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Focus is on classrooms with students from diverse racial, ethnic and linguistic backgrounds. Studies, writing, and media representation of urban and diverse school settings; implications for transforming teaching and learning. Issues related to developing teachers with attitudes, dispositions, and skills necessary to teach diverse students. Cardinal Course certified by the Haas Center.

(Graduate students register for EDUC 212 or SOC 229X). Combination of social science and historical perspectives trace the major developments, contexts, tensions, challenges, and policy issues of urban education.

This seminar explores sartorial practices as a means for examining formations of identities and structural inequalities across space and time. Building off the definition of dress, pulled from Mary Ellen Roach-Higgins and Joanne B. Eicher, this course examines sartorial practices as social-cultural practices, shaped by many intersecting operations of power and oppression including racism, sexism, and classism, that involve modifications of the corporal form (i.e., scarification, body piercings, and hair alteration) as well as all three-dimensional supplements added to the body (i.e., clothing, hair combs, and jewelry). The emphasis on intersecting operations of power and oppression within this definition of dress draws on Kimberlé Crenshaw's conceptualization of intersectionality. Through case studies and examples from various parts of the world, we will explore multiple sources of data - documentary, material, and oral - that have come to shape the study of dress. We examine how dress intersects with facets of identity, including race, age, ethnicity, sexuality, and class.

While centering the Black experience, this course will also take a comparative view of Diaspora Studies to establish modes of confluence and difference between the Black diaspora and other worldwide diasporas. Issues to be discussed will include questions of definition and nomenclature. What is a diaspora and what are its essential features? What are the differences between victim diasporas, labor diasporas, trade diasporas, and ethno-political diasporas? What is the relationship between place and belonging, between territory and memory? How have the experiences of migration and dislocation challenged the modern assumption that the nation-state should be the limit of identification? What effect has the emergence of new communications media had upon the coherence of cultural and political boundaries? How do these questions relate to ideas about cosmopolitanism and its relation to ethical universalism? All of these questions and many more form the subject matter of Global Black Diaspora Studies. The second part of the course will continue to examine the historical and contemporary movements of peoples and the complex issues of identity and experience to which these processes give rise, as well as the creative possibilities that flow from movement and being moved. This will be done through literary examples. Texts to be discussed will include Colson Whitehead, The Underground Railroad, Nella Larsen, Passing, Dionne Brand, What We All Long For, and NoViolet Bulawayo, We Need New Names. This class focuses on literature but will also include film, non-fiction, and scholarly articles. No experience in literary study is expected, and grades are based on class discussion, short reflection papers, and an extended essay or creative project. There are no exams in this class.

An overview of the acute and chronic physical and psychological health impact of sexual abuse through the perspective of survivors of childhood, adolescent, young and middle adult, and elder abuse, including special populations such as pregnant women, military and veterans, prison inmates, individuals with mental or physical impairments. Also addresses: race/ethnicity, gender identity, sexual orientation, and other demographic and societal factors, including issues specific to college culture. Professionals with expertise in sexual assault present behavioral and prevention efforts such as bystander intervention training, medical screening, counseling and other interventions to manage the emotional trauma of abuse. Undergraduates must enroll for 3 units. To receive a letter grade in any listing, students must enroll for 3 units. This course must be taken for a letter grade and a minimum of 3 units to be eligible for Ways credit. Enrollment limited to students with sophomore academic standing or above or consent of the instructor. Human Biology students must enroll in HUMBIO 124 or AFRICAAM 127 or FEMGEN 237. Med/Grad students should enroll in SOMGEN 237 for 2 units.

In this course students will be introduced to a series of Afro-contemporary dance warm ups and dance combinations that are drawn from a broad range of dance traditions of the African diaspora with a particular focus on Afro Brazilian, Afro Cuban and Haitian dance forms, modern dance techniques, and somatic movement practices. Our study of these dance disciplines will inform the movement vocabulary, technical training, class discussions, and choreography we experience in this course. Students will learn more about the dances and rhythms for the Orishas of Brazil and Cuba, and the Loa of Haiti. Dance combinations will consist of dynamic movement patterns that condition the body for strength, flexibility, endurance, musicality and coordination. Through this approach to our warm ups and class choreography, we will deepen our analysis and understanding of how African diaspora movement traditions are inherently embedded in many expressions of the broadly termed form known as contemporary modern dance.

The built environment and the energy systems that meet its requirements is a product of decisions forged in a context of historical inequity produced by cultural, political, and economic forces expressed through decisions at individual and institutional levels. This interdisciplinary course will examine the imprint of systemic racial inequity in the U.S. that has produced a clean energy divide and a heritage of environmental injustice. Drawing on current events, students will also explore contemporary strategies that center equity in the quest for rapid technology transitions in the energy sector to address climate change, public health, national security, and community resilience. Prerequisites: By permission of the instructor. Preferable to have completed Understand Energy ( CEE 107A/207A/ EarthSys 103/ CEE 107S/207S) or a similar course at another institution if a graduate student.

This course provides students with an introductory survey of literature and cinema from Francophone Africa and the Caribbean in the 20th and 21st centuries. Students will be encouraged to consider the geographical, historical, and political connections between the Maghreb, the Caribbean, and Sub-Saharan Africa. This course will help students improve their ability to speak and write in French by introducing students to linguistic and conceptual tools to conduct literary and visual analysis. While analyzing novels and films, students will be exposed to a diverse number of topics such as national and cultural identity, race and class, gender and sexuality, orality and textuality, transnationalism and migration, colonialism and decolonization, history and memory, and the politics of language. Readings include the works of writers and filmmakers such as Aim¿ C¿saire, Albert Memmi, Ousmane Semb¿ne, Le¿la Sebbar, Mariama B¿, Maryse Cond¿, Dany Laferri¿re, Mati Diop, and special guest L¿onora Miano. Taught in French. Students are encouraged to complete FRENLANG 124 or successfully test above this level through the Language Center. This course fulfills the Writing in the Major (WIM) requirement.

Widely dispersed narratives by and about enslaved persons are our focus. We'll explore the concept of 'slave narrative' by comparing texts from the ancient Mediterranean, the Cape of Good Hope, West Africa and the United States. We'll consider famous autobiographies alongside less familiar material such as court trial records. What are the affordances, what are the limits of such narratives as historical evidence? What notions of enslaved experience emerge? How close can we come to understanding the experiences of the enslaved? How different do such experiences seem when compared across time and space? Note: graduates and advanced undergraduates wishing to read original Greek and Latin texts should register for Reading Greek and Roman Slavery ( Classics 142/242) in addition.