Autumn
Winter
Spring
Summer

251 - 260 of 384 results for: MUSIC

MUSIC 183G: Sing & Be Well: Exploring and Integrating Wellness Through Singing

Finding an expressive outlet is essential in a world where stress and anxiety are common. Singing has been proven to be one such outlet. This immersive course explores the health benefits of singing. In addition to research and expert guest lectures, the course emphasizes vocal technique, mindfulness, and group singing through vocal improvisation. Singers of all levels will discover the connection between singing, joy, and holistic health.
Terms: Spr | Units: 1 | UG Reqs: WAY-CE
Instructors: Jimenez, N. (PI)

MUSIC 183H: Vocal Pedagogy

The vocal pedagogy course surveys the various components of the singing voice; breathing, phonation and resonation. It will help you acquire the tools for science-based teaching and understanding of your own instrument if you are a singer. Singer? Teacher? Choral conductor? Collaborative pianist? This course is for you. Learn in depth how this amazing instrument - the human voice - works, and how to teach, use and maintain it. Learn the facts about vocal technique, how to navigate the different types of voices, listening and tailoring your teaching to the individual singer; and know the best practices of vocal health.
Terms: Win | Units: 2
Instructors: Sewailam, A. (PI)

MUSIC 184A: Editing and Performing Early Music

This course is a practical workshop in early music vocal repertoire. The main focus of this course is to use original source material to explore editorial practice. Having prepared the score, students learn to perform the piece from an historically informed performance practice point of view. In addition to broadening the student's knowledge of vocal repertoire, the following skills are developed: text preparation, foreign language translation and diction; rehearsal for performance and/or recording. Enrollment by audition only. Prerequisite: vocal or instrumental instruction, as the class is open to singers or collaborative artists. May be repeated for credit a total of 4 times. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure. By enrolling in this course you are giving consent for the video and audio recording and distribution of your image and performance for use by any entity at Stanford University.
Terms: Aut | Units: 1-3 | UG Reqs: WAY-CE | Repeatable 4 times (up to 12 units total)
Instructors: Catsalis, M. (PI)

MUSIC 184AZ: Editing and Performing Early Music

This course is a practical workshop in early music vocal repertoire. The main focus of this course is to use original source material to explore editorial practice. Having prepared the score, students learn to perform the piece from an historically informed performance practice point of view. In addition to broadening the student's knowledge of vocal repertoire, the following skills are developed: text preparation, foreign language translation and diction; rehearsal for performance and/or recording. Enrollment by audition only. Prerequisite: vocal or instrumental instruction, as the class is open to singers or collaborative artists. All participants must enroll. May be repeated for a total of 4 times. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure. By enrolling in this course you are giving consent for the video and audio recording and distribution of your image and performance for use by any entity at Stanford University.
Terms: Aut | Units: 0 | Repeatable 4 times (up to 0 units total)
Instructors: Catsalis, M. (PI)

MUSIC 184B: Topics on the Musical Stage (TAPS 184B)

This course is a practical workshop in vocal repertoire for the stage. Each quarter's offering emphasizes a specific genre or period, therefore the course can be repeated with permission of the instructor. In addition to broadening the student's knowledge of vocal repertoire, the following skills are developed: text preparation, foreign language translation and diction; rehearsal etiquette for performance and/or recording. Enrollment by audition only. Prerequisite: vocal or instrumental instruction, as the class is open to singers or collaborative artists. May be repeated for credit a total of 4 times. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure. By enrolling in this course you are giving consent for the video and audio recording and distribution of your image and performance for use by any entity at Stanford University.
Terms: Aut, Win | Units: 1-3 | UG Reqs: WAY-CE | Repeatable 4 times (up to 12 units total)

MUSIC 184BZ: Topics on the Musical Stage

This course is a practical workshop in vocal repertoire for the stage. Each quarter's offering emphasizes a specific genre or period, therefore the course can be repeated with permission of the instructor. In addition to broadening the student's knowledge of vocal repertoire, the following skills are developed: text preparation, foreign language translation and diction; rehearsal etiquette for performance and/or recording. Enrollment by audition only. Prerequisite: vocal or instrumental instruction, as the class is open to singers or collaborative artists. May be repeated for credit a total of 4 times. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure. By enrolling in this course you are giving consent for the video and audio recording and distribution of your image and performance for use by any entity at Stanford University.
Terms: Aut, Win | Units: 0 | Repeatable 4 times (up to 0 units total)

MUSIC 184C: Dramatic Vocal Arts: Songs and Scenes Onstage (TAPS 184C)

Studies in stagecraft, acting and performance for singers, culminating in a public performance. Repertoire to be drawn from the art song, opera, American Songbook and musical theater genres. Enrollment by audition only. May be repeated for credit a total of 4 times. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure. By enrolling in this course you are giving consent for the video and audio recording and distribution of your image and performance for use by any entity at Stanford University.
Terms: Spr | Units: 1-2 | UG Reqs: WAY-CE | Repeatable 4 times (up to 8 units total)
Instructors: Catsalis, M. (PI)

MUSIC 184CZ: Dramatic Vocal Arts: Songs and Scenes Onstage

Studies in stagecraft, acting and performance for singers, culminating in a public performance. Repertoire to be drawn from the art song, opera, American Songbook and musical theater genres. Enrollment by audition only. May be repeated for credit a total of 4 times. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure. By enrolling in this course you are giving consent for the video and audio recording and distribution of your image and performance for use by any entity at Stanford University.
Terms: Spr | Units: 0 | Repeatable 4 times (up to 0 units total)
Instructors: Catsalis, M. (PI)

MUSIC 184F: Introduction to Theater Sound Design (TAPS 138)

This course explores the history and aesthetics,of theatre sound design, and provides the basic technical knowledge to create your own work. Learn how to analyze a script for sound design elements, gain practical knowledge of microphones and loudspeakers, sound editing and cueing software, and put your knowledge to work creating your own design.
Last offered: Spring 2020 | Units: 4 | UG Reqs: WAY-CE

MUSIC 186E: Sounds of Islam (RELIGST 156X)

This course explores diverse intersections of sound and Islam in religious and secular contexts throughout the world. From studying Islamic philosophies about the art of listening to interrogating Muslim hip hop, we examine how sonic practices simultaneously reflect and shape different Muslim identities globally. Issues of nationalism, war and trauma, class, race and ethnicity, gender and sexualities, colonialism, social in/justice, and migration will remain central to our exploration of spirituality, secularism, piety, and religiosity for the individuals and communities making or listening to sounds of Islam.
Terms: Win | Units: 3 | UG Reqs: WAY-A-II, WAY-EDP
© Stanford University | Terms of Use | Copyright Complaints