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131 - 140 of 205 results for: MUSIC

MUSIC 181: Jazz Combos

Admission based on audition. These small jazz ensembles meet weekly and typically include coaching, one masterclass and one performance per quarter. May be repeated for credit. All participants must enroll. Zero unit enrollment option available with instructor permission. See website for policy, procedure, and audition information: https://music.stanford.edu/stanford-jazz-combos
Terms: Aut, Win, Spr | Units: 1 | UG Reqs: WAY-CE | Repeatable 15 times (up to 15 units total)

MUSIC 181Z: Jazz Combos

Admission based on audition. These small jazz ensembles meet weekly and typically include coaching, one masterclass and one performance per quarter. May be repeated for credit. All participants must enroll. Zero unit enrollment option available with instructor permission. See website for policy, procedure, and audition information: https://music.stanford.edu/stanford-jazz-combos
Terms: Aut, Win, Spr | Units: 0 | Repeatable 15 times (up to 0 units total)

MUSIC 184B: Topics on the Musical Stage (TAPS 184B)

This course is a practical workshop in vocal repertoire for the stage. Each quarter's offering emphasizes a specific genre or period, therefore the course can be repeated with permission of the instructor. In addition to broadening the student's knowledge of vocal repertoire, the following skills are developed: text preparation, foreign language translation and diction; rehearsal etiquette for performance and/or recording. Enrollment by audition only. Prerequisite: vocal or instrumental instruction, as the class is open to singers or collaborative artists. May be repeated for credit a total of 4 times. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure. By enrolling in this course you are giving consent for the video and audio recording and distribution of your image and performance for use by any entity at Stanford University.
Terms: Aut, Win | Units: 1-3 | UG Reqs: WAY-CE | Repeatable 4 times (up to 12 units total)

MUSIC 184BZ: Topics on the Musical Stage

This course is a practical workshop in vocal repertoire for the stage. Each quarter's offering emphasizes a specific genre or period, therefore the course can be repeated with permission of the instructor. In addition to broadening the student's knowledge of vocal repertoire, the following skills are developed: text preparation, foreign language translation and diction; rehearsal etiquette for performance and/or recording. Enrollment by audition only. Prerequisite: vocal or instrumental instruction, as the class is open to singers or collaborative artists. May be repeated for credit a total of 4 times. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure. By enrolling in this course you are giving consent for the video and audio recording and distribution of your image and performance for use by any entity at Stanford University.
Terms: Aut, Win | Units: 0 | Repeatable 4 times (up to 0 units total)

MUSIC 192A: Foundations of Sound-Recording Technology

This course serves as an introduction to the recording facilities and technology at CCRMA. Through lectures and assignments students learn and practice various studio recording techniques. They also become familiarized with home and field recording practices. The course addresses various audio engineering topics: room acoustics, studio operation and maintenance, microphone selection and placement, analog and digital recording, audio editing and mixing, and audio effects processing (equalization, compression, convolution reverb, etc.). Prerequisite: MUSIC 101 or consent of instructor.
Terms: Aut | Units: 3 | UG Reqs: GER:DB-EngrAppSci, WAY-SMA

MUSIC 192C: Session Recording

Independent engineering of recording sessions combined with instruction in the use and maintenance of other CCRMA audio/studio facilities and equipment that is required for the realization of studio informed artistic projects. Students will explore how ideas such as acoustic phenomena, interactivity, or new instruments can augment their studio practice. May be repeated for credit a total of 14 times (1 unit per quarter throughout the year - recommended - or 3 units in Spring). Prerequisite: Consent of instructor.
Terms: Aut, Win, Spr | Units: 1-3 | Repeatable 15 times (up to 30 units total)

MUSIC 197: Undergraduate Teaching Apprenticeship

Work in an apprentice-like relationship with faculty teaching a student-initiated course. Prerequisite: consent of instructor. (Staff)
Terms: Aut, Win, Spr | Units: 1-2

MUSIC 198: Concentrations Project

For concentration program participants only. Must be taken in senior year. Multiple concentrators may enroll in one section of 198 per concentration.
Terms: Aut, Win, Spr | Units: 2-4 | Repeatable 5 times (up to 20 units total)

MUSIC 199: Independent Study

For advanced undergraduates and graduate students who wish to do work outside the regular curriculum. Before registering, student must present specific project and enlist a faculty sponsor. May be repeated for credit a total of 14 times.
Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable 15 times (up to 75 units total)
Instructors: Abel, J. (PI) ; Alessandrini, P. (PI) ; Applebaum, M. (PI) ; Aquilanti, G. (PI) ; Arul, E. (PI) ; Arul, K. (PI) ; Bar-David, E. (PI) ; Berger, J. (PI) ; Berger, K. (PI) ; Berger, T. (PI) ; Berners, D. (PI) ; Bosi, M. (PI) ; Brandenburg, M. (PI) ; Brotzman, S. (PI) ; Catsalis, M. (PI) ; Chafe, C. (PI) ; Chowning, J. (PI) ; Clements, T. (PI) ; Clevenger, J. (PI) ; Costache, I. (PI) ; Costanza, C. (PI) ; Costigan-Kerns, L. (PI) ; Dahl, L. (PI) ; DeMarinis, P. (PI) ; Doheny, A. (PI) ; Ferguson, C. (PI) ; Fong, D. (PI) ; Fujioka, T. (PI) ; Gill, D. (PI) ; Grey, T. (PI) ; Hadlock, H. (PI) ; Harms, D. (PI) ; Harrison, S. (PI) ; Hawley, A. (PI) ; Hinton, S. (PI) ; Holmes, M. (PI) ; Jennings, K. (PI) ; Kapuscinski, J. (PI) ; Kenley, M. (PI) ; Kretz, H. (PI) ; Kronengold, C. (PI) ; Lee, J. (PI) ; Linduska, M. (PI) ; Lopez-Lezcano, F. (PI) ; Low, M. (PI) ; Luftman, A. (PI) ; MacNeill, D. (PI) ; Mahrt, W. (PI) ; Martin, A. (PI) ; Morgan, R. (PI) ; Moyer, B. (PI) ; Myers, H. (PI) ; Mysore, G. (PI) ; Nadel, J. (PI) ; Olivier, R. (PI) ; Payne, C. (PI) ; Phillips, P. (PI) ; Psarras, P. (PI) ; Ragent, L. (PI) ; Robertson, L. (PI) ; Rodin, J. (PI) ; Rose, F. (PI) ; Sano, S. (PI) ; Schultz, T. (PI) ; Selfridge-Field, E. (PI) ; Sharp, R. (PI) ; Sherriff, S. (PI) ; Slaney, M. (PI) ; Smith, J. (PI) ; Ulman, E. (PI) ; Uyechi, L. (PI) ; Van Dyke, K. (PI) ; Virzi, N. (PI) ; Wang, G. (PI) ; Weldy, F. (PI) ; Wright, M. (PI) ; You, H. (PI) ; Zerlang, T. (PI) ; Howard, R. (SI)

MUSIC 201: CCRMA Colloquium

Weekly review of work being done in the field, research taking place at CCRMA, and tools to make the most of the CCRMA technical facilities.
Terms: Aut | Units: 1
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