MUSIC 76AZ: Tuba Class
Basic brass techniques as they apply to the tuba including warmups, breathing, and developing a daily routine. For beginning through intermediate players. This course includes a fee of $175 for Music majors and minors, and $200 for non Music majors. Zero unit enrollment option available with instructor permission. See website: (
http://music.stanford.edu) for policy and procedure.May be repeated for credit for 0 unit.
Terms: Aut, Win, Spr
| Units: 0
| Repeatable
15 times
(up to 0 units total)
Instructors:
Clements, T. (PI)
MUSIC 76Z: Brass Instruments Class
May be repeated for credit a total of 14 times. There is a fee for this class. Please visit
http://music.stanford.edu for class fees and signup information. Zero unit enrollment option available with instructor permission. See website: (
http://music.stanford.edu) for policy and procedure.
Terms: Aut, Win, Spr
| Units: 0
| Repeatable
for credit
(up to 0 units total)
Instructors:
Clements, T. (PI)
;
Kenley, M. (PI)
MUSIC 77: Percussion Class
May be repeated for credit a total of 14 times. There is a fee for this class. Please visit
http://music.stanford.edu for class fees and signup information. Zero unit enrollment option available with instructor permission. See website: (
http://music.stanford.edu) for policy and procedure.
Terms: Aut, Win, Spr
| Units: 1
| UG Reqs: WAY-CE
| Repeatable
15 times
(up to 15 units total)
Instructors:
Veregge, M. (PI)
MUSIC 77Z: Percussion Class
There is a fee for this class. Please visit
http://music.stanford.edu for class fees and signup information. Zero unit enrollment option available with instructor permission. See website: (
http://music.stanford.edu) for policy and procedure.
Terms: Aut, Win, Spr
| Units: 0
| Repeatable
for credit
(up to 0 units total)
Instructors:
Veregge, M. (PI)
MUSIC 80T: Jewish Music in the Lands of Islam (JEWISHST 80T)
An Interdisciplinary study of Music, Society, and Culture in communities of the Jewish Diaspora in Islamic countries. The course examines the diverse and rich musical traditions of the Jews in North Africa and the Middle East. Based on the "Maqamat" system, the Arabic musical modes, Jewish music flourished under Islamic rule, encompassing the fields of sacred music, popular songs, and art music. Using musicological, historical, and anthropological tools, the course compares and contrasts these traditions from their original roots through their adaptation, appropriation, and re-synthesis in contemporary art music and popular songs.
Last offered: Autumn 2014
| UG Reqs: GER:DB-Hum, WAY-A-II, WAY-EDP
MUSIC 112: Creative Expression: Musical Theater (TAPS 112)
Students begin to create pieces that are fresh and innovative forms of musical theater that do not necessarily appeal to specifically popular audiences but perhaps to audiences more associated with high art, opera, or even contemporary independent music. Musical theater is an untapped resource of potential artistic innovation and has unfortunately become stuck in an ideal of universal accessibility. In present popular culture and the culture of contemporary art forms, musical theater almost exclusively refers to popular productions such as Phantom of the Opera, Rent, Wicked, Jesus Christ Superstar. Although excellent pieces of art in their own way, both dramaturgically and in their ability to evoke emotion through catchy melodies, for the most part each of them have their basis in popular and traditional musical idioms and theatrical forms, seldom exploring more advanced or avant-garde and experimental compositional and theatrical techniques.
Last offered: Winter 2014
| UG Reqs: WAY-CE
MUSIC 122A: Counterpoint
Analysis and composition of contrapuntal styles from the Renaissance and Baroque periods. Use of keyboard, ear training, and sight singing underlies all written work. Prerequisites:
MUSIC 23 and
MUSIC 24C; passing piano-proficiency examination; or, consent of instructor.
Terms: Spr
| Units: 4
| UG Reqs: GER:DB-Hum, WAY-A-II
Instructors:
Ulman, E. (PI)
;
Cadagin, J. (TA)
MUSIC 122B: Analysis of Tonal Music
Complete movements, or entire shorter works of the 18th and 19th centuries, are analyzed in a variety of theoretical approaches. Prerequisites:
MUSIC 23 and
MUSIC 24C; passing piano-proficiency examination; or, consent of instructor.
Terms: Win
| Units: 4
| UG Reqs: GER:DB-Hum, WAY-A-II
Instructors:
Mitchell, T. (PI)
;
Ulman, E. (PI)
MUSIC 122C: Introduction to 20th-Century Composition
Contemporary works, with emphasis on music since 1945. Projects in free composition based on 20th-century models. Prerequisites:
MUSIC 23 and
MUSIC 24C; passing piano-proficiency examination; or, consent of instructor.
Terms: Aut
| Units: 4
| UG Reqs: GER:DB-Hum
Instructors:
Marino, J. (PI)
;
Ulman, E. (PI)
MUSIC 123: Undergraduate Seminar in Composition
Current trends in composition. May be repeated for credit a total of 7 times. Prerequisites: Music major; 23 or consent of instructor.
Terms: Spr
| Units: 3
| UG Reqs: WAY-A-II, WAY-CE, GER:DB-Hum
| Repeatable
8 times
(up to 24 units total)
Instructors:
Applebaum, M. (PI)
;
Canfield-Dafilou, E. (TA)
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