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271 - 280 of 320 results for: MUSIC

MUSIC 286C: Music and the Postcolonial World (MUSIC 186C)

Explores the creation and dissemination of music in postcolonial settings. Focus is on the relationships between music, nationalism, and globalization and the ways in which postcolonial music confounds and exceeds territorial boundaries: through colonial travel, postcolonial diaspora, technologies of radio and sound recording, and the global capitalist commodification of world music. Specific topics on these themes include studies of Algeria, India, West Africa, and South Africa.
Terms: Aut | Units: 3-4
Instructors: Kieffer, A. (PI)

MUSIC 286D: Hearing and Seeing in the Long Nineteenth Century (HISTORY 241E, HISTORY 341E, MUSIC 186D)

Ideas about vision and hearing in science and culture from 1790 through 1910. The development of sensory physiology in the wake of Kant's Critique of Pure Reason, including Maine de Biran, Goethe, Helmholtz. Treatments of the senses in different spheres of culture and the arts: Baudelaire's flâneur, Impressionist painting, sound-reproduction technologies, the musical avant-garde, early cinema. Case studies include Cézanne, Debussy, and Russolo. Focus is on the complex relationships between science and culture and the role of the senses in the formation of the 'modern' subject. HISTORY241E/341E must be taken for 4 units.
Terms: Win | Units: 3-4
Instructors: Kieffer, A. (PI)

MUSIC 300B: Renaissance Notation

Western notation of the Middle Ages and Renaissance: principles, purposes, and transcription.
Terms: Spr | Units: 4
Instructors: Rodin, J. (PI)

MUSIC 302: Research in Musicology

Directed reading and research. May be repeated for credit a total of 14 times.
Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable 14 times (up to 70 units total)

MUSIC 310: Research Seminar in Musicology

For graduate students. Topics vary each quarter. May be repeated for credit a total of 8 times.
Terms: Aut, Win, Spr | Units: 3-5 | Repeatable 9 times (up to 45 units total)

MUSIC 312A: Aesthetics and Criticism of Music, Ancients and Moderns: Plato to Nietzsche

For graduate students. Primary texts focusing on the nature, purposes, and uses of music and other arts.
Terms: Aut | Units: 4
Instructors: Berger, K. (PI)

MUSIC 312B: Aesthetics and Criticism of Music, Contemporaries: Heidegger to Today

For graduate students. Primary texts focusing on the nature, purposes, and uses of music and other arts.
Terms: Win | Units: 4
Instructors: Berger, K. (PI)

MUSIC 318: Advanced Acoustics

Current topics. May be repeated for credit.
Terms: Spr | Units: 1-5 | Repeatable for credit
Instructors: Rossing, T. (PI)

MUSIC 319: Research Seminar on Computational Models of Sound Perception

All aspects of auditory perception, often with emphasis on computational models. Topics: music perception, signal processing, auditory models, pitch perception, speech, binaural hearing, auditory scene analysis, basic psychoacoustics, and neurophysiology. See http://ccrma.stanford.edu/courses/. May be repeated for credit a total of 14 times.
Terms: Aut, Win, Spr | Units: 1-3 | Repeatable 15 times (up to 45 units total)
Instructors: Slaney, M. (PI)

MUSIC 320A: Introduction to Audio Signal Processing Part I: Spectrum Analysis

Digital signal representations and transforms for music and audio research. Topics: complex numbers, sinusoids, spectrum representation, sampling and aliasing, the Discrete Fourier Transform (DFT), Fourier theorems, z transform, Laplace transform, and associated Matlab software. See http://ccrma.stanford.edu/courses/320/.
Terms: Aut | Units: 3-4
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