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How did South African Black intellectuals and artists utilize literature and other artistic forms to articulate their increasingly precarious position in the country's political landscape in the 20th century? What hopes and visions were captured through their works? Engaging with numerous sources ranging from speeches, newspapers, short stories, novels, music, film, paintings to photographs, we will explore what Ntongela Masilela calls "New African modernity"--a movement pioneered by different generations of Black intellectuals and artists. We will grapple with the notion of art as political, and the salience of Black women's works in contexts of double marginalization. This class lies at the intersection of intellectual, cultural, and literary histories.