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Before the modern era, how did curious people in China, Korea, and Japan learn about the world? How did geographical information reach them, and how did they interpret it? This class will probe the history of cartographic exchange from the Mongols to Meiji from an East Asian perspective. Every Tuesday, we will examine East Asian maps; Thursday readings will introduce broader comparative perspectives. This course is part of the Humanities Core, a collaborative humanities seminar cluster. On Tuesdays we meet in our own course, while on Thursdays we will gather with two other HumCore classes for joint Plenary Sessions.

Scholars pay a lot of attention to knowledge but tend to ignore ignorance, even though ignorance defines many parts of our world. Think climate denial, anti-vaxxers, filter bubble myopia, etc. Here we explore the history of ignorance through case studies, focusing on how cigarette makers created the template for climate change denial and how can science can be used to produce ignorance. We¿ll look at rhetorical strategies to produce dis- and misinformation, and how these can be overcome. Students will produce a research paper tracing the origins and impact of a particular form of ignorance.

Advanced research into the history of ignorance. Our goal will be to explore how ignorance is created, maintained and destroyed, using case studies from topics such as tobacco denialism, global climate denialism, and other forms of resistance to knowledge making. Course culminates in a research paper on the theory and practice of agnotology, the science of ignorance.

From as early as the sixteenth century to our present moment, capitalism has been a central part of modern world history. The history of capitalism is not solely one of wealth and development, but also one of extraction and exploitation. It is a history that scholars have conceptualized as racial capitalism. This course explores the global structures of inequality that are inherent to capitalism and how they have changed over time. Students will engage with key scholarly debates and theoretical concepts, which they will then apply to specific case studies in different parts of the world with a particular focus on commodities.

The purpose of this seminar is to examine the evolution of modern warfare by closely following four modern battles/campaigns. For this purpose the seminar offers four mock staff rides, facilitating highly engaged, well-researched experience for participants. In a mock staff ride, students are assigned roles; each student is playing a general or staff officer who was involved in the battle/campaign. Students will research their roles and, during the staff ride, will be required to explain "their" decisions and actions. Staff rides will not deviate from historical records, but closely examine how decisions were made, what pressures and forces were in action, battle outcomes, etc. This in-depth examination will allow students to gain a deeper understanding of how modern tactics, technology, means of communications, and the scale of warfare can decide, and indeed decided, campaigns. We will will spend two weeks preparing for and playing each staff ride. One meeting will be dedicated to discussing the forces shaping the chosen battle/campaign: the identity and goals ofnthe belligerents, the economic, technological, cultural and other factors involved, as well as the initial general plan. The second meeting will be dedicated to the battle itself. The four battles will illustrate major developments in modern warfare.

This course takes students on a trip to major capital cities at different moments in time, including Renaissance Florence, Golden Age Madrid, colonial Mexico City, imperial Beijing, Enlightenment and romantic Paris, existential and revolutionary St. Petersburg, roaring Berlin, modernist Vienna, and transnational Accra. While exploring each place in a particular historical moment, we will also consider the relations between culture, power, and social life. How does the cultural life of a country intersect with the political activity of a capital? How do large cities shape our everyday experience, our aesthetic preferences, and our sense of history? Why do some cities become cultural capitals? Primary materials for this course will consist of literary, visual, sociological, and historical documents (in translation).

"When anyone asks me about the Irish character, I say look at the trees. Maimed, stark and misshapen, but ferociously tenacious." The writer Edna O'Brien's portrait of Irish life encapsulates a history shaped by colonialism, famine, forced migration, and enduring political struggle. This course explores the global story of Ireland, a small land of 4.8 million that since 1800 has produced a diaspora of some 10 million people worldwide. Colonized and colonizers, freedom fighters and slave-owners, the starving and the wealthy, pious and irreverent-- the Irish reveal their past through memoirs, poetry, novels, music, film, and television.

In what sense can we speak of "globalization" before modernity? What are the characteristics and origins of the economic system we know as "capitalism"? When and why did European economies begin to diverge from those of other Eurasian societies? With these big questions in mind, the primary focus will be on the history of Europe and European empires, but substantial readings deal with other parts of the world, particularly China and the Indian Ocean. HISTORY 307C is a prerequisite for HISTORY 402 (Spring quarter).

Historians tell stories. Using digital methods, we can tell these stories in creative and innovative ways. This digital humanities course is a hands-on experience of working with different methods of digital storytelling. This course is best suited for students interested in mapping, podcasting, digital publishing, and creating visualizations to present research. Students will interpret historical primary sources in addition to secondary sources to engage in the process of interpreting stories like a historian. There is also a degree of creativity and freedom with the creation of your digital stories.This course is designed to not only teach practical digital storytelling skills, but to also analyze the practicalities of telling historical stories and how to present the information through digital means. In addition, students will have to consider copyright laws, ethics of digital publishing, and concepts of equity of digital storytelling methods. Students will engage in workshops and discussions. No prior technical experience is required.