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1 - 8 of 8 results for: FILMPROD

FILMPROD 101T: Writing the Television Pilot (FILMPROD 301T)

A writing workshop in which students are introduced to the basic structures and genre of television pilots and to writing within the screenwriting/television writing form. Students will develop, outline, and workshop their own original pilot episode and series bible. Serves as a prerequisite for FP104 Intermediate Screenwriting. Enrollment by decision of instructor. Limited to 16 students. Priority will be given to film studies majors and minors, then seniors, with extra preference for students who have tried unsuccessfully to take the class in the past. You must attend the first meeting; the class list will be finalized after that first session.
Terms: Win | Units: 5 | UG Reqs: WAY-CE
Instructors: Tobin, A. (PI)

FILMPROD 102: Topics in Screenwriting: Inside the Writers' Room

A workshop where Showrunner and Stanford alum Cheo Hodari Coker guides a select group of students through the writers' room process: workshopping a single idea into the first act of a television show while also shaping their individual script ideas as a means of teaching basic television writing structure. Students will read and analyze successful pilots as well as learn how to develop outlines, write scenes and do a weekly "table read" of a scene. Coker will also invite working showrunners, in person and virtually, to talk about their process and answer questions about the fastest growing medium in visual entertainment.
Terms: Win | Units: 5

FILMPROD 114: Introduction to Film and Video Production

Hands-on. Techniques of film and video making including conceptualization, visualization, story structure, cinematography, sound recording, and editing. Enrollment limited to 12 students. Priority to junior/senior Film & Media Studies majors. Admission determined on the first day of class.
Terms: Win, Spr | Units: 5 | UG Reqs: WAY-CE

FILMPROD 118: Remixing the Moving Image

Focusing on the art of editing, and specifically repurposing `found' footage, this hands-on filmmaking course will immerse students in the rich cinematic tradition of appropriating existing footage and remixing it into provocative, personal, and even subversive new work. No prior filmmaking experience required.
Terms: Win | Units: 4
Instructors: Keca, S. (PI)

FILMPROD 402: Digital Video

Restricted to M.F.A. documentary students. Fundamentals of digital storytelling. Working with small format cameras, interviewing techniques, and nonlinear editing skills. Prerequisite: consent of instructor.
Terms: Win | Units: 4
Instructors: Meltzer, J. (PI)

FILMPROD 406A: Documentary M.F.A. Thesis Seminar I

Restricted to M.F.A. documentary students. Production of film or video project. Focus is on shooting strategies, ethical challenges, and practical production issues. Prerequisite: consent of instructor.
Terms: Win | Units: 5
Instructors: Meltzer, J. (PI)

FILMPROD 450: INDEPENDENT STUDY

Independent study supervised by Documentary Film faculty; available to DocFilm MFA students only. Permission of instructor required to enroll.
Terms: Win, Spr | Units: 4-5

FILMPROD 801: TGR Project

Terms: Aut, Win, Spr, Sum | Units: 0 | Repeatable for credit
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