81 - 90 of 384 results for: MUSIC

May be repeated for credit a total of 14 times. Please visit http://music.stanford.edu for signup information. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure.

Basic brass techniques as they apply to the tuba including warmups, breathing, and developing a daily routine. For beginning through intermediate players. Please visit http://music.stanford.edu/Academics/LessonSignups.html for audition information. All participants must enroll. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure. May be repeated for credit

Basic brass techniques as they apply to the tuba including warmups, breathing, and developing a daily routine. For beginning through intermediate players. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure. May be repeated for credit for 0 unit.

May be repeated for credit a total of 14 times. Please visit http://music.stanford.edu for class fees and signup information. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure.

May be repeated for credit a total of 14 times. Please visit http://music.stanford.edu for signup information. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure.

Please visit http://music.stanford.edu for signup information. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure.

Through the perspective of Jewish music, the students will be exposed to diverse musical cultures from around the globe while simultaneously being exposed to the rich and multi-faceted cultures of Jewish music. Because the Jews were dispersed around the globe, discrete musical styles and genres evolved for the same texts. The various styles differ from each other in their tonal and rhythmic organizations; instrumentation, tora recitations.The course examines these aspects as well as the influence of Jewish music on classical music and vice versa. No prior knowledge of Jewish history, Judaism and music theory is required.

Presented by the Institute for Diversity in the Arts (IDA), this course delves into the powerful intersection of migration, music and artistic practice, taught by renowned Ethiopian-American vocalist, songwriter, and composer Meklit Hadero, IDA's 2025 Visiting Artist. Through intimate storytelling, collective study and creative practice, the course will cover migration as a critical, intersectional issue. Participants will engage with various storytelling mediums, including music production and recording, songwriting, podcasting and more to foster a deeper understanding of the role of art in conveying personal and collective histories, as well as shaping public narratives and discourse. The course will explore culture as a world building compass for the process of shaping a more equitable future. This course includes visits from guest artists.

Introduction to Creating Electronic Sounds enables students from a wide variety of backgrounds to cultivate conceptual and technical skills within the production of electronic sound and music composition. Lectures, readings, and group discussions will examine the evolution of recording technology as it relates to music within historical, social, and contemporary contexts. Over the course of ten weeks students will develop and produce a portfolio of creative projects, wherein the integration of one's life experiences, imagination, and musical preferences are encouraged. In addition to regular coursework, students who enroll in the class for 4 units will create and publish a 12 to 20-minute EP according to their own musical taste and technical abilities. Please note: This is not a production class with an in-depth technical focus during class time, however technical support is offered outside of regular class time. This course is a prerequisite for MUSIC 192A: Foundations of Sound Recording Technology. No previous experience required. Enrollment by application only. Permission numbers will be distributed during the first week of classes.