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681 - 690 of 714 results for: all courses

RELIGST 277: The Later Heidegger: Art, Poetry, Language (PHIL 234B, RELIGST 377)

Lectures and seminar discussions of the problematic of the later Heidegger (1930 - 1976) in the light of his entire project. Readings from "On the Origin of the Work of Art" and Elucidations of Holderlin's Poetry.
Terms: not given this year | Units: 3 | UG Reqs: GER:DB-Hum | Grading: Letter or Credit/No Credit

RELIGST 278: Heidegger: Confronting the Ultimate (RELIGST 378)

Heidegger's work on meaning, the self, and the sacred. Texts include Being and Time, courses and opuscula up to 1933, the Letter on Humanism, and Contributions of Philosophy.
Terms: not given this year | Units: 3-5 | UG Reqs: GER:DB-Hum | Grading: Letter or Credit/No Credit

RELIGST 279A: Heidegger on human being and God (RELIGST 379A)

This lecture-seminar first raises the question of essential characteristics of human being, such as temporality, mortality, hermeneutics and the relation to meaning, and then, via readings from Karl Rahner, asks whether human being is open to a possible relation to a supernatural divinity.
Terms: not given this year | Units: 4 | UG Reqs: GER:DB-Hum | Grading: Letter or Credit/No Credit

RELIGST 280: Schleiermacher: Reconstructing Religion (RELIGST 380)

Idealist philosopher, Moravian pietist, early German Romantic, co-founder of the University of Berlin, head preacher at Trinity Church, translator of Plato's works, Hegel's opponent, pioneer in modern hermeneutics, father of modern theology. Schleiermacher's controversial reconception of religion and theology in its philosophical context.
Terms: not given this year | Units: 3-5 | UG Reqs: GER:DB-Hum | Grading: Letter (ABCD/NP)

RELIGST 283A: Heidegger, Hölderlin, and the Gods (RELIGST 383A)

The radical transformations in Western notions of God between the death of Hegel and the birth of historical materialism, arguing that questions about theism and atheism, humanism, and history formulated in the period 1831-50 are still pertinent. Texts from Hegel, the young Hegelians, Feuerbach, and Marx on issues of God, history, and the social dimensions of human nature.
Terms: not given this year | Units: 3-5 | UG Reqs: GER:DB-Hum | Grading: Letter or Credit/No Credit

RELIGST 290: Majors Seminar

Required of all majors and combined majors. The study of religion reflects upon itself. Representative modern and contemporary attempts to "theorize," and thereby understand, the phenomena of religion in anthropology, psychology, sociology, cultural studies, and philosophy. WIM.
Terms: Win | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II | Grading: Letter (ABCD/NP)
Instructors: Fisher, E. (PI)

SINY 124: New York and the Art World

In an influential essay of 1964 responding to the work of Andy Warhol and Jasper Johns, the philosopher Arthur Danto defined an "artworld" as "an atmosphere of artistic theory." More generally, the term art world has come to mean a social, cultural and economic network consisting of art professionals (artists, curators, collectors, gallerists/dealers, historians, educators and critics) and institutions (the media, museums, galleries, schools, auction houses and other markets, such as art fairs). Since the end of World War II and the migration of European artists associated with the School of Paris, New York has traditionally been considered the capital of the art world, a position it largely retains even as the contemporary art world is a global phenomenon. This course considers the definitions and practices associated with the New York art world through readings in history and theory and extensive on-the-ground engagement with its pivotal figures and sites. Field trips to museums, galleries and other cultural institutions showcase the wider implications and professional aspects of current art making, as well as the exhibition, distribution and reception of contemporary art. Some background in art history is helpful but not required.
Terms: not given this year | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II | Grading: Letter (ABCD/NP)

SLAVIC 77Q: Russia's Weird Classic: Nikolai Gogol

Preference to sophomores. An investigation of the works and life of Nikolai Gogol, the most eccentric of Russian authors and the founder of what is dubbed Fantastic Realism. Our investigation will be based on close reading of works written in various genres and created in various stages of Gogol's literary career. Taught in English.
Terms: Aut | Units: 3-4 | UG Reqs: GER:DB-Hum, WAY-A-II | Grading: Letter (ABCD/NP)

SLAVIC 146: The Great Russian Novel: Tolstoy and Dostoevsky (SLAVIC 346)

Connections of philosophy and science to literary form in War and Peace, Brothers Karamazov, Chekhov stories: alternative shapes of time, perception, significant action. Taught in English. Note: To be eligible for WAYS/WIM credit, you must take SLAVIC 146 for a minimum of 3 Units and a Letter Grade.
Terms: Win | Units: 1-5 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II | Grading: Letter or Credit/No Credit

SLAVIC 156: Vladimir Nabokov: Displacement and the Liberated Eye (COMPLIT 115, COMPLIT 315, SLAVIC 356)

How did the triumphant author of "the great American novel" Lolita evolve from the young author writing at white heat for the tiny sad Russian emigration in Berlin? We will read his short stories and the novels The Luzhin Defense, Invitation to a Beheading, Lolita, Lolita the film, and Pale Fire, to see how Nabokov generated his sinister-playful forms as a buoyant answer to the "hypermodern" visual and film culture of pre-WWII Berlin, and then to America's all-pervading postwar "normalcy" in his pathological comic masterpieces Lolita and Pale Fire. Buy texts in translation at the Bookstore; Slavic grad students will supplement with reading and extra sessions in original Russian.
Terms: Aut | Units: 1-5 | UG Reqs: GER:DB-Hum | Grading: Letter (ABCD/NP)
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