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11 - 20 of 28 results for: FEMGEN

FEMGEN 147: Feminism and Technology

How can a feminist lens help us understand technology? What can technology teach us about gender? This course explores the mutual shaping of gender and technology using an intersectional feminist approach. We will draw on theories from feminist science and technology studies (STS) to examine contemporary and historical case studies with attention to how race, sexuality, disability, and class impact the relationship between gender and technology. Topics include the history of computing, digital labor and the gig economy, big data and surveillance, bias and algorithms, reproductive technologies, videogames, and social media.
Terms: Aut | Units: 4-5 | UG Reqs: WAY-EDP, WAY-SI

FEMGEN 150N: Queer Sculpture (ARTSTUDI 150N)

Outlaw sensibilities, self-made kinships, chosen lineages, utopic futurity, exilic commitment, and rage at institutions that police the borders of the normal these are among the attitudes that make up queer in its contemporary usage. -David J. Getsy. This hands-on studio based course explores queer as a form of art production. Artists and thinkers use queer to signal defiance to the mainstream and an embrace of difference, uniqueness and self-determination. To be intolerable is to demand that the normal, the natural and the common be challenged. To do this is not to demand inclusion, but rather to refuse to accept any operations of exclusion and erasure that make up the normal and posit compulsory sameness. Queer Sculpture is also about the strategic effort to appropriate and subvert conventional art practices and tactics that may involve everything from shifts in the content of a work and its targeted audience to the methods by which it is produced and its formal properties. The polit more »
Outlaw sensibilities, self-made kinships, chosen lineages, utopic futurity, exilic commitment, and rage at institutions that police the borders of the normal these are among the attitudes that make up queer in its contemporary usage. -David J. Getsy. This hands-on studio based course explores queer as a form of art production. Artists and thinkers use queer to signal defiance to the mainstream and an embrace of difference, uniqueness and self-determination. To be intolerable is to demand that the normal, the natural and the common be challenged. To do this is not to demand inclusion, but rather to refuse to accept any operations of exclusion and erasure that make up the normal and posit compulsory sameness. Queer Sculpture is also about the strategic effort to appropriate and subvert conventional art practices and tactics that may involve everything from shifts in the content of a work and its targeted audience to the methods by which it is produced and its formal properties. The political imperatives of a queer or queered position will shape thematic investigations of practices related to utopic futurity, anti-assimilationist practices, failure, abstraction, the archive, camp, drag and alternative families. Classes will require reading, discussing, and making. Students will produce artwork for critiques and participate in discussions of the readings. The course includes guest artists and fieldtrips to local LGBTQ archives.
Terms: Aut | Units: 4 | UG Reqs: WAY-CE
Instructors: Berlier, T. (PI)

FEMGEN 151: Feminist Life-Writing (LIFE 151)

This course explores life-writing as a form of feminist praxis. Feminist life-writing is an art form grounded in truth-telling, activism, and self-making that emerges from the long tradition of women writing private lives. Beginning with the politicized practices of second wave feminists up through contemporary trends in memoir and autofiction, we will confront an array of intersectional autobiographies that connect personal experience to broader movements, power structures, and oppressions. How has life-writing contributed to the articulation of feminist consciousness? How has feminism impacted the methods marginalized authors use to create forms for belonging and self-determination? As we think about the politics of life-writing, we will also consider feminist rhetorical and aesthetic strategies for confronting issues like trauma, disability, incarceration, motherhood, and friendship. Each student will conduct a large-scale research project focused on an author, genre, or theme of their choice. As we research the critical historical contexts for feminist memoir, we will simultaneously conduct our own creative experiments in life-writing.
Terms: Aut | Units: 4-5 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: Goode, L. (PI)

FEMGEN 170: Backlash: Feminism Since 2016

As a political movement seeking the liberation of women and sexual minorities from gendered oppression, feminism has always had detractors - and pronounced periods of backlash. But since 2016, and in the long aftermath of Hillary Clinton's defeat to Donald Trump, anti-feminist backlash in media and politics has taken on a distinct 21st-century character, mixing old arguments with new scapegoats and adopting stylistic postures that blend open male supremacy with disavowing irony. Examining changes in popular opinion and the evolution of anti-feminist arguments on issues from abortion, to sexual violence, to trans rights, this course will map the new terrain of gender conservatism, and trace its intellectual origins in previous cycles of social progress and retrenchment. Taught by Clayman Writer-in-Residence and columnist for The Guardian, Moira Donegan.
Terms: Aut | Units: 3-4
Instructors: Donegan, M. (PI)

