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Personal bio
Shane Denson is Assistant Professor of Film and Media Studies in the Department of Art & Art History at Stanford University. His research and teaching interests span a variety of media and historical periods, including phenomenological and media-philosophical approaches to film, digital media, comics, games, and serialized popular forms. He is the author of Postnaturalism: Frankenstein, Film, and the Anthropotechnical Interface (Transcript-Verlag/Columbia University Press, 2014) and co-editor of several collections: Transnational Perspectives on Graphic Narratives (Bloomsbury, 2013), Digital Seriality (special issue of Eludamos: Journal for Computer Game Culture, 2014), and the open-access book Post-Cinema: Theorizing 21st-Century Film (REFRAME Books, 2016). Currently teaching
ARTHIST 253: Aesthetics and Phenomenology
(Winter)
ARTHIST 453: Aesthetics and Phenomenology (Winter) FILMEDIA 253: Aesthetics and Phenomenology (Winter) FILMEDIA 453: Aesthetics and Phenomenology (Winter) FILMEDIA 270: German Media Theory (Spring) FILMEDIA 470: German Media Theory (Spring) GERMAN 144: German Media Theory (Spring) GERMAN 344: German Media Theory (Spring) FILMEDIA 306: Introduction to Media (Autumn) FILMEDIA 6: Introduction to Media (Autumn) AMSTUD 290: Movies and Methods: How to Watch TV (Spring) FILMEDIA 290: Movies and Methods: How to Watch TV (Spring) FILMEDIA 490: Movies and Methods: How to Watch TV (Spring) FILMEDIA 50Q: The Video Essay: Writing with Video about Media and Culture (Autumn) FILMEDIA 102: Theories of the Moving Image (Winter) FILMEDIA 302: Theories of the Moving Image (Winter) |