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911 - 915 of 915 results for: all courses

URBANST 173: The Urban Economy (PUBLPOL 174)

Applies the principles of economic analysis to historical and contemporary urban and regional development issues and policies. Explores themes of urban economic geography, location decision-making by firms and individuals, urban land and housing markets, and local government finance. Critically evaluates historical and contemporary government policies regulating urban land use, housing, employment development, and transportation. Prerequisite: Econ 1A or permission of instructor.
Terms: Win | Units: 4 | UG Reqs: WAY-SI | Grading: Letter or Credit/No Credit
Instructors: Wolfe, M. (PI)

URBANST 178: The Science and Practice of Effective Advocacy (CSRE 178P, PUBLPOL 178)

How can purposeful collective action change government policy, business practices and cultural norms? This course will teach students about the components of successful change campaigns and help develop the practical skills to carry out such efforts. The concepts taught will be relevant to both issue advocacy and electoral campaigns, and be evidence-based, drawing on lessons from social psychology, political science, communications, community organizing and social movements. The course will meet twice-a-week for 90 minutes, and class time will combine engaged learning exercises, discussions and lectures. There will be a midterm and final. Students will be able to take the course for 3 or 5 units. Students who take the course for 5 units will participate in an advocacy project with an outside organization during the quarter, attend a related section meeting and write reflections. If you enroll in the course for 5 units, you also need to enroll in the section attached to your catalog number ( URBANST 178-Section 02 or PUBLPOL 178 Section 2 or CSRE 178P Section 2.)
Terms: Spr | Units: 3-5 | UG Reqs: WAY-SI | Grading: Letter (ABCD/NP)
Instructors: Litvak, L. (PI)

URBANST 182: Activating Urban Spaces: Materializing Hidden Narratives in the Urban Environment (ARTSINST 182)

This course will investigate the organization and shaping of public space from the perspective of story and narrative. The course will consider how authorized narratives feature in the built environment and in the social spaces and usage of the city and how unauthorized, sometimes contentious narratives lurk beneath the surface and persist on the "skin" of the city. It will investigate the role of artists and the arts in "mapping" or surfacing alternative stories, concepts and imaginations of how the city is or can be. Inspired by the writings of Michel DeCerteau and Italo Calvino, this class explores the role of narrative in the city and the imagination from the perspective of cultural memory, lived experience, usage of space and organization of the built infrastructure. It offers an alternative approach to thinking about cities, how they are formed and how they function. This class will utilize and combine active field research methods with creative practice. Locations for our field more »
This course will investigate the organization and shaping of public space from the perspective of story and narrative. The course will consider how authorized narratives feature in the built environment and in the social spaces and usage of the city and how unauthorized, sometimes contentious narratives lurk beneath the surface and persist on the "skin" of the city. It will investigate the role of artists and the arts in "mapping" or surfacing alternative stories, concepts and imaginations of how the city is or can be. Inspired by the writings of Michel DeCerteau and Italo Calvino, this class explores the role of narrative in the city and the imagination from the perspective of cultural memory, lived experience, usage of space and organization of the built infrastructure. It offers an alternative approach to thinking about cities, how they are formed and how they function. This class will utilize and combine active field research methods with creative practice. Locations for our field research and excursions will include areas around Stanford and the Bay Area. The class will function as a hybrid seminar and collaborative studio workspace supporting students interested in applying creative practices to field research to develop methods for materializing narratives in various forms of public performance or place-specific art. Students will develop research for projects tailored to a particular location of their choosing and will explore the idea of the 'hidden city' its histories and its communities.
Terms: Spr | Units: 3-4 | UG Reqs: WAY-A-II, WAY-SI | Grading: Letter (ABCD/NP)
Instructors: Kayim, G. (PI)

URBANST 184: Paris: Capital of the Modern World (FRENCH 140, FRENCH 340, HISTORY 230C)

This course explores how Paris, between the eighteenth and twentieth centuries, became the political, cultural, and artistic capital of the modern world. It considers how the city has both shaped and been shaped by the tumultuous events of modern history- class conflict, industrialization, imperialism, war, and occupation. It will also explore why Paris became the major world destination for intellectuals, artists and writers. Sources will include films, paintings, architecture, novels, travel journals, and memoirs.
Terms: Spr | Units: 4-5 | UG Reqs: WAY-A-II, WAY-SI | Grading: Letter or Credit/No Credit
Instructors: Daughton, J. (PI)

URBANST 186: Creativity: Anatomy of a Buzzword (ARTSINST 184)

Creativity is one of the defining values of our time, embraced by corporate CEOs, kindergarten teachers, and starving artists alike. Yet it not always clear what creativity means. This course will explore how the capacious concept of creativity has shaped contemporary ideals of work, art, technology, human nature, and the good society. Using a mix of popular texts, contemporary scholarship, and classics of social thought, we will look at what kinds of products, places, and people count as 'creative' in public conversation, and why. Particular attention will be paid to how different overlapping notions of creativity have guided arts policy, business practices, and urban economic strategy over the last few decades of capitalist development. Using Stanford itself as a case study, students will conduct field work to discover how the concept of creativity operates across and between the various departments, disciplines, and centers on campus, from the fine arts to psychology to business. Th more »
Creativity is one of the defining values of our time, embraced by corporate CEOs, kindergarten teachers, and starving artists alike. Yet it not always clear what creativity means. This course will explore how the capacious concept of creativity has shaped contemporary ideals of work, art, technology, human nature, and the good society. Using a mix of popular texts, contemporary scholarship, and classics of social thought, we will look at what kinds of products, places, and people count as 'creative' in public conversation, and why. Particular attention will be paid to how different overlapping notions of creativity have guided arts policy, business practices, and urban economic strategy over the last few decades of capitalist development. Using Stanford itself as a case study, students will conduct field work to discover how the concept of creativity operates across and between the various departments, disciplines, and centers on campus, from the fine arts to psychology to business. This research will culminate in the final group project: a multimedia archive and digital concept map of creativity discourse at Stanford. Students will come away from the class with concrete research skills and theoretical tools that will enable them to critically engage with any big ideas in the public sphere, as well as a better understanding of recent economic and cultural history underpinning our everyday assumptions and widely held values.
Terms: Win | Units: 4 | UG Reqs: WAY-A-II, WAY-SI | Grading: Letter (ABCD/NP)
Instructors: Franklin, S. (PI)
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