum, and the UCLA Fowler Museum to ethically engage with their African holdings. Throughout the class, our guiding question will be: who owns the past? Are these cultural treasures the property of all humanity (as many museums would argue), or of the specific countries and communities who lay claim to them?

Casablanca, Algiers and Tunis embody three territories, real and imaginary, which never cease to challenge the preconceptions of travelers setting sight on their shores. In this class, we will explore the myriad ways in which these cities of North Africa, on the edge of Europe and of Africa, have been narrated in literature, cinema, and popular culture. Home to Muslims, Christians, and Jews, they are an ebullient laboratory of social, political, religious, and cultural issues, global and local, between the nineteenth and twenty-first centuries. We will look at mass images of these cities, from films to maps, novels to photographs, sketching a new vision of these magnets as places where power, social rituals, legacies of the Ottoman and French colonial pasts, and the influence of the global economy collude and collide. Special focus on class, gender, and race.