1 - 8 of 8 results for: GLOBAL

This course invites students of all backgrounds and interests to explore the vibrant tapestry of the Panjabi-Sikh diaspora. With captivating guest speakers and engaging discussions, this course delves deep into themes like migration, faith, sexuality, casteism, and identity, challenging preconceived notions and nurturing critical thinking. By the end, students emerge with a profound understanding of the diaspora's complexities, enhanced research and analytical skills, and the ability to contribute positively to diverse societies. Beyond academia, it fosters personal growth, encouraging reflection on biases and fostering an appreciation for the vibrant history of the Panjabi-Sikh diaspora.

This course will explore the idea of "the ape" in global history, science, art, and film. The idea that apes might be humanity's nearest animal relatives is only about 200 years old. From the start, the idea developed in a global context: living fossil apes were found in Africa and Asia, and were immediately embroiled in international controversies about theories of human origins and racial hierarchies. This class will look at how and why "the ape" became a generative and controversial new concept in numerous national and regional contexts. We'll explore some of the many ways humans have looked at, studied, and thought about apes around the world: the "out of Asia" versus "out of Africa" hypothesis for human origins; Nim Chimpsky, the chimpanzee raised as a human child; Koko, the gorilla who may have learned sign language; Congo, the chimpanzee who made "abstract" paintings; films such as King Kong, Planet of the Apes, and 2001: Space Odyssey; the ape in World War II and Cold War propaganda in Japan, the Soviet Union, Germany, and the United States; Jane Goodall's study of chimpanzees "culture" and "personality"; the place of apes in natural history museums and zoos around the world; and Stanford's own fraught history of comparing apes and humans through the archival writings of eugenicist founding president David Starr Jordan. Taught in conjunction with an exhibit on global ape imagery at the Stanford Library curated by Professors Riskin and Winterer in 2024, the course will culminate in students' own miniature exhibits for a class-generated "Ape Museum."

The At Home Abroad House invites you to challenge your habits of visual culture, fill your ears with less-familiar sounds, and build your own understanding of what it means to live in a global age. Stanford experts from a multitude of cultural disciplines representing multiple geographic regions have selected some of the best of the best of recent film for you to view: come see for yourself and see outside the box with this tailored line-up of contemporary cinema from around the world. Weekly screenings hosted at the At Home Abroad House; class is open to undergrads only and is mandatory for pre-assigned residents of AHA.

This is an introductory-level course about the cinema as a global language. We will undertake a comparative study of select historical and contemporary aspects of international cinema, and explore a range of themes pertaining to the social, cultural, and political diversity of the world. A cross-regional thematic emphasis and inter-textual methods of narrative and aesthetic analysis, will ground our discussion of films from Italy, Japan, United States, India, China, France, Brazil, Nigeria, Russia, Iran, Mexico, and a number of other countries. Particular emphasis will be placed on the multi-cultural character and the regional specificities of the cinema as a "universal language" and an inclusive "relational network."There are no prerequisites for this class. It is open to all students; non-majors welcome.

Under conditions of global environmental change and mass extinction, how will humanity share the planet with wildlife? This course invites undergraduate students to consider this question under the guidance of two biologists and a literary scholar. We will engage with a range of interdisciplinary scholarship on how humans seek to study, understand, exploit, protect, and empathize with charismatic megafauna. We ask how regional differences in culture, political economy, and ecology shape conservation efforts.

Independent studies for undergraduate students under the direction of a faculty member for which academic credit may properly be allowed. May be repeated for credit.

Students completing a capstone project for the Global Studies Minor must enroll in this course for units (1-5) with their capstone advisor selected as the instructor. The course may be repeated for credit, with advisor approval. Students are expected to participate in regular advising meetings with the instructor.