printer friendly pageENGLISH 172D: Introduction to Comparative Studies in Race and Ethnicity (CSRE 196C, PSYCH 155, SOC 146, TAPS 165)
How different disciplines approach topics and issues central to the study of ethnic and race relations in the U.S. and elsewhere. Lectures by senior faculty affiliated with CSRE. Discussions led by CSRE teaching fellows. Includes an optional Haas Center for Public Service certified Community Engaged Learning section.
Terms: Win
| Units: 5
| UG Reqs: GER:DB-SocSci, GER:EC-AmerCul, WAY-EDP, WAY-SI
ENGLISH 172E: The Literature of the Americas (AMSTUD 142, COMPLIT 142, CSRE 142)
A wide-ranging overview of the literatures of the Americas inncomparative perspective, emphasizing continuities and crises that are common to North American, Central American, and South American literatures as well as the distinctive national and cultural elements of a diverse array of primary works. Topics include the definitions of such concepts as empire and colonialism, the encounters between worldviews of European and indigenous peoples, the emergence of creole and racially mixed populations, slavery, the New World voice, myths of America as paradise or utopia, the coming of modernism, twentieth-century avant-gardes, and distinctive modern episodes--the Harlem Renaissance, the Beats, magic realism, Noigandres--in unaccustomed conversation with each other.
Last offered: Winter 2013
| UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II
ENGLISH 175C: Literature and Culture of the American Landscape
This course examines a wide range of American literary engagements with nature: as a determinant of national character and destiny; as a source of spiritual, sexual, and moral revitalization; as a battleground for the survival of races and ethnicities; as a molding mechanism of citizenship and gender; as the basis of a national art and culture; and as a resource for exploitation or preservation.
Terms: Win
| Units: 5
| UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II, WAY-EDP
Instructors:
Spingarn, A. (PI)
ENGLISH 182J: "When We Dead Awaken": Breakthroughs in Conceptions of the Gendered Self in Literature and the Arts (FEMGEN 112, FEMGEN 212)
Remarkable breakthroughs In conceptions of the gendered self are everywhere evident in literature and the arts, beginning primarily with the Early Modern world and continuing into today. Many of these works inhere in innovations in literary and artistic forms in order to capture and even evoke the strong cognitive, or psychological, dimension of such ¿awakenings.¿ The reader, or viewer, is often challenged to adapt her or his mind to new forms of thought, such as John Donne¿s seventeenth century creation of the Dramatic Monologue, a form popular with modern writers, which requires the reader¿s cognitive ¿presence¿ in order to fill out the dramatic scene. In so doing, the reader often supplies the presence of the female voice and thereby enters into her self-consciousness and inner thoughts. Adrienne Rich, for example, specifically ¿rewrites¿ one of Donne¿s major poems from the female perspective. This can be, in Rich¿s words, an ¿awakening¿ for the active reader, as he or she assumes that often-unspoken female perspective. The course will also explore male conceptions of the self and how such conceptions are often grounded in cultural attitudes imposed on male subjects, which can contribute to gender-bias toward women, a subject often neglected in exploring gendered attitudes, but which is now gaining more study, for example, in Shakespeare¿s ¿Othello.¿ Readings from recent developments in the neurosciences and cognitive studies will be included in our study of artistic forms and how such forms can activate particular mindsets. Writers and artists will include Shakespeare, Michelangelo, John Donne, Virginia Woolf, Adrienne Rich, Gertrude Stein, Picasso, June Wayne, and Edward Albee¿s 1960¿s play, ¿Who¿s Afraid of Virginia Woolf?¿
Terms: Spr
| Units: 4-5
Instructors:
Brooks, H. (PI)
ENGLISH 183F: Introduction to Critical Theory
An introduction to critical theory, beginning with some of the defining moments of its history in the 20th century, to current developments in the field in the context of the contemporary global skepticism of humanistic critique, both in its institutional capacity and within the larger public sphere. Texts by Louis Althusser, Michel Foucault, Helene Cixous, Michael Hardt and Antonio Negri, Edward Said, David Lodge and others.
Terms: Aut
| Units: 5
| UG Reqs: GER:DB-Hum
Instructors:
Majumdar, S. (PI)
ENGLISH 184: The Novel, the Global South (COMPLIT 123)
Literary inventiveness and social significance of novelistic forms from the Great Depression to the present.
Terms: Win
| Units: 5
| UG Reqs: GER:DB-Hum, WAY-A-II, WAY-EDP
Instructors:
Saldivar, J. (PI)
ENGLISH 184B: Text and Context in Humanities: Oedipus and His Vicissitudes
Tales of Modernity from Sophocles, Freud, Chekhov, Babel, and Woolf. Introduction to cross-disciplinary approach in humanities through foundational texts in the modern tradition. The main focus is on Sigmund Freud's Totem and Taboo (1913), alongside his ancillary writings. Contemporary social thought and historical scholarship provide the context (Georg Simmel, Norbert Elias, Karl Schorske, John Murray Cuddihy) while works of imaginative literature (Sophocles, Anton Chekhov, Isaac Babel, and Virginia Woolf) illuminate the significance of the Oedipus myth for understanding the inter-generational conflict in antiquity and modernity.
Last offered: Winter 2010
| UG Reqs: GER:DB-Hum
ENGLISH 184C: Data and Knowledge in the Humanities
How different disciplines understand and use data, and how skills such as interpretation and critical thought work with data to create knowledge. How the introduction of mathematics reshaped disciplines like cosmology and sociology in the past and how, in the present, the humanities are facing the same challenges with the emergence of fields such as spatial history and the digital humanities. In addition to readings and class discussion, this course will also feature guest lectures from scholars from different disciplines, including the natural and social sciences, who will discuss how their fields create knowledge from data.
Terms: Win
| Units: 5
| UG Reqs: GER:DB-Hum
Instructors:
Algee-Hewitt, M. (PI)
ENGLISH 184H: Text Technologies: A History (STS 200D)
Beginning with cave painting, carving, cuneiform, hieroglyph, and other early textual innovations, survey of the history of writing, image, sound, and byte, all text technologies employed to create, communicate and commemorate. Focus on the recording of language, remembrance and ideas explicating significant themes seen throughout history; these include censorship, propaganda, authenticity, apocalypticism, technophobia, reader response, democratization and authority. The production, transmission and reception of tablet technology, the scroll, the manuscript codex and handmade book, the machine-made book, newspapers and ephemera; and investigate the emergence of the phonograph and photograph, film, radio, television and digital multimedia.The impact of these various text technologies on their users, and try to draw out similarities and differences in our cultural and intellectual responses to evolving technologies. STS majors must have senior status to enroll in this senior capstone course.
Terms: Aut
| Units: 5
| UG Reqs: GER:DB-Hum, WAY-A-II, WAY-SI
Instructors:
Treharne, E. (PI)
ENGLISH 186: Tales of Three Cities: New York, Chicago, Los Angeles (AMSTUD 186)
How urban form and experience shape literary texts and how literary texts participate in the creation of place, through the literature of three American cities as they ascended to cultural and iconographical prominence: New York in the early to mid 19th century; Chicago in the late 19th and early 20th centuries; and Los Angeles in the mid to late 20th century.
Terms: Win
| Units: 5
| UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II
Instructors:
Richardson, J. (PI)
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