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221 - 230 of 235 results for: TAPS

TAPS 374A: Performance Making: Production (TAPS 174A)

A structured, creative environment for students working toward the realization of Senior Projects and 2nd year graduate productions. Instructors will work with students to develop the relationships between the content and the form of their productions using critical and creative tools to develop and reflect on the work. There will be a staged class showing at the end of the quarter followed by critiques designed to help students as they begin preparing for their final public performances (beyond the class).
Last offered: Autumn 2013

TAPS 375: Main Stage Production

Production of a full-length play as part of the Department of Drama season. Public performance.
Last offered: Autumn 2013 | Repeatable for credit

TAPS 376: Projects in Performance

Creative projects to be determined in consultation with Drama graduate faculty and production advisor
Terms: Win | Units: 4 | Repeatable 2 times (up to 10 units total)

TAPS 377: Graduate Directors' Staged Reading Project

Presentation of a new or newly adapted work for the stage, in a mode employed in professional theater for the development of new plays. Two to four rehearsals. Public performance.
Terms: Aut, Win, Spr, Sum | Units: 2 | Repeatable for credit

TAPS 379: Chicano & Chicana Theater: Politics In Performance (CHILATST 179, TAPS 179)

This is a practicum course, where the basic tenets and evolving politic and philosophies of Chicano and Latin American liberationist theater are examined through direct engagement with its theatrical forms, including, social protest & agit-prop, myth & ritual, scripting through improvisation, in-depth character and solo work, collective conceptualization and more. The course will culminate in an end-of-the quarter play performance in the Nitery Theater (Old Union) and at a Mission District theater in San Francisco.
Terms: Spr | Units: 4
Instructors: Moraga, C. (PI)

TAPS 379A: Empathy Lab II: The Potential of Anthropology for the 21st Century (ANTHRO 379A)

This interdisciplinary arts/anthropology lab class will study and practice methods from performing arts to expand our understandings of cultural contact and develop methods of thinking more expansively about the creative elements and possibilities for ethnographic fieldwork and critical cultural studies. Prerequisite, by instructor consent.
Terms: Win | Units: 1-5 | Repeatable 2 times (up to 10 units total)
Instructors: Jain, S. (PI)

TAPS 381: Instantaneous, Incessant, Infinite: Time and Performance

Time is the most fundamental and elusive aspect of performance. In this graduate seminar we will investigate time in performance from various perspectives: while getting acquainted with some of the most prominent recent conceptualizations of temporality (Henri Bergson, Marin Heidegger, Gilles Deleuze) we will also explore questions of politics of temporality, ethnographic and sociological study of time, and its peculiar place within literary studies. Most of all, we will investigate complex temporality of performance: from performances of great magnitude, to micro performances, to performance as a medium of time¿s commodification. While drawing on questions that emerge from PSi 19: Performance and Temporality, we will explore some aspects of this theme that were insufficiently addressed in the conference.
Last offered: Winter 2014

TAPS 382: Brecht (GERMAN 283)

Arguably the most influential theatrical artist of the twentieth century, Bertolt Brecht continues to be a lightning rod for debates over art and politics. This course will consider Brecht as playwright, director, and theorist. Alongside reading and discussing texts such as Threepenny Opera, Mother Courage, and Galileo, students will also be expected to participate in occasional in-class performances in order better to grapple with his plays and theories. No previous theatrical experience is necessary.
Last offered: Spring 2015

TAPS 383: Performance and Transnationalism

Coming soon
Last offered: Spring 2015

TAPS 384: Empathy Lab (ANTHRO 379, TAPS 284)

This lab-based class examines the ways in which various disciplines and art forms conceive of, and tell stories about, the experiences and stories of others. With permission of instructor.
Last offered: Winter 2015
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