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51 - 60 of 88 results for: COMPLIT

COMPLIT 310: Introduction to Comparative Queer Literary Studies (COMPLIT 110, FEMST 110)

Introduction to the comparative literary study of important gay, lesbian, queer, bisexual, and transgender writers and their changing social, political, and cultural contexts from the 1890s to today: Wilde, Gide, Lucie Delarue-Mardrus, Radclyffe Hall, E.M. Forster, Thomas Mann, Georges Bataille, James Baldwin, Jean Genet, Jeanette Winterson, Sarah Waters, Audre Lorde, discussed in the context of 20th-century feminist and queer literary and social theories of gender and sexuality (Judith Butler, Eve Sedgwick, Julia Serano, and others).
Terms: Win | Units: 3-5
Instructors: Dierkes, P. (PI)

COMPLIT 311C: German Capstone: Reading Franz Kafka (COMPLIT 111, GERMAN 190, GERMAN 390, JEWISHST 147, JEWISHST 349)

This class will address major works by Franz Kafka and consider Kafka as a modernist writer whose work reflects on modernity. We will also examine the role of Kafka's themes and poetics in the work of contemporary writers. (Meets Writing-in-the-Major requirement)
Terms: Win | Units: 3-5

COMPLIT 312: Oscar Wilde and the French Decadents (COMPLIT 112, FRENCH 112, FRENCH 312)

Close reading of Oscar Wilde's work together with major texts and authors of 19th-century French Decadence, including Symbolism, l'art pour l'art, and early Modernism. Points of contact between Wilde and avant-garde Paris salons; provocative, creative intersections between (homo)erotic and aesthetic styles, transgression; literary and cultural developments from Baudelaire to Mallarmé, Huysmans, Flaubert, Rachilde, Lorrain, and Proust compared with Wilde¿s Salomé, Picture of Dorian Gray, and critical writings; relevant historical and philosophical contexts. All readings in English; all student levels welcome.
Terms: Aut | Units: 3-5
Instructors: Dierkes, P. (PI)

COMPLIT 313A: Martin Heidegger (COMPLIT 213A, GERMAN 282, GERMAN 382)

Working through the most systematically important texts by Martin Heidegger and their historical moments and challenges, starting with Being and Time (1927), but emphasizing his philosophical production after World War II. The philological and historical understanding of the texts function as a condition for the laying open of their systematic provocations within our own (early 21st-century) situations. Satisfies the capstone seminar requirement for the major tracks in Philosophy and Literature. Taught in English.
Terms: Aut | Units: 3-5

COMPLIT 31SI: What is Neoconservatism? The Movement's History and Ideas

Its thinking from its communist roots, through the changes of the 60s, the rise of conservatism in the 80s, and the invasion of Iraq. Readings include Irving Kristol, Jeane Kirkpatrick, Daniel P. Moynihan, and David Brooks. Guest lecturers from supporters and critics.

COMPLIT 320A: Epic and Empire (ENGLISH 314)

Focus is on Virgil's Aeneid and its influence, tracing the European epic tradition (Ariosto, Tasso, Camoes, Spenser, and Milton) to New World discovery and mercantile expansion in the early modern period.
Terms: Spr | Units: 5
Instructors: Parker, P. (PI)

COMPLIT 325: Rethinking Comparative Literary Study Outside of Academia

This graduate seminar will serve three primary purposes: 1) we will create and inspire a dialogue to help us think through the application of comparative literary study in non-academic contexts, 2) we will refine our ideas by applying them in various exercises and settings, and, as a result, 3) we will need to investigate what is meant by the phrase `critical thinking¿. nnBroadly speaking, this seminar represents a forum for thinking creatively about the unique skills of a doctoral student as well as the specific challenges that await when pursuing career opportunities outside of academia. The goal is to come out of the seminar with a heightened appreciation of the humanities skill set in applications that may present new opportunities for the student. Texts will be highly cross-disciplinary, drawing from legal, financial, and technological traditions and mediums. No pre-requisites required.
Instructors: Wong, D. (PI)

COMPLIT 327: Genres of the Novel (FRENCH 327)

Provides students with an overview of major genres in the history of the modern novel. Novels might include works by Cervantes, Defoe, Lafayette, Radcliffe, Goethe, Balzac, Woolf, and Marquez, coupled with theory by Lukacs, Bahktin, Jameson and Barthes.
Terms: Spr | Units: 5
Instructors: Cohen, M. (PI)

COMPLIT 333: Gender and Modernism (COMPLIT 133)

Gender and sexuality in trans-Atlantic modernist literature and culture from the 1880s-1930s. Topics include the 19th-century culture wars and the figures of the dandy and the New Woman; modernist critiques of Enlightenment rationality; impact of World War I on gender roles; gender and the rise of modern consumer culture, fashion, design; the modernist metropolis and gender/sexuality; the avant-garde and gender; literary first-wave feminism; homoerotic modernism; modernism in the context of current theories of gender and sexuality.
Terms: Spr | Units: 3-5
Instructors: Dierkes, P. (PI)

COMPLIT 334B: Concepts of Modernity 2: The Study of Culture in the Age of Globalization (ENGLISH 334B, MTL 334B)

A survey of 20th-century theory with focus on the concept of culture and methods of studying it from diverse disciplines including, anthropology, historical sociology, literary and cultural studies. Discussions will emphasize modernization, transmodernization and globalization processes in their relations to culture broadly understood, cultures in their regional, national and diasporic manifestations, and cultures as internally differentiated (high and low culture, subcultures, media cultures).
Terms: Win | Units: 5
Instructors: Saldivar, J. (PI)
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