41 - 50 of 261 results for: RELIGST

What does it mean to live in "harmony" with nature? What do humans seek and find in nature and our relationship to it? How have understandings of nature oriented human actions and values and given "place" to humanity in the cosmos? From religious texts to Deep Ecology, American conservationism to Buddhist and Romantic nature poetry, naturalist critics of religion to religious naturalists, and finally debates over the role of religion in dealing with environmental crisis, this course is designed as a general introductory survey of the topic of religion and the environment. It will be guided by the question of how conceptions of nature have been a source of reflection on the goals of life and the ways in which humans are to understand their existential "lot". Readings will include primary texts from major religious traditions, poetry, and scholarly and philosophical texts from figures including, among others, Descartes, Goethe, Nietzsche, J.S. Mill, Thoreau, Aldo Leopold, John Muir, Gary Snyder, and Peter Singer.

Hindus and Muslims have lived together in the subcontinent for over 1000 years, joined by Sikhs in the last 500. Contrasting narratives may emphasize composite cultures and interdependent societies, or separation and conflict. In the first half we will introduce these traditions and communities and highlight composite cultures in religion, literature, and music. In the second half we will examine key moments of conflict: the 11th-century invasions of Mahmud of Ghazni and narratives about them in Hindu and Muslim sources; the 1947 Partition of India and Pakistan; the Khalistan movement and the 1984 massacre of Sikhs after Indira Gandhi's assassination; the 2002 Gujarat riots. Learning goals: critically examine the categories `Hindu,' `Muslim,' `Sikh,' `religion'; analyze differing narratives of the same events; clarify the complex factors involved in violent `religious' conflict.

The Mahabharata and the Ramayana, the two great epics of India, have been crucial texts in South Asian literatures and cultures for millennia. In this course, we will explore the diverse traditions of both epics from their Sanskrit versions, first composed more than 2,000 years ago, through retellings in newer media forms well into the twenty-first century. Among our primary interests will be comparing versions of each epic that have circulated in South Asia, Southeast Asia, and the West at different times. We begin with abridged translations of both the Sanskrit Mahabharata (including the Bhagavadgita) and the Ramayana. We will discuss the major literary, religious, and social themes of each text as well as subsequent translations and transcreations of the stories in Indian and Southeast Asian contexts during the last thousand years. We will also investigate the modern lives of the epics, including their transformations into Indian television serials, film versions of both narratives (from India and America), and invocations of the epic stories in contemporary art, culture, and political disputes. Students will gain exposure to some of the foundational texts for the study of South Asia, both past and present. More broadly, students will cultivate the ability to fruitfully approach texts from different cultures and learn to critically analyze the impacts and roles of stories in various religious, literary, and historical contexts.

(Formerly CLASSGEN 109.) This course will survey the changing image of Alexander the Great from the Hellenistic world to the contemporary. We shall study the appropriation of his life and legend in a variety of cultures both East and West and discuss his reception as both a divine and a secular figure by examining a variety of media including texts (primary and secondary) and images (statues, coins, mosaics, illuminated manuscripts, film, and TV) in the Hellenistic, Roman, Byzantine, Jewish, Islamic, Medieval, Renaissance, and Early Modern contexts. In concluding the quarter, students will evaluate contemporary representations in film and popular culture, such as Alexander directed by Oliver Stone and Pop Art in order to better appreciate his enduring legacy.

Taught in conjunction with a major exhibition of modern Islamic art at the Cantor Museum. We will consider theoretical discussions regarding art and modern Muslim identities and examine the use of Islamic motifs in art and architecture in detail.

This course will investigate the history of Islam in South Asia, particularly interactions between Muslims and Hindus, through the lenses of conflict and accommodation. This topic has become increasingly important in modern times as India and neighboring nations experience sectarian violence and simultaneously strive to engender the peaceful coexistence of multiple religious communities. In many ways the debate over South Asia¿s present and future is being played out in regards to interpretations of its past. In this course, students will gain a solid overview of the chronological development of Islam in India and its negotiations with other religious traditions on the subcontinent. We will think critically about the relevance of South Asia¿s past to its present and the crucial role of forms of Indian Islam in the broader context of Islamic cultures across the globe.

Themes in premodern and modern Japanese religion though animations, movies and documentaries

Asceticism is an intense negotiation of the self with its desires, usually taking the form of the attempt to repress or curtail desire. Asceticism is often understood as a radical response to the problem of obsessive desire. Excessive attachments to food, money, and sex are among the most common of these concerns¿today we refer to these as addictions¿both in the contemporary world and to those living in a pre-modern context. In this course, we will discuss the experiences of ascetic figures throughout history not as relics of history but as intelligible responses to the problem of obsessive desire common to all ages. We will comparatively examine case studies from the ancient Christian world and the modern Indian world. The first part of the course will be devoted to understanding some of the most notable theoretical approaches to ascetic behavior in the field of religious studies while the second part of the course will be devoted to close readings of the cases in light of these theoretical approaches. Cross-cultural comparison and contrast will also be stressed. In the final part of the course, we will turn to modern philosophical reflections on ascetic behavior, attempting to answer the question, does the ascetic response to obsessive desire make sense in the world we live in today?

Originating in ancient India, yoga went through many developments over more than 4000 years in India and other parts of Asia. Having migrated to Euro-America in the late nineteenth century, today yoga is everywhere--studios, schools, gyms, malls, resorts, ashrams, retreat centers. It comes in many flavors¿austere, with meditative instructors and Sanskrit chants; stylish, in 105-degree heat, with portable-miked instructors loudly motivating students to go through poses with speed and intensity; niche-crafted to meet the needs of busy professionals, pregnant women, senior citizens, or people with back problems. It may appear as a spiritual path or as a heavily marketed commodity. It generates lawsuits as teachers dispute ownership of certain styles, or as some Americans oppose its teaching yoga in public schools. In the first half of the course we will study the history of yoga in India, reading primary texts composed between about 500 BCE and 1600 CE. In the second half we will learn about yoga's globalization in the last century. Participating in a yoga class is recommended. 2 units of independent study (S-NC) are offered for those who participate in a weekly yoga class and write short reflections on the experience.