FEMGEN 185B: 'In her this brutal monster': Fiction of Mental Illness (ENGLISH 185B)

'In her this brutal monster': Literature of Mental Illness. How have literary traditions of madness informed modern fiction's portrayals of the human mind, particularly in the context of rapidly shifting cultural frameworks about the origins and manifestations of mental illness? What are the repercussions of new forms, trends and genres for parsing (or blurring) the line between condition and personhood? Using the novels of Akwaeke Emezi, Toni Morrison, Virginia Woolf, and Leslie Marmon Silko to guide our inquiries, we'll consider inherited and new metaphors of madness in light of emerging theoretical interpretations of disability, identity, gender and trauma.
Terms: Aut | Units: 5
Instructors: Howse, R. (PI)

FEMGEN 190W: Contemporary Women Writers (ENGLISH 190W)

"Every word a woman writes changes the story of the world, revises the official version¿¿is this what sets contemporary women writers apart? How can we understand the relation between the radically unprecedented material such writers explore and ¿the official version¿? What do we find compelling in their challenging of structure, style, chronology, character? Our reading- and writing-intensive seminar will dig into the ways women writers confront, appropriate, subvert, or re-imagine convention, investigating, for example, current debate about the value of ¿dislikable¿ or ¿angry¿ women characters and their impact on readers. While pursuing such issues, you'll write a variety of both essayistic and fictional responses, each of which is designed to complicate and enlarge your creative and critical responsiveness and to spark ideas for your final project. By affirming risk-taking and originality throughout our quarter, seminar conversation will support gains in your close-reading practice and in articulating your views, including respectful dissent, in lively discourse¿in short, skills highly useful in a writer¿s existence. Our texts will come from various genres, including short stories, novels, essays, blog posts, reviews, memoir.
Terms: Aut | Units: 5 | UG Reqs: WAY-A-II, WAY-CE

FEMGEN 192B: Poetry Is Not a Luxury (AFRICAAM 192B, ENGLISH 192B)

Poetry Is Not a Luxury * These places of possibility within ourselves are dark... The titles of this course are words thought and dreamed by Audre Lorde in her essay "Poetry Is Not a Luxury" (a version of which was first published in 1977). In this essay she writes: "For within living structures defined by profit, by linear power, by institutional dehumanization, our feelings were not meant to survive. Kept around as unavoidable adjuncts or pleasant pastimes, feelings were expected to kneel to thought as women were expected to kneel to men. But women have survived. As poets. And there are no new pains. We have felt them all already. We have hidden that fact in the same place where we have hidden our power. They surface in our dreams, and it is our dreams that point the way to freedom. Those dreams are made realizable through our poems that give us the strength and courage to see, to feel, to speak, and to dare." In this course we will consider the powers, resuscitations, and strategies more »
Poetry Is Not a Luxury * These places of possibility within ourselves are dark... The titles of this course are words thought and dreamed by Audre Lorde in her essay "Poetry Is Not a Luxury" (a version of which was first published in 1977). In this essay she writes: "For within living structures defined by profit, by linear power, by institutional dehumanization, our feelings were not meant to survive. Kept around as unavoidable adjuncts or pleasant pastimes, feelings were expected to kneel to thought as women were expected to kneel to men. But women have survived. As poets. And there are no new pains. We have felt them all already. We have hidden that fact in the same place where we have hidden our power. They surface in our dreams, and it is our dreams that point the way to freedom. Those dreams are made realizable through our poems that give us the strength and courage to see, to feel, to speak, and to dare." In this course we will consider the powers, resuscitations, and strategies found in the texts of a constellation of contemporary Black poets whose work emerges out of Black feminist thought and practices. My hope is that we will together listen toward the possibilities of this work, and through experiments in reading and writing, realize some of what these texts make it possible for us to think and feel and write and be.
Terms: Aut | Units: 5
Instructors: Girmay, A. (PI)

FEMGEN 195: Directed Reading

May be repeated for credit. (Staff)
Terms: Aut, Win, Spr, Sum | Units: 1-15 | Repeatable for credit

FEMGEN 195X: Research in Feminist, Gender, & Sexuality Studies

Independent research conducted under faculty or graduate student supervision. May be taken for a maximum of 3 quarters of credit.
Terms: Aut, Win | Units: 3-5 | Repeatable 1 times (up to 15 units total)

FEMGEN 199A: Feminist, Gender, and Sexuality Studies Honors Workshop

Required of seniors in the Feminist, Gender, and Sexuality Studies honors program. Participants share ongoing work on their honors theses. Prerequisite: consent of Instructor.
Terms: Aut | Units: 2-3
